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Paris – Takashi Murakami: “Learning the Magic of Painting” at Galerie Perrotin Through December 23rd, 2016

Thursday, November 10th, 2016

Takashi Murakami Interviewed in Complex

Thursday, September 29th, 2016

Takashi Murakami Interviewed in WSJ

Wednesday, September 14th, 2016

Takashi Murakami Writes on Collecting for New York Times

Wednesday, February 3rd, 2016

Takashi Murakami Showing Private Collection in Yokohama

Friday, August 28th, 2015

Takashi Murakami Collaboration with Vans Launches this Saturday

Friday, June 26th, 2015

Takashi Murakami Dines with Financial Times at His Studio

Sunday, June 21st, 2015

Takashi Murakami Interviewed for Nowness

Friday, January 9th, 2015

New York – Takashi Murakami: “In the Land of the Dead, Stepping on the Tail of a Rainbow” at Gagosian Gallery Through January 17th, 2014

Friday, December 12th, 2014

Milan – Takashi Murakami: “Arhat Cycle” at Palazzo Reale Through September 7th, 2014

Thursday, September 4th, 2014

Takashi Murakami’s Jellyfish Eyes Prepares to Tour U.S.

Friday, April 25th, 2014

Takashi Murakami’s “Jellyfish Eyes” Characters Included in Harper’s Bazaar Spread

Thursday, November 7th, 2013

Hong Kong – Takashi Murakami at Galerie Perrotin, through July 6th 2013

Tuesday, July 2nd, 2013

Takashi Murakami Interviewed by Nowness

Friday, June 14th, 2013

Takashi Murakami Profiled on Bloomberg TV

Thursday, May 23rd, 2013

Los Angeles – Takashi Murakami: “Arhat” at Blum and Poe Gallery Through May 25th, 2013

Saturday, May 11th, 2013

Takashi Murakami’s Directorial Debut Set to Premiere at LACMA

Saturday, April 6th, 2013

Doha, Qatar: Takashi Murakami at the Museum of Islamic Art through June 24, 2012

Thursday, March 1st, 2012

AO On Site – Paris: Galleries Night Out, featuring events at Thaddaeus Ropac (Alex Katz, Banks Violette), Emmanuel Perrotin (Takashi Murakami, Xavier Veilhan, Wim Delvoye), and Chantal Crousel (Thomas Hirschhorn, Wolfgang Tillmans), October 20, 2011

Saturday, October 22nd, 2011

Go See – London: Takashi Murakami at Gagosian Gallery Britannia Street through August 5th

Monday, July 25th, 2011

Go See – Rome: Takashi Murakami at Gagosian Gallery through January 15th, 2011

Friday, December 24th, 2010

Go See-Versailles: Takashi Murakami at the Château de Versailles through December 12th, 2010

Saturday, September 18th, 2010

AO News summary: Forthcoming Takashi Murakami Exhibition at the Chateau de Versailles draws protests

Thursday, September 2nd, 2010

Go See – New York: Takashi Murakami’s ‘A Picture Of The Blessed Lion Who Stares At Death’ at Gagosian Gallery through October 24, 2009

Monday, October 5th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Anish Kapoor Calls Article 50 Invocation for Brexit “Heartbreaking”

March 30th, 2017

Anish Kapoor, via Art NewspaperAnish Kapoor has commented on the UK invoking Article 50 in order to leave the EU, calling the event “heartbreaking.”  “It’s one of those things that goes against the flow of history,” he says.  “Frankly, nationalism diminishes ourselves. We want more than that, we want a bigger, more open vision.”
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Turner Prize Drops Age Limit for Qualifying Artists

March 30th, 2017

Tate Britain, via TelegraphThe Turner Prize has changed its eligibility rules, allowing artists over the age of 50 to qualify for the award for the first time.  “The Turner prize has always championed emerging artists,” says Alex Farquharson, the director of Tate Britain. “It has never been a prize for long service but for a memorable presentation of work in that year. Now that its reputation is so firmly established, we want to acknowledge the fact that artists can experience a breakthrough in their work at any stage.”
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Donald Judd’s Design Work Profiled in WSJ

March 30th, 2017

tkThe Wall Street Journal has a piece on Donald Judd’s design work this month, focusing on the artist’s desks, chairs and other furniture often made for his studio and home, and which are now seeing renewed interest by curators and designers.  “I would put Judd’s furniture together with his sculpture, his writings, his houses,” says curator Ann Temkin. “The idea that a whole room would contain one simple steel box and Judd would consider it full has had a huge influence on the architecture and design world over the last 25 years.”
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