Go See- London: "Women" by Egon Schiele at Richard Nagy Gallery through June 30th, 2011
Saturday, June 25th, 2011
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Egon Schiele, Adele with Dog (1917), via Richard Nagy Gallery
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Egon Schiele, Adele with Dog (1917), via Richard Nagy Gallery
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Ai Weiwei and his sunflower seeds in the Turbine Hall of the Tate Modern, via NY Times
Currently on view in the Tate Modern’s Turbine Hall is Sunflower Seeds (2010) a work by Chinese artist and political activist Ai Weiwei for the 11th commission in the Unilever Series. The work is made up of a millions of small hand-crafted porcelain works each sculpted and painted uniquely by Chinese specialists working in workshops in the small town of Jingdezhen. Hundreds of skilled hands worked together to produce the 100 million sunflower seeds poured into the Turbine Hall’s vast space.
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Sunflower Seeds (2010) by Ai Weiwei , via Tate Modern
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Inside the Bermondsey Street warehouse, via NovaLoca
London art dealer Jay Jopling has just announced that the former Recall warehouse in Bermondsey Street will soon be converted to a gallery under his White Cube umbrella. Jopling, through White Cube, represents such artists as Jake & Dinos Chapman, Tracey Emin, Damien Hirst, Gary Hume, Marc Quinn and his former wife Sam Taylor-Wood, among others.
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Jay Jopling, via The Rich Life
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Sky Mirror, Red (2009) by Anish Kapoor, via The Guardian
On view in London’s Kensington Gardens is a major exhibition of outdoor sculpture by London-based artist Anish Kapoor. Presented jointly by the Serpentine Gallery and the Royal Parks, the exhibition displays works not previously shown together in London. Dispersed throughout the gardens, Kapoor’s sculptures are made from highly-reflective stainless steel, which create large mirrored surfaces to distort the image the surrounding environment.
C-Curve (2007) by Anish Kapoor, via The Guardian
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I am Sad Leyla by Hussein Chalayan, via Lisson Gallery
My approach has always been interdisciplinary; the new work is an extension of this. There is a certain freedom to working in an art context that has allowed me to further explore the ideas that underpin my work.
-Hussein Chalayan
Currently on view at the Lisson Gallery in London is I am Sad Leyla (Üzgünüm Leyla) an exhibition presenting an installation and a film piece by Turkish fashion designer Hussein Chalayan. The designer filmed the Turkish Pop Star Sertab Erener performing the classical Turkish song “I am Sad Leyla” with the accompaniment of an Ottoman orchestra. Visitors will find a life-size sculpture of Erener dressed in Chalayan’s updated version of a traditional Turkish costume upon entering the gallery and they will hear the sound of her voice from the film of her singing playing in the next room.
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A spiraling sculpture designed by Turner Prize-winning artist Anish Kapoor, in collaboration with leading structural designer, Cecil Balmond, has been chosen as the monument to mark the London 2012 Olympic Games. When finished, the 377-foot sculpture will stand taller than Big Ben or the Statue of Liberty and is set to dominate the east London landscape, perhaps as a permanent attraction for generations to come. Kapoor and Balmond’s Orbit, which will be placed between the aquatics center and the main stadium, was chosen from a shortlist of three, beating tower-based bids by the artist Antony Gormley and the architects Caruso St John.Indian steel magnet, Lakshmi Mittal, is providing about $24 million of the total cost of the structure, with the remaining amount coming from the Greater London Authority. From the beginning, the award of the Olympics to London has been regarded as bad news and so, the unveiling of this colossal monument has provided much opportunity for jestering. Officially titled ArcelorMittal Orbit, suggested nicknames are rolling in thick and fast: The Guardian favored suggestions such as ‘The Leaning Tower of Umbilical Cord’, another suggested ‘Hubble Bubble’ or the ‘Colossus of Stratford’
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Paris Bar, Martin Kippenberger
To celebrate Frieze Art Fair, currently underway in London’s Regent’s Park, Christie’s auction house held a series of auctions selling Post-War and Contemporary Art – the most notable of which occurred last night, October 16, and saw many record-breaking sales. The presale estimate for the evening auction was £6.8 million and in the end all but 1 of the 25 contemporary works sold, totaling £11.2 million. It is of course relevant to note that the totals are down incredibly from last year’s estimates of £57.8 million – £75.6 million for Christie’s Contemporary Art Evening Sale in London on Sunday, October 19th of last year. That said, the leading highlights included significant works by Peter Doig, Martin Kippenberger, Damien Hirst, Gerhard Richter, Neo Rauch, Dash Snow, Pino Pascali and a rare, early rediscovered drawing by Lucian Freud. All sale totals stated in this article include buyer’s premiums and come directly from Christie’s official website or courtesy of The Baer Faxt.
Stellwerk (Signal Box), Neo Rauch
Related Links:
Christie’s Homepage
Christie’s Sells $18.3 million, Lures Buyers with Low Estimates [Bloomberg]
Sotheby’s and Christie’s Auction Within Estimates [Reuters]
Auction Reports: post-war and contemporary art [The Art Newspaper]
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Helvoetsluys – the City of Utrecht, 64, Going to Sea, Joseph Mallord William Turner (Exh 1832). Via Tate
In acknowledgment of the grand artistic tradition of admiration, imitation and competition, through January 31 Tate Britain will present the work of Joseph Mallord William Turner alongside some 100 related works by Old Masters and Contemporaries. Amid the 30+ artists presented are Canaletto, Titian, Poussin, Rembrandt, Rubens, Veronese, Watteau and Constable.
Moonlight, a Study at Millbank, Joseph Mallord William Turner (1797). Via Tate
J.M.W. Turner is often regarded as one of the most artists of his time, whose work varied to include watercolors, oil paintings, drawings and prints. While Turner’s spirit is often deemed as independent, David Solkin, Professor of the Social History of Art at the Courtauld Institute, University of London who conceived the exhibition, wishes to highlight how Turner was in fact, deeply engaged with the work of other artists.
Related Links:
Tate Britain Website [Tate.org.uk]
Tate Britain exhibition revives Turner’s and Constable’s old rivalry [TimesOnline]
Turner and the Masters [Guardian.co.uk]
The Times; May 8, 1832 – Royal Academy Exhibition [TimesArchive]
Turner and Constable: We’ve lost the art of feuds for art’s sake [Telegraph.co.uk]
Revealed: how Turner began his career copying the old masters [TheIndependent]
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Zhang Huan, Zhu Gangqiang No.6, via White Cube
An exploration of memory, spirituality and hope through the miraculous survival of a pig is being conducted at London’s White Cube by Chinese performance and visual artist Zhang Huan. The show is based around one of the greatest natural disasters to hit China in recent memory. In May 2008, an earthquake reaching magnitude of 8 on the Richter Scale killed 60,000 people. Amongst the chaos, for 49 days, a pig persevered. Carried by Buddhist belief that the soul remains on earth between death and transmigration for exactly this amount of time, this pig is now a symbol of life and hope, renamed Cast-Iron Pig (or Zhu Gangqiang in Chinese, hence the theme of the show).
Related Links:
Exhibit Details [White Cube]
Zhuang Huan to design and direct a new production of Handel’s Semele [De Munt La Monnaie]
These Little Piggies Went to Art Show [London Evening Standard]
Zhang Huan: from Baroque to Beijing [Telegraph]
Zhang Huan, Zhu Gangqiang No.0, via White Cube
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