Street artist Banksy has announced a monthlong exhibition on the streets of New York City, beginning this week.  In a message posted on the artist’s website, Banksy revealed that his show Better Out Than In, would be spread across the city, with each work accompanied by a toll free phone number viewers can call to hear witty descriptions of the work.  The first piece has already appeared at 18 Allen Street downtown.  “Hello, and welcome to Lower Manhattan,” the recorded message says. “Before you, you will see a ‘spray art’ by the artist Ban-sky (sp). Or maybe not; it’s probably been painted over by now.” (more…)

Public art pioneer Suzanne Lacy has announced a major project coming to Brooklyn on October 19th.  Created in collaboration with Creative Time, the project will install “300 women and a few men” on the stoops of apartments in Prospect Heights, and on the steps of the Brooklyn Museum to engage pedestrians and visitors in dialogues on contemporary gender politics.  The project is informed by 5 months of research Lacy completed this year with an advisory board of 16 activists. (more…)

The ongoing Istanbul Biennial has raised the ire of artists and activists over its tactical departure from a number of culturally and politically contested areas, following the massive protests this summer in Gezi Park.  Originally intended to meet the waves of gentrification currently sweeping through the city, the fair has moved its exhibitions to some of the city’s most established galleries.  “You lose time when you send things by email and try to get permission. It was the opposite during Gezi. People were improvising; they were very fast and very efficient at organising collectively. The biennial could learn from that.”   Says Artist Ahmet Ögüt, who runs the Tate-funded art school for refugees, Silent University. (more…)

Moscow Biennale Curator Catherine de Zegher has spoken on the current calls for a boycott of Russian art and art events, stating that she has no intent on a boycott or cancellation of the event to protest the current state of civil rights for Russian LGBT citizens.  “I’m not a big believer in provocation,” De Zegher says. “Art that is very provocative is like fast food almost. It flares up, then it’s finished. Of course I do believe in activist gestures, and movement and action, but I think art works in a different way.” (more…)

A recent exhibition of work featuring a portrait of Russian Prime Minister Vladimir Putin wearing women’s underwear has been shut down by state authorities in St.Petersburg this week, with the offending artist fleeing the country for asylum in France.  “We are powerless facing the despotism of authorities,” says Tatiana Titova, director of the Museum of Power, where the exhibition was held. “The museum was closed for no reason.”  (more…)

Despite the city’s economic woes, The New York Times reports that Detroit’s art scene is thriving, with a number of galleries returning to locations within city limits, and a number of arts hubs have already developed, alongside a popular art open with over 60 participating galleries.  “I think we’ll have a little cloud for a while, but I don’t think it’s going to be long-lasting,” said George N’Namdi, founder of the N’Namdi Center for Contemporary Art. (more…)

Graham Beal, the current Director of the Detroit Institute of Arts, has published a letter in the New York Times, asking journalists and analysts to refrain from overt speculation and panic on the future of the city’s museum.  “True, any successful effort to liquidate D.I.A. art would precipitate a series of events likely to lead to its closing, but we are a very long way from actions that would ‘denude its prestigious collection of its most valuable artworks. ‘We believe that a healthy D.I.A. is, in fact, a crucial component in any recovery of the city of Detroit.”  He writes. (more…)

Russian Marat Guelman has been fired from his post as the director of the Perm Museum of Contemporary Art, and is currently under investigation for his financial practices.  The firing comes days after Guelman’s exhibition Welcome! Sochi 2014 (a protest against the upcoming winter olympics as a Kremlin publicity project) was raided by authorities.  “All of this looks like they received an order from Moscow. To find something at any cost,” he said. “And this is even though I’m not in any way part of the opposition, but simply a person who openly speaks what I think.” (more…)

British Pavilion (Installation view) 2013

With the impressively well-stocked selection of pavilions at this year’s Biennale, the United Kingdom has turned to Turner Prize-winning artist Jeremy Deller to represent the country, presenting a complexly layered thematic exhibition titled English Magic.  Best known for his restaging of the miners’ strike battle of Orgreave in 2001, his 2009 road trip though America with a car wrecked by a bomb in Iraq, and his 2012 touring bounce house version of Stonehenge, Deller has brought his controversial, political resumé to bear on the largest stage for his country’s creative reputation, creating a visually aggressive criticism of modern wealth.

Jeremy Deller, St. Helier on Fire 2017, British Pavilion 2013

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Ai Weiwei, S.A.C.R.E.D. (Installation View inside steel diorama) (2013)

Since his 2011 detention for alleged tax evasion by the Chinese government, artist and political dissident Ai Weiwei has taken the world by storm, with exhibitions and retrospectives around the world, alongside documentary profiles, constant press coverage, and a notably enigmatic heavy metal album.  His ubiquity in the artworld, set in contrast to his physical restriction from leaving China, is clear, and consistent at the 55th Venice Biennale, where the artist is holding two separate solo installations.

Ai Weiwei, S.A.C.R.E.D. (Installation View) (2013)

Ai Weiwei, Straight (Installation View) (2008-2012) (more…)

The British Council, which is overseeing Jeremy Deller’s Great Britain pavilion at the Venice Biennale, has removed a banner from the exhibition, which reads “Prince Harry Kills Me,” after concerns that the message may provoke attacks on British troops in the Middle East.  “We asked Jeremy to reconsider the banner and poster … on the grounds that it could potentially be misconstrued in environments where the British army is currently deployed and perceived to be disrespectful of those who had lost their lives,” a British Council spokesman said. (more…)

Out of Memory (Installation View), courtesy of Marianne Boesky Gallery

Marianne Boesky Gallery is currently hosting a group exhibition titled Out of Memory, curated by Eleanor Cayre and including works by artists: AIDS-3D, Cory Arcangel, Nicolas Deshayes, Aleksandra Domanovic, Gardar Eide Einarsson, Louis Eisner, Roe Ethridge, Matias Faldbakken, Guyton/Walker, Yngve Holen, Alex Israel, Rashid Johnson, Josh Kline, Mark Leckey and many more, exploring ideas of production and presentation in a post-digital society.
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EXPO 1, an exhibition of works addressing the ecological and political challenges of contemporary society co-curated by Hans Ulrich Obrist and Klaus Biesenbach, is set to open at MoMA PS1 this May, presented in conjunction with Triple Canopy.  The large-scale, multiple-module collaborative project will open May 12th with Dark Optimism, a curated show featuring works by 35 artists, including Joseph Beuys, Adrián Villar Rojas, Meg Webster, Agnes Denes, and Anna Betbeze that seeks to explore the dissonance between modernist politics and 21st century society. (more…)

Danh Vo, Mother Tongue (Installation View), via Marian Goodman

The recipient of the 2012 Hugo Boss Prize, Vietnamese-German artist Danh Vo creates works that feature a layering of significances, interrelated meanings tied together through the conception, production and presentation of his work.  It is this practice of appropriation and representation that informs his recent show of new work, Mother Tongue, at Marian Goodman Gallery in New York.

Danh Vo, Lot 12. A Vietnamese Carved Ivory Tusk (2013), via Marian Goodman

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Adel Abdemessed, Le Vase Abominable (Installation View), via David Zwirner

Upon entering the ground floor of David Zwirner’s gallery space in London, visitors are immediately greeted by the surreal image on a massive explosive device, upon which rests an equally enormous gold vase.  This is Le Vase Abominable, the sculpture by French-based, Algerian born artist Adel Abdemessed that serves as the title piece for the artist’s current show, exploring dichotomies of violence and creation through poignantly composed sculptural, video, and drawn works.

Adel Abdemessed, Le Vase Abominable (2012-2013), via David Zwirner (more…)

Pablo Picasso’s much-loved painting, Child with Dove (1901), is likely to leave the UK for good this year.  The work recently changed hands, and the anonymous new owner is free to take the work abroad once its current loan ends in May.  “With arts cuts the way they are, it’s going to be increasingly difficult. (The Picasso) is, of course, a catastrophic loss. (But) it’s about being realistic: work is going to leave.”  Said Alan Yentob, creative director at the BBC. (more…)

MoMA PS1 has announced that it will host an exhibition focusing on the current state of the environment, alongside notions of political and social change.  Titled EXPO 1: New York, the exhibition will include a selection of video, art and photo installations at PS1, as well as a component at the new VW dome in the Rockaways.  EXPO 1 “focuses on some of the most pressing issues of the day set against a backdrop of economic and socio-political concerns that have made a dramatic impact on daily life.”  Says Director Klaus Biesenbach. (more…)

The Brooklyn Museum announced today that it will hold an ambitious retrospective for the secretive art collective Bruce High Quality Foundation this summer.  The show, titled Ode To Joy: 2001-2013, will include a broad number of works (“under 17,000” according to a BHQF representative) from the collective’s decade of creative activity, and will document their ongoing practice of satire, political commentary, and exploration of contemporary America. (more…)

Kehinde Wiley, The Three Graces, all images courtesy Galerie Daniel Templon

Galerie Daniel Templon in Paris is presenting Kehinde Wiley’s first solo show in France, entitled The World Stage: France, 1880-1960. Wiley’s portraits feature mostly black and brown men on elaborate, baroque backgrounds, their natural stances modified by Wiley to echo the Napoleonic, kingly gestures of traditional portraits like those of Anthony van Dyck.

Kehinde Wiley, Bonaparte in the Great Mosque of Cairo

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