The ongoing Istanbul Biennial has raised the ire of artists and activists over its tactical departure from a number of culturally and politically contested areas, following the massive protests this summer in Gezi Park.  Originally intended to meet the waves of gentrification currently sweeping through the city, the fair has moved its exhibitions to some of the city’s most established galleries.  “You lose time when you send things by email and try to get permission. It was the opposite during Gezi. People were improvising; they were very fast and very efficient at organising collectively. The biennial could learn from that.”   Says Artist Ahmet Ögüt, who runs the Tate-funded art school for refugees, Silent University. (more…)

With Dia’s announcement last month that it would deaccession some of its works in order to fund new acquisitions, a number of former leaders and collaborators have spoken against the move.  The sale of works, which will occur this fall, includes a number of works by Cy Twombly and Barnett Newman.  In a June 28th letter to the institution, former Menil Collection Director Paul Winkler writes: “The primary purpose of Dia has been to collect and present bodies of work by a select group of artists in permanent installations and to realize site-specific commissions, also in permanent situations. It is uninformed and disrespectful of your history to equate permanence with mausoleum.” (more…)

Painter John Constable’s 1821 canvas The Hay Wain, widely regarded as one of Britain’s most iconic paintings, has been a attacked by a protestor from the group Fathers4Justice.  The alleged protestor, 41 year old Tim Haries, was arrested on charges of attaching a small photograph of a young boy to the work while it was on view at The National Gallery.  “A member of the Gallery’s security team quickly intervened and called for assistance. The photograph was approximately 4 inches wide, and the back had been coated with glue.”  Said a Gallery spokesman. (more…)

Russian Marat Guelman has been fired from his post as the director of the Perm Museum of Contemporary Art, and is currently under investigation for his financial practices.  The firing comes days after Guelman’s exhibition Welcome! Sochi 2014 (a protest against the upcoming winter olympics as a Kremlin publicity project) was raided by authorities.  “All of this looks like they received an order from Moscow. To find something at any cost,” he said. “And this is even though I’m not in any way part of the opposition, but simply a person who openly speaks what I think.” (more…)

A museum show intended to heal relations between the United States and Italy over claims of looted work has encountered turbulence, after Sicilian officials have refused to ship several works over concerns over tourism.  When asked about the region’s refusal to cooperate, Sicilian official Mariarita Sgarlata noted:  “How would an American tourist react who, trusting his Frommer’s travel guide,  has gone out of his way to visit the island of Mozia to admire this work of art in its original setting, only to discover that the statue is in Tokyo or St. Petersburg?” (more…)

Art F City is reporting on the fallout from the announcement of Cooper Union’s announced decision to begin charging tuition for its students. Following a tense Q and A yesterday afternoon between students and trustees, a walk-out and large-scale protest ensued, which culminated in staff sealing off school windows to prevent the hanging of banners and and protest signs.  During the meeting, trustees avoided questions about potential future tuition hikes, calling Cooper Union’s public accessibility into further question.  “You could all donate to the school.”  Chairman Mark Epstein said in response to a question about curbing inflation. (more…)

Embracing performance and creative theatrics, a group of protestors converged on the Tate Modern yesterday, protesting the ongoing sponsorship of the institution by petroleum giant BP.  Chanting snippets from the corporation’s court proceedings over the Deepwater Horizon spill (yesterday was the disaster’s three-year anniversary), the group sought to underscore the corporation’s ties to the art community. “It’s not only BP that’s on trial for the devastation it has caused to Gulf Coast communities and ecosystems, it’s also Tate and other cultural institutions that provide BP with the social legitimacy to continue operating with such destructive consequences,” said performer Paul Brady.  “We’re making a performance that brings the BP trial into Tate Modern because BP’s arts sponsorship cannot be separated from the irrevocable damage it does to communities and the climate.” (more…)

A number of prominent architects have called on the Museum of Modern Art to reconsider its decision to demolish its recent acquisition, the former home of the American Folk Art Museum.  In an open letter to the museum, Richard Meier, Thom Mayne, Steven Holl, Hugh Hardy and Robert A.M. Stern, among others, called for the Museum to reconsider razing the building, which it purchased in 2011.  “The Museum of Modern Art—the first museum with a permanent curatorial department of architecture and design—should provide more information about why it considers it necessary to tear down this significant work of contemporary architecture,” the letter says.  “The public has a substantial and legitimate interest in this decision, and the Museum of Modern Art has not yet offered a compelling justification for the cultural and environmental waste of destroying this much-admired, highly distinctive twelve-year-old building.” (more…)

A number of paintings on the Berlin Wall’s East Side Gallery segment are under threat of demolition in the face of property development.  The stretch of wall is slated for demolition to make way for a set of luxury condominiums, and would see see the disappearance of the infamous mural of Soviet and East German leaders Leonid Brezhnev and Eric Honecker (respectively) locked in a passionate kiss.  “In this very place people died, and the idea of building luxury flats here would be like erecting a petrol station in front of one of Berlin’s museums,” said Sascha Disselkamp, manager of the Sage nightclub, who represents several high-profile Berlin nightclubs. (more…)