Hauser & Wirth is opening a new exhibition space in Hong Kong, alongside offices in Shanghai and Beijing. “Our expansion into China marks the beginning of a new chapter for Hauser & Wirth,” gallery co-founder, Iwan Wirth says. “We have spent the past two years carefully researching the most appropriate ways to expand in these places, to become a fully present part of the art scene in China and engage meaningfully.”
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Three cars parked side by side make up Robert Grosvenor’s Untitled (2014-17), a single work presented as the artist’s second solo exhibition at Karma’s downtown exhibition space. We can’t be certain that the term “parked” accurately describes these objects, however, as it implies movement that was halted, and a close assessment of the vehicles does not yield a consensus on their past or present mobility. Our fascination with Grosvenor’s sculptures runs parallel to our suspension in this perpetual state of uncertainty, in which the work of art becomes the site of an investigation into the identity of an object.
Marking its embrace of the hot summer months in New York, MoMA PS1‘s popular Warm-Up summer concert series has returned to New York City, bringing with it the annual Young Architects Program design for an outdoor canopy structure to shade and entertain visitors and concert-goers in the museum’s open courtyard. This year, the museum has tapped Jenny Sabin Studio, a Cornell-based design group known for its tech-first design concepts and use of woven, photo-reactive materials, spreading a photo-luminescent tent structure, and robotically-woven chairs across the space. Read More »
New York – Tom Burr and Andrea Zittel: “Concrete Realities” at Bortolami Gallery Through August 11th, 2017August 7th, 2017
Over the course of their respective careers, Andrea Zittel and Tom Burr have both negotiated an enigmatic and thorough interest in the built environment, addressing questions of site-specificity, subjectivity, and the body through spaces and environments that pull lived space and imagined realities into a shared domain. This month at Bortolami, the pair’s respective visions will also share a common site, grappling with similar visual languages and interests in text, assemblage and architecture to challenge readings of space, and the strategies we employ to exist within our given environments. Read More »
New York — Ai Weiwei, Jacques Herzog and Pierre de Meuron: “Hansel & Gretel” at The Park Armory Through August 6th, 2017August 6th, 2017
Exploration of surveillance and its corresponding limits has long remained a prominent thread in Ai Weiwei’s aggressively political multimedia practice, particularly following his detainment and imprisonment by Chinese authorities in 2011 due to his vocal dissent of the country’s governmental policies on human rights. Hansel & Gretel, Weiwei’s Park Armory tour-de-force in collaboration with architects Jacques Herzog and Pierre de Meuron, furthers his past surveillance-themed projects such as 2012’s WeiweiCam, for which the artist had installed fifteen cameras around his Beijing residence to stream a 24-hour live footage of his home. Coinciding with the one year anniversary of his detention by the Chinese government, the comparison the artist built between actual imprisonment and systematic violation of privacy echoes with his current occupation of Park Armory’s Guild Hall, transforming the column-free exhibition space into a pitch black zone of uncertainty and peril. Read More »
New York – Leo Xu Projects and Metro Pictures Host “A New Ballardian Vision” for Condo: New York, Through August 4th, 2017August 4th, 2017
Few writers have walked such a fine line between coy observations of modernity and the possible dystopian future that lay just under the surface of daily life in the way that writer J.G. Ballard had over the course of his more than fifty years of writing. Mixing a playful sense of imagination with dark and disturbing meditations on the state of the world, the writer’s work continues to serve as a major inspiration for artists and philosophers in the 21st century, just as some of the futuristic conditions he so often described have begun to manifest themselves in the real world. Read More »
Now through August 4, Bridget Donahue in New York presents an exhibition by painter Satoshi Kojima, his first ever North American show. The artist’s pastel-hued paintings offer a view into alternative histories, realities, and even other planets, executed with an updated Surrealist sensibility. Kojima’s paintings invite the viewer into multiple different worlds of unfolding weirdness and intrigue, all through the softness of his color palette, in conjunction with the bizarre worlds he envisions. Read More »
Marking his first exhibition with Pace since joining the gallery this past year, artist Leo Villareal has opened a show of new works at the gallery’s 24th Street exhibition space. Villareal, whose twinkling, shifting LED light installations are iconic parts of the urban landscape from New York to San Francisco and around the globe, has built a reputation for his nuanced understanding of public space, and the capacity for simple light arrays to transform its environment, and brings a series of new installations, light panels and video to the gallery. Read More »
The 24th Annual Watermill Center Summer Benefit & Auction took place this past Saturday evening, returning to Robert Wilson’s expansive performing and interdisciplinary arts campus with a new selection of performances and installations laid out across the grounds. Honoring performer Laurie Anderson and actress Isabelle Huppert this year, the event also served as a tribute to the late artist and musician Lou Reed, while also serving to benefit the Watermill Center’s continued residency and research projects. Anderson and Reed previously performed a work together, The Wildebeests, at the event in 1997, reprised this year as a culmination of the evening’s proceedings.
Divided into two opposite galleries inside the Parrish Art Museum’s sleek architecture, John Graham: Maverick Modernist, a comprehensive survey of the 20th century Ukrainian-American painter, offers a breakdown of the artist’s ever-evolving four-decade long career from 1920s and onward. Curated by Alicia G. Longwell, the show recaps Graham’s defiant approach to Modernism, considering his sharp divergence from his dedication to modern art for the sake of figurative portraiture of female sitters in the 1940’s. Even then, at the height of his career, referring to Graham as a maverick would not be misguided: his models’ cross-eyed expressions, excessive make-ups, and mathematical details on their faces clash with easy readings as representational, and offer an intriguing historical context for much later practice in contemporary painting. Read More »
Taryn Simon, Charles Irvin Fain, Scene of the crime, the Snake River, Melba, Idaho, Served 18 years of a Death sentence for Murder, Rape and Kidnapping; The Innocents (2002), courtesy Taryn Simon Studio and Guild Hall
Since Taryn Simon first delivered her seminal The Innocents series in 2002, the New York-based artist’s work has continued to revisit and re-examine the concepts of power, identity and their interrelated social effects, examining how varied political conditions render real human effects on the body, and on space. This summer, East Hampton’s historic art and culture center, The Guild Hall re-contextualizes Simon’s compelling photography series about misconceptions of guilt and impossibility of rewinding time on its 15th anniversary, serving as a backdrop for ongoing discussions around prejudice, injustice, and empathy. Organized by Guild Hall Chief Curator Christina Mossaides Strassfield, the exhibition reiterates a selection of photographs and video from the overall series that had its debut at MoMA PS1 in 2003. Read More »