As art sales go online, the NYT notes an increasing generation gap, with older buyers tapering off their purchases and younger buyers continuing to collect. “The resistance from older collectors is still there,” says Anders Petterson, founder of analytics firm ArtTactic. “When there is no physical art world, how do you substitute that experience?” he added. “Younger people are a lot quicker to adapt.”
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In 1959, MoMA launched the exhibition New Images of Man, a show that combined a disparate and imaginative body of works that brought together a group of artists grappling with the human condition and with new modes of representation in painting and sculpture in the wake of the Second World War. Returning to this subject matter for a new show exploring both the original exhibition and its echoes through culture in the following sixty years, Blum & Poe Los Angeles has mounted a new take, part homage, part radical revision, that spans two floors in the gallery and reconstitutes emblematic figures from the original MoMA line up of artists alongside artists from this era and beyond to re-examine its motivations and impact. Read More »
Comprising a new body of works that continues his approach towards brightly colored and texturally rich compositions, artist Michael Williams returns to Gladstone Gallery this month. The artist, whose work often explores narrow corners and specific emotions drawn from the experience of the world, exhibits a selection of works that continue and expand his vocabulary. Read More »
Currently at Andrew Kreps Gallery, a line of floor-fans run in a single file through the doorway of the main gallery space, emitting a slight whine that makes the presentation of the work all the more illusive. Unable to tell if the fans are on or if there is some other element emitting the sound, the arrangement conjures a strange sense of animated material, a sort of life outside the human body that makes the viewer question just what they are viewing. So goes the work of artist Michael E. Smith, whose arrangements frequently mine this sort of uncertainty from the familiar objects of the world around us. Read More »
New York – Christopher Williams: ‘Footwear (Adapted for Use)’ at David Zwirner Through April 18th, 2020March 10th, 2020
This spring, Christopher Williams presents his ninth solo show with David Zwirner gallery, entitled Footwear (Adapted for Use). The new body of work reflects the artist’s continued interest in how meaning and information are structured through the processes of staging and adaptation. The exhibition references a wide array of source material like Ikea catalogues and airplane magazines, and features new photographs, hand-painted signs, sculptures and videos, all of which engage with postwar material and cultural histories. Read More »
Currently on view at New York’s Waves and Archives, artist Sinead O’Dwyer presents a selection of new works, returning to her nuanced silicone works alongside work created for an upcoming performance at the Victoria and Albert Museum in London. The exhibition, which marks the artist’s first in New York, makes for an engaging entry in her body of work, and look at her intricate incorporation of human bodies and synthetic materials. Read More »
As The Armory Show returns to the Piers on the West Side of Manhattan, so too comes the annual opening of the SPRING/BREAK Art Show, the adventurous, curator-driven program that takes up space at a pop-up location for a week of compelling and unique exhibitions and projects. Read More »
Kicking off the 11th year of operation, Independent NY has once again touched down at Spring Studios in Tribeca, once again opening the doors on its take on the presentation of an art fair. Smaller in scale and more focused in terms of its gallery selections, the fair’s presentation feels more like a presentation of a series of small gallery shows run side-by-side, with ample space and a mellow browsing experience that draws strength from the fair’s invite-only exhibitor structure and immense glass windows, underscoring its reputation as a boutique event with impressive draw.
Considered among New York’s premier art fairs, and a leading cultural destination for discovering and collecting the world’s most important 20th- and 21st-century art, The Armory Show has long figured at the forefront of the city’s annual spring offerings for art exhibitions and shows. With its first day of sales in the bag, the fair is once again showing why its impact and stature cannot be ignored. Read More »
The first entry in what’s sure to be a bustling week spanning the end of February and start of March in New York, the ADAA Art Show has opened its doors at the Park Ave armory again this week, offering an early start on the mass of exhibitors opening across the city in the days to come. With its usual focus on tightly-curated programming and laser-focused booth concepts, the show once again offering an impressive opening note on the week, with packed hallways and excited buyers buzzing about the aisles.