AO Onsite Auction Results – New York: Christie's Impressionist & Modern Art Evening Sale Realizes $140M, or 55% By Value; Top Degas Bought In

November 1st, 2011

Max Ernst, The Stolen Mirror, 1941 (est. $4-6 million, realized $16.3 million), via

Christie’s evening sale of Impressionist and Modern art on Tuesday night brought in $140 million against presale estimates of $210-300 million. Four of the top 5 most valuable lots failed to sell, including the auction’s cover lot – a Degas ballerina sculpture with a presale estimate of $25-35 million. The Degas had been shopped around privately with no luck and carried what many believed to be a very aggressive estimate. The auction house cited those two facts to explain that lot’s failure, as well as the overall performance of the sale. In general, fresh to market material faired best, and hefty presale estimates deterred bidding on the priciest works. What turned out to be the evening’s top lot – Max Ernest‘s The Stolen Mirror – was both fresh to market and carried an estimate in line with the artist’s records and with heightened interest in Surrealist material over the past few auction cycles. The canvas set the record for the artist at auction when it sold for $16.3 million against a high estimate of $6 million. The previous record was set this past June at Christie’s London with a 1923 work that brought $4.4 million.

Edgar Degas, Petite Danseuse de Quatorze Ans, executed in wax c. 1879-1881 and cast later (est. $25-35 million, bought in), via

Constantin Brancusi Le Premier Cri 1917 (est. $8-10 million, realized $14.9 million), via

The second highest earning lot was on the market for the first time in over 30 years. Constantin Brancusi‘s Le Premier Cri sold for nearly $15 million against a high estimate of $10 million. Another piece of sculpture – Giacometti’s  Femme de Venise VII- was expected to bring as much as $15 million. The work was created in an edition of six, and number four sold at the market’s peak, in May 2008, for $10 million. Number one of the edition was offered on Tuesday night and was amongst the evening’s big ticket casualties.

Alberto Giacometti, Femme de Venise VII, 1957 (est. $10-15 million, bought in) via

Rene Magritte, La Fin Du Monde, 1963 (est. $4-6 million, realized $7 million), via

Aside from the Ernst, two other Surrealist works were amongst the top five lots. Rene Magritte‘s Le Vacances de Hegel sold for its low estimate of $9 million (or $10.2 million with fees), and a silhouetted landscape featuring the artist’s signature bowler-hatted man sold for $7 million against a high estimate of $6 million. The second picture sold to a South American buyer, as did two more of the top ten lots. At the press conference the auction house declined to give a breakdown of buyers by location but said they were “gratified” by the bidding coming from South America and Asia, in particular. A Modigliani portrait (est. $3-4 million) sold for $8 million to a South American buyer, as did Picasso’s Femme Assise.

Amedeo Modigliani, La Blonde Aux Boucles d’Oreille, c. 1918-19 (est. $3-4 million, realized $8 million), via

Pablo Picasso, La Femme Qui Pleure, I 1938 (est. $1.5-2.5 million, realized $5.1 million), via

While two Picasso paintings that each carried presale estimates of $12-18 million failed to sell, a print by the artist achieved the highest price for a single print at auction. Buyers passed on the portrait in oil of the artist’s lover, Dora Maar, but scrambled to take home a print of the same subject. La Femme Qui Pleure was expected to bring $1.5-2.5 million and sold for $5.1 million.

Pablo Picasso, Tête de Femme au Chapeau Mauve, 1939 (est. $12-18 million, bought in), via

Pablo Picasso, Femme Endormie, 1935 (est. $12-18 million, bought in), via

On Wednesday night Sotheby’s will host its evening sale in this category. Follow Art Observed on Twitter for live tweeting of notable sales, and check back here for results.

-J. Mizrachi

Related Links:

Christie’s Results [Christie's]






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