Search Results

Stolen Degas Painting Found on Bus Outside Paris

Sunday, February 25th, 2018

Former Conservation Chair at Museum of Fine Arts Boston Claims Disputed Degas Plaster May Be Authentic

Wednesday, September 14th, 2016

Researchers Discover Hidden Face Beneath Degas Painting

Friday, August 5th, 2016

Foundry Reproducing Degas Bronzes Closed by French Court

Tuesday, April 5th, 2016

Critic Alleges Degas Sculptures at Chicago Art Institute are Forgeries

Thursday, December 24th, 2015

Sotheby’s to Lead London Impressionist and Modern Sale with Degas Masterpiece

Wednesday, June 10th, 2015

$7.6 Million Degas Painting Stolen in Cyprus

Saturday, October 4th, 2014

Art Seller Sued by Dealers After Allegedly Losing $3 Million Degas

Thursday, June 19th, 2014

New York – “The Impressionist Line from Degas to Toulouse-Lautrec: Drawings and Prints from the Clark” at The Frick Collection, Through June 16th 2013

Tuesday, June 11th, 2013

Washington to Host Musical Inspired by Degas Sculpture

Friday, April 19th, 2013

Lucian Freud Donates Corot Portrait, Degas Sculptures to Great Britain

Monday, February 4th, 2013

AO Onsite Auction Results – New York: Christie's Impressionist & Modern Art Evening Sale Realizes $140M, or 55% By Value; Top Degas Bought In

Tuesday, November 1st, 2011

Art Theft News Roundup: Degas Pastel Discovered Stolen on New Year’s Eve from the Cantini Museum in Marseilles, France

Saturday, January 2nd, 2010

Degas’s ‘Little Dancer’ steps out into the market

Monday, January 12th, 2009

Edgar Degas

Wednesday, March 19th, 2008

AO Auction Recap – London: Christie’s Impressionist and Modern Evening Sale, February 27th, 2018

Thursday, March 1st, 2018

AO Auction Previews – Impressionist/Modern and Post-War Evening Sales in London, February 27th – March 8th, 2018

Sunday, February 25th, 2018

Master Forger Shaun Greenhalgh Profiled in The Guardian

Wednesday, May 31st, 2017

Nashville Collector Spencer Hays Has Passed Away, Leaving Collection to Musée D’Orsay

Tuesday, March 7th, 2017

NYT Profiles Ongoing Search for Marcos Family Art Collection in Philippines

Monday, December 12th, 2016

AO Auction Recap – London: Sotheby’s Impressionist and Modern Evening Sale, June 21st, 2016

Wednesday, June 22nd, 2016

AO Auction Results – New York: Sotheby’s Impressionist and Modern Sale, May 9th, 2016

Tuesday, May 10th, 2016

AO Auction Recap – New York: Christie’s Impressionist and Modern Evening Sale, November 12th, 2015

Friday, November 13th, 2015

AO Auction Recap – New York: Sotheby’s Taubman Masterworks Sale, November 4th, 2015

Wednesday, November 4th, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Sotheby’s to Reset Modigliani Auction Record with Massive $150 Million Estimate this May

April 24th, 2018

Modigliani, via Art NewsSotheby’s will set a new world auction record with Amedeo Modigliani’s Nu couché (sur le côté gauche) at this month’s Impressionist and Modern Sale in New York, with an estimate of more than $150 million. The figure is the highest estimate ever placed on a work of art, and has already been confirmed as a record breaker. “This painting reimagines the nude for the modern era,” says Simon Shaw, the co-head worldwide of Sotheby’s Impressionist and modern art department.
Read More »

NYT Spotlights Museums’ Efforts to Highlight Latinx Artists

April 24th, 2018

Clarissa Tossin, via NYTA piece in the New York Times this week notes the increased focus by museums towards Latinx artists.  “We’re at a really important point in history where plural curatorial voices can show not just a survey,” says Marcela Guerrero, who was recently hired as the Whitney’s first curator specializing in Latinx artists. “We can now go deeper and start unpacking what Latino art really is.”
Read More »

Anicka Yi Interviewed in Frieze

April 24th, 2018

Anicka Yi, via FriezeAnicka Yi is interviewed in Frieze this week, discussing her practice and what she sees as the next steps for women in the arts. “In general, I learned fairly early on that cisgender, straight-identifying females tend to not help other women,” she says of her early experience in the arts. “It’s not even a conscious malicious act, in most instances. It’s a deep conditioning that somehow distancing yourself from the perceived ‘weaker pack’, with all its attendant baggage, might advance your uniqueness as an individual, making you less prone to be judged as a ‘vulnerable woman’.”
Read More »

REFERENCE LIBRARY