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Home » New York City: “Black Cake” Curated by Alex Gartenfeld at Team Gallery Through February 16th, 2013

New York City: “Black Cake” Curated by Alex Gartenfeld at Team Gallery Through February 16th, 2013

January 21st, 2013

Installation view at 83 Grand Street, image via Team Gallery, New York
Black Cake, Installation view at 83 Grand Street, Courtesy of Team Gallery, New York

Black Cake at Team Gallery is a multi-generational group exhibition curated by Alex Gartenfeld, the young critic and curator whose former West Street Gallery project space was a notable new addition to the downtown art scene before it closed last summer. The exhibition takes its point of departure from the Gaelic spring ritual of Beltane (by way of scholar Roberto Calasso’s account in his 1994 book The Ruin of Kasch), during which a cake would be prepared and divided among members of a tribe. One piece would be covered in ash (hence the name “black cake”), and whomever chose this piece would be pushed into the Beltane bonfire, becoming a sacrificial casualty of the fertility holiday. The exhibition presents the diverse aesthetic iterations of “sweetness” and social identity in contemporary art, notions addressed dynamically across a variety of media through the works on view.

David Scanavino, Lefty (2013), image via Team Gallery, New York
David Scanavino, Lefty (2013), Courtesy of Team Gallery, New York

At Team Gallery’s main space on 83 Grand Street, David Scanavino’s saccharine linoleum sculptures are installed on the wall and cover the floor. The Starburst colors of these minimalist riffs produce a tension with the material’s institutional connotation, ultimately achieving a sense of the strange and unexpected. The candy-colored works thus become ominous pieces of a shared social experience.

Ryan McGinley, Heather (2012), Courtesy of Team Gallery, New York
Ryan McGinley, Heather (2012), Courtesy of Team Gallery, New York

Ryan McGinley’s photograph Heather (2012), alight in the pastel washes of a pastoral sunset, is both sublimely beautiful and discretely grotesque. The large-format C-print, featuring a nude young woman awkwardly bent and enigmatically gazing into the distance, echoes the sweet and fearsome female figures that populate the paintings of John Currin. Here, then, the romanticized and sexualized version of contemporary youth culture (as seen through McGinley’s lens) is coupled with its more uncertain realities.

Steffani Jemison, Film still from Broken Fall (Organic) (2008), image via Steffani Jemison
Steffani Jemison, Film still from Broken Fall (Organic) (2008), image via Steffani Jemison

Broken Fall (Organic) (2008), a video work by Steffani Jemison, features a close-up of a young African-American boy as he hangs from a jungle gym. This physical act remains largely unseen, however, as it occurs outside of the borders of the camera’s focus. The ambient noises of the surrounding area—laughter in the distance, far-off snippets of music, cars passing by—fill the anxious silence as the boy’s physical exertion increases, signified by his facial contortions. Inflected with the threat of physical and psychological violence, the playground of Jemison’s work becomes the minefield of passage from youth to adulthood in contemporary culture.

Maria Lassnig, Fraternite (2008), image via Aniko Berman
Maria Lassnig, Fraternite (2008), image via Aniko Berman

The paintings of Maria Lassnig and Cecily Brown both exemplify the sensual lushness of the black cake, as well its inherent aggression. Indeed, Lassnig’s work Fraternite (2008) echoes the darkly satirical compositions of late nineteenth century Belgian artist James Ensor, while the multi-layered surface of Brown’s The Park in the Dark (2012) is decadently appealing and suggestively threatening.

Monica Bonvicini, Deflated (2009), Courtesy of Team Gallery, New York
Monica Bonvicini, Deflated (2009), Courtesy of Team Gallery, New York

At Team Gallery’s secondary exhibition space at 47 Wooster Street, Lari Pittman offers an additional painterly manifestation of Gartenfeld’s curatorial premise. The cartoonish, all-over composition of Mutualism (2011) is both funny and sinister, and this sweetly aggressive quality fits appropriately with Gartenfeld’s vision.

Tabor Robak, film still from EXO (2012), image via Gamescenes.org
Tabor Robak, film still from EXO (2012), image via Gamescenes.org

Also on on view at this location is Tabor Robak’s video EXO (2012). Rising out of contemporary video game culture, this work presents an ominous, otherworldy landscape – shimmering oceans, vast deserts, and grand environmental vistas that pop with digital color and texture. Robak’s desktop-wallpaper aesthetic plays with the familiar and “low-brow” culture, yet its sublime, psychedelic quality is transfixing. The video culminates in the landscape’s sensational destruction, a dramatic rapture that conjures contemporary anxieties about our collective future.

Black Cake, Installation view at 47 Wooster Street, Courtesy of Team Gallery, New York
Black Cake, Installation view at 47 Wooster Street, Courtesy of Team Gallery, New York

Further works on view in the exhibition include videos by Ed Atkins, Massimo Grimaldi, and Tommy Hartung; sculptures by Sam Anderson, Monica Bonvicini and Sterling Ruby; paintings by Josephine Halvorson; and photographs by Calla Henkel & Max Pitgeoff.

Lari Pittman, Mutualism (2011), Courtesy of Team Gallery, New York
Lari Pittman, Mutualism (2011), Courtesy of Team Gallery, New York

“Black Cake” is on view through February 16, 2013. Team Gallery is located at 83 Grand Street and 47 Wooster Street.

Black Cake, Installation view at 47 Wooster Street, image via Team Gallery, New York
Black Cake, Installation view at 47 Wooster Street, image via Team Gallery, New York

Michael Stipe at the Opening of "Black Cake"
Michael Stipe at the Opening of Black Cake, at Team Gallery

—A. Berman

Suggested Links

Exhibition page [Team Gallery]
Alex Gartenfeld [Website]

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