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GO SEE – NEW YORK: JAMES ENSOR AT THE MOMA THROUGH SEPTEMBER 21, 2009

Wednesday, August 19th, 2009

James Turrell Prepares for Country-wide Retrospective

Sunday, May 26th, 2013

New York – James Angus, Rikrit Tiravanija, Jonathan Horowitz at Gavin Brown’s Enterprise Through March 23rd, 2013

Friday, March 22nd, 2013

AO On Site as part of Performa 2011 – New York: Ed Atkins, Haroon Mirza, and James Richards: An Echo Button, November 11, 2011

Saturday, November 19th, 2011

Go See – London: James Turrell at Gagosian Gallery Britannia Street through December 10th, 2010

Wednesday, November 17th, 2010

AO Auction Results – New York: Sotheby’s Impressionist and Modern Evening Sale, November 5th, 2015

Friday, November 6th, 2015

New York City: “Black Cake” Curated by Alex Gartenfeld at Team Gallery Through February 16th, 2013

Monday, January 21st, 2013

Go See – London: Gert and Uwe Tobias at Maureen Paley through January 15, 2012

Sunday, January 8th, 2012

Spectacular Yves Saint Laurent auction raises record breaking $264 million, sets records for Mondrian, Matisse

Tuesday, February 24th, 2009

Berlin – Jon Rafman: “Dream Journal ’16-’17” at Sprüth Magers Through December 22nd, 2017

Wednesday, October 25th, 2017

St. Petersburg – Manifesta 10 at The State Hermitage Museum Through October 31st, 2014

Tuesday, August 26th, 2014

New York – Lygia Clark: “The Abandonment of Art” at MoMA Through August 24th, 2014

Thursday, August 14th, 2014

Berlin: Jeppe Hein at St. Agnes Church, Presented by Johann König Through October 20th, 2013

Thursday, October 17th, 2013

New York – Ann Hamilton “the event of a thread” at The Park Avenue Armory, through January 6th, 2013

Thursday, January 3rd, 2013

AO On Site – New York: Janet Cardiff and George Bures Miller, “The Murder of Crows” at The Park Avenue Armory, through September 9th

Sunday, September 2nd, 2012

AO On Site – Los Angeles: “Art in the Streets” at the Geffen Contemporary at MOCA through August 8th, 2011

Thursday, July 21st, 2011

AO On Site at the 54th Venice Biennale 2011: Final Overview and News Summary

Monday, June 6th, 2011

Go See – New York: ‘Amnesia’ Featuring Felix Gonzalez-Torres, On Kawara, Rebecca Cleman, and Josh Kline at Andrea Rosen through January 22nd, 2011

Monday, January 17th, 2011

AO News Summary – Washington: National Portrait Gallery removes David Wojnarowicz’s Video ‘Fire in my Belly’ after it is Deemed Offensive

Wednesday, December 8th, 2010

Don’t Miss – Stockholm: Ed Ruscha “Fifty Years Of Painting” at Moderna Museet through September 5th, 2010

Thursday, September 2nd, 2010

AO On Site – London: Chris Ofili at Tate Britain through 16 May 2010

Tuesday, February 9th, 2010

Newslinks for Friday January 15th, 2010

Friday, January 15th, 2010

For the Love of Copyright Law: ‘Red Rag to a Bull’ prods Damien Hirst over lawsuit

Wednesday, February 18th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Simone Leigh Wins 2018 Hugo Boss Prize

October 20th, 2018

Simone Leigh, via Art NewsSimone Leigh was has won the 2018 Hugo Boss Prize, given every two years to a contemporary artist. The prize includes a $100,000 check and an exhibition next April at the museum. 
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FBI Investigating Alleged Art Fraud

October 19th, 2018

Antonio Marco, via Associated PressA fine art consultant in New York and an interior designer in Florida are facing charges of fraud after allegedly using an elderly woman’s identity to buy a Mark Rothko for $6.4 million and an Ad Reinhardt work for $1.16 million at Sotheby’s, AP reports. “Our discussions with the purchasers raised significant suspicion and concern for the elderly client they purported to represent and we felt it was necessary to contact the FBI,” Sotheby’s said in a emailed statement. “We are pleased that the appropriate action has been taken and the victim has been protected.”
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Jenny Holzer Profiled in New York Magazine

October 19th, 2018

Jenny Holzer, via New York MagazineJenny Holzer gets a profile in New York Magazine this week, reviewing her recent work and her approach towards creating her bracing, direct brand of text art. “I have made much of my work sex-blind and anonymous so that it wouldn’t be dismissed as the work of a woman,” she says. “I don’t want to be looked at or dismissed, or even attract anybody, as a female.”
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