New York – Allan McCollum: “The Shapes Project: Perfect Couples” at Petzel Gallery Through October 4th, 2014

September 28th, 2014

Allan McCollum, Collection of Thirty-Six Perfect Couples (2005-2014), via Art Observed
Allan McCollum, Collection of Thirty-Six Perfect Couples (2005-2014), via Art Observed

Now on view at Petzel Gallery is a solo exhibition of works by Los Angeles-born, New York-based artist Allan McCollum.  Entitled The Shapes Project, the purpose of the series on view was to design a system that would allow for the production of a single, unique shape for every person in the world, using rapid manufacturing technologies to produce infinite variations of shape and form. This exhibition will be McCollum’s sixth solo exhibition at Petzel.

Allan McCollum, The Shapes Project: Perfect Couples (Installation View), via Art Observed
Allan McCollum, The Shapes Project: Perfect Couples (Installation View), via Art Observed

McCollum’s career has been largely dedicated to exploring the potentials for mass production in contemporary culture, without exclusively focusing on the notion of the art world proper.   He is best known for his Surrogate Paintings series, which he begin in 1977, and which he described as having resulted in an interest in creating an branded iconography for the painter himself.  The Shapes Project began in 2005, when McCollum began designing a system that was eventually able to produce 31,000,000,000 (Trillion) different shapes, a number greater than the highest current world population estimates. The most recent iteration of The Shapes Project, entitled Perfect Couples, is presented here,  a series of created pairs that could represent a variety of unique and diverse human relationships.

Allan McCollum, Collection of Twenty-four Perfect Couples (2005-2014), via Art Observed
Allan McCollum, Collection of Twenty-four Perfect Couples (2005-2014), via Art Observed

Allan McCollum, Collection of Twenty-six Perfect Couples (2005-2014), courtesy Petzel Gallery
Allan McCollum, Collection of Twenty-four Perfect Couples (2005-2014), courtesy Petzel Gallery

McCollum has been highly influenced by the Fluxus movement, interested in devaluing the mystique of being an artist and focusing on mass production of unique pieces, in many cases creating molds to produce many works available for all kinds of people. McCollum prefers the drama of quantity over the romance of a singular object landscape, and embraces molds that can be slightly adjusted and changed each time in order to make tens of thousands of unique works from the same basic structure. McCollum hails the idea of everyone being able to own art, not only the wealthy and privileged.

Allan McCollum, The Shapes Project Perfect Couples (Installation View), via Art Observed
Allan McCollum, The Shapes Project: Perfect Couples (Installation View), via Art Observed

Born in 1944 in Los Angeles, McCollum’s work is held by over seventy museum collections around the world, including the National Gallery of Art, Washington, D.C.; the Museum of Modern Art, New York; the Solomon R. Guggenheim Foundation, New York; The Metropolitan Museum of Art, New York; the Whitney Museum of American Art, New York and the Los Angeles Museum of Contemporary Art.

The current exhibition The Shapes Project: Perfect Couples will remain on view at Petzel Gallery through October 4, 2014.

Allan McCollum, Collection of Sixty Perfect Couples (2005-2014), courtesy Petzel Gallery
Allan McCollum, Collection of Sixty Perfect Couples (2005-2014), courtesy Petzel Gallery

Allan McCollum, The Shapes Project: Perfect Couples, (Installation View) courtesy Petzel Gallery
Allan McCollum, The Shapes Project: Perfect Couples, (Installation View) courtesy Petzel Gallery

— E. Baker

Related Links:
Exhibition Page [Petzel Gallery]