AO Art Observed™

A work by Takashi Murakami at the Palace of Versailles, via Chateau de Versailles

The forthcoming exhibition of works by acclaimed Japanese pop artist Takashi Murakami at the Palace of Versailles has sparked protests by French traditionalists and conservative groups.  Due to open on the 14th of September, the show will feature 22 works by the artist displayed throughout the Palace and the gardens including 11 pieces created specifically for the exhibition. As with the Jeff Koons’s exhibition, which showed at Versailles in 2008, a group of traditional supporters of the historic Versailles Palace protested against a commercial and at times sensationalist artist showing work in such a landmark of French history.

More text and images after the jump…

(more…)

Brion Gysin and Ian Sommerville, Dreammachine, 1962. Installation View, The New Museum. All images via Artnet

Currently on view at the New Museum is “Brion Gysin: Dream Machine,” the first comprehensive American exhibition to feature the interdisciplinary British artist, writer, and collaborator. Often overlooked, both popularly and commercially, Gysin (1916-1986) has frequently been characterized as a foil of failure within the historical narrative of Beat-Era success stories. He is generally credited as the inventor of the “cut-up” method, a medium which culminated in his co-authorship of the experimental collage-manifesto The Third Mind with William S. Burroughs.

Brion Gysin and William S. Burroghs, The Third Mind, 1965.

(more…)

Vincent Van Gogh, Poppy Flowers (Vase and Flowers), c. 1887. Image via BBC News.

A Van Gogh painting valued at $55 million dollars was cut from its frame and taken from the Mahmoud Khalil Museum in Cairo on Saturday. Despite reports that the painting, referred to as either ‘Poppy Flowers’ or ‘Vase and Flowers,’  had been recovered from an Italian couple at the Cairo airport yesterday, Egyptian officials now confirm that the painting remains missing.

(more…)

Julie Mehretu, Untitled 1, 2001 (est. $600-800,000), via Sothebys.com

Almost two years to the day after Lehman Brothers filed the largest bankruptcy in U.S. history, the bank will auction off hundreds of artworks worth some $16 million in hopes of raising funds for its creditors. There will be an auction at Sotheby’s New York on September 25 followed by an auction at Christie’s London on September 29. The smallest of the three auctions will be held at Freeman’s in Philadelphia on November 7 and will focus on the Lehman’s Contemporary Art holdings.

Damien Hirst, We’ve Got Style (The Vessel Collection Blue/Green), 1993 (est. $800,000-1,200,000) via Sothebys.com

(more…)

MoMA PS1. All images by Lucy Kissel for AO.

Greater New York, the third quinquennial exhibition organized by MoMA PS1 and The Museum of Modern Art, features 68 artists and collectives from metropolitan New York.  Recently completed and specially commissioned works alike showcase diverse talents and media, including sculpture, painting, photography, film, and large-scale installations.  A purposefully provocative exhibition, Greater New York emphasizes themes of trauma, identity, and ecological, political, and psychological exploration.  Curators of the colorful 2010 iteration selected artists of varying degrees of repute through online submissions, studio visits, and recommendations, assembling a brimming observation of contemporary New York City culture.

Images, text, and an interview with participating artist Conrad Ventur after the jump…
(more…)

Tauba Auerbach, Quarry, ‘Whitney On-Site: New Commissions, 2010.’ Photograph by Danielle Canter, via The Whitney.

Currently on view at the corner of Gansevoort and Washington streets is Tauba Auerbach‘s Quarry; an installation at the South-end of the High Line, where the Whitney Museum expects to open their downtown branch in 2015.  The exhibit, which runs from July 18 though August 29, 2010, is the second installment of the three-part series ‘Whitney On-Site: New Commissions,’ a project anticipating the start of construction on the museum’s new building, currently scheduled for next Spring.

(more…)

Billboard paintings after Dennis Hopper photographs, courtesy of LA Observed.

Dennis Hopper’s photograph series, 1961 to 2010, courtesy of When You Awake.

‘Dennis Hopper Double Standard,’ a comprehensive survey of artwork by the late cultural icon, is currently on view at the Museum of Contemporary Art, Los Angeles. The exhibition explores an interdisciplinary body of creative work produced by actor, director, photographer, painter, sculptor, and conceptual artist Dennis Hopper, over the course of his prolific sixty-year career. More than two hundred objects crafted in a variety of media are on view, including a rare early painting completed in 1955, before to the loss of the artist’s studio and much of his work in the 1961 Bel Air fire. Curated by artist Julian Schnabel, ‘Dennis Hopper Double Standard’ is the inaugural exhibition of the museum’s new director, former New York gallerist Jeffrey Deitch. Prior to his death in May of this year, from complications related to prostate cancer, Hopper also played a significant role in the organization of the exhibit.

MOCA director Jeffrey Deitch, actress Diane Keaton and Jean Stein at the Opening of ‘Dennis Hopper Double Standard’ on July 10th, 2010, courtesy of the Huffington Post.

More images and text after the jump…

(more…)

Picture Industry (Goodbye to All That), Installation view, Regen Projects II, Los Angeles. All images courtesy of Regen Projects.

Currently on view at Regen Projects, Los Angeles, is the group show Picture Industry (Goodbye to All That), curated by artist Walead Beshty. ‘Picture Industry’ refers both to the physical setting and the conceptual pretext within which the show is presented, with Los Angeles as the focus in terms of both place and content. Included in the exhibition are works by Tauba Auerbach, Thomas Barrow, Carol Bove, Troy Brauntuch, Tony Conrad, Abraham Cruzvillegas, De Rijke / De Rooij, Liz Deschenes, Isa Genzken, Wade Guyton, Robert Heinecken, Karen Kilimnik, Imi Knoebel, Michael Krebber, Glenn Ligon, Erlea Maneros Zabala, Albert Oehlen, Manfred Pernice, Seth Price, Richard Prince, Josephine Pryde, R.H. Quaytman, Eileen Quinlan, Miljohn Ruperto, Michael Snow, Cosey Fanni Tutti, Charline Von Heyl, Kelley Walker, James Welling, Christopher Williams & Christopher Wool.

(more…)

Lawrence Salander Appears for Sentencing, via New York Post

Art dealer Lawrence Salander, 61, was sentenced to 6-18 years in prison on Tuesday for defrauding clients of more than $120 million. Salander, formerly of Salander-O’Reilly Galleries, was arrested last March on charges of more than 100 counts of grand larceny and other felony offenses.  He pleaded guilty to 29 of those counts earlier this year, admitting to having engineered an elaborate series of fraudulent investment schemes over the course of more than a decade.  His offenses include selling single works of art to multiple buyers, selling shares of artwork owned outright  by other investors, and leveraging works he had already sold to secure bank loans.

Prior to closing in 2007, Salander-O’Reilly Galleries had been known for their eclectic Old Master and Modern holdings.  Their high-profile clientele included tennis champion John McEnroe and actor Robert De Niro’s late father, Robert De Niro Sr. According to the New York Times, McEnroe had acquired a 50% share of two important Arshile Gorky paintings, titled “Pirate I” and “Pirate II,” in 1994. Salander subsequently sold these paintings in their entirety to another dealer, while simultaneously listing them as security to obtain a loan from Bank of America.  In an effort to constantly expand his business and maintain an ostentatious lifestyle, Salander continued to engage in increasingly audacious personal and professional transactions.

(more…)

Hired dancer at exhibit next to piece chosen by curator James Shaeffer
All images by Olivia Loving for ArtObserved unless otherwise noted.

Gallery View

Art Observed was on site July 22^nd for the opening of ‘Young Curators, New Ideas III,’ the new exhibit at P.P.O.W. in Chelsea, Manhattan. As the name suggests, the exhibit focused on eight individual curators and the pieces that they chose. The list of curators is as follows: Andrew Russeth & Liza Buzytsky, Erin Dziedzic, Kate Greenberg & Hilary Schaffner, Stamatina Gregory, Gabriella Hiatt, and James Shaeffer. The gallery was packed, and despite no air-conditioning (handmade fans and cups of water abounded), the elevators constantly opened and closed, shuffling in new visitors. The exhibit will be on show until August 20^th, 2010.

(more…)

Domecke – [Cathedral Corner] (1987) by Gerhard Richter, via Gerhard Richter

Currently showing at the National Museum of Decorative Arts in Buenos Aires, Argentia, is an exhibition of works by German artist Gerhard Richter. The exhibit is titled Synopsis, and it includes a variety of works that span four decades. Richter is well-known for his photo-paintings and abstract pieces, both of which are on display. The title Synopsis is fitting; the museum called the exhibit “retrospective” and therefore indicative of Richter’s growth over the years.

(more…)

Artist’s Model Posing For ‘The Old Bugler, Among the Fallen, Battle of Beaune-Roland, 1870′ In The Studio Of An Unknown Military Painter, Paris, 1885 by Rodney Graham, via Hauserwirth

Currently showing at the Lisson Gallery in London, England until July 31, 2010, is a solo exhibition of works by Canadian artist Rodney Graham. Graham is well-known for his schooling in the field of conceptual art, which places the idea of a work of art above the importance of its execution. Graham often creates art out of art; one title alludes to a British horror film by the same name. As a whole, Painter, Poet, Lighthouse Keeper is a versatile and creative exhibit: it contains light boxes, paintings, and short films by Graham. The Lisson Gallery is working with MACBA, Barcelona and Hamburger Kunsthalle to host the exhibit.

Lighthouse Keeper with Lighthouse Model (1955 2010) by Rodney Graham, via Lisson Gallery

More text and images after the jump…. (more…)

Tornado (2000-2010) by Francis Alÿs, via inglebygallery

Currently showing at the Tate Modern in London until September 5, 2010, is a series of works by artist Francis Alÿs. Alÿs is famous for sacrificing his own comfort and health for the sake of art, as he does with his “Tornado” video (2000-10) on display at the Tate. A still of this video serves as the picture on the museum’s banner of the exhibit, entitled Francis Alÿs: A Story of Deception. The picture shows a man, bent against the wind and obscured by dust, essaying to reach the center of the storm. This footage was collected over the course of a decade, as Alÿs struggled both to keep his cameras intact (he reportedly lost six) and to capture the sense of “adrenaline” that he craved. While many works are videos, other media are included, such as paintings.

Re-enactments (2000) by Francis Alÿs, via Tate

For more images, story, and links read more… (more…)

J. M. W. Turner, Modern Rome – Campo Vaccino, 1839 (estimate £12-18 million, realized £29,721,250), via Sothebys.com

Master Paintings Week continues in London after a boost from the Christie’s and Sotheby’s Old Master auctions that took place on July 6th and 7th. The Sotheby’s auction earned £53,484,350 against a high estimate of £50.8 million, while the Christie’s sale realized £42.3 million against a pre-sale estimate of £36.9–55.3 million (totals realized include buyer’s premium, estimates do not). More than half of the Sotheby’s earnings came from the sale of a single canvas by J. M. W. Turner, which sold to the J. Paul Getty Museum in Los Angeles for a staggering £29,721,250. The painting, showing a view of the Italian capital from the Capitoline Hill, has a sterling provenance and equally impressive exhibition history. The sale established a new record for the artist at auction.

More text and images after the jump…

(more…)

The Education of the Virgin, circa 1617, oil on canvas, which was recently reattributed to Diego Velázquez, at the Yale University Art Gallery. Image courtesy Yale University.

Just days after a Caravaggio masterpiece that had been stolen two years ago was recovered in Berlin, Yale University reported today that they have discovered a painting in their museum’s storage which could be attributed to 17th-century Spanish painter Diego Velázquez. In a statement released from the university, they relate that the discovery was made in the midst of a “multi-year preparation for a major renovation and expansion currently underway.”

In a thorough review of their vast holdings, this unsigned painting seems to have slipped under the radar, having been previously attributed to an “unknown 17th-century Spanish painter.” The work was donated to the Yale University Art Gallery in 1925 by two brothers, wealthy Yale alumni Henry and Raynham Townshend, whose family, from New Haven, had owned it for more than 40 years. At the time of donation, the provenance reports stated that the painting was 300+ years old and in poor condition, but after six years of recent study, the work has now been reattributed to the Spanish master himself, whose Las Meninas (1656) is one of the jewels of the Prado Museum in Madrid, Spain.

More text and images after the jump…

(more…)

Image still from Christies.com video In the Salesroom: Andy Warhol’s Silver Liz, via Christies.com

The results of Christie‘s Post-War and Contemporary Art auction in London last night are a relief after this week’s lackluster Sotheby‘s auction and the let-down at Phillips de Pury & Co. on Thursday. The sale earned £45,640,200 against the pre-sale estimate of £40.9-58.1 million for 63 lots, selling 84% by lot and 85% by value (totals realized include buyer’s premium, estimates do not). The combination of higher-quality works, lower starting prices, and a greater variety of material presented is thought to have contributed to the success of the sale, even amidst a drop in the stock market.

More text and images after the jump… (more…)

Tragic Anatomies (1996) by Jake and Dinos Chapman, via Artnet

Renowned advertising tycoon and art collector Charles Saatchi, 67, announced today that he would gift the Saatchi Gallery and over 200 works of art to the nation. Located in the Duke of York Square in Chelsea, the gallery will be renamed the Museum of Contemporary Art London in 2012 once Saatchi retires. The works which will be donated total more than $37.5 million and are situated in a 70,000 square foot gallery, one of the largest spaces in the world. Among the works to be donated  include Tracey Emin‘s “My Bed” (1998), Jake and Dinos Chapman‘s “Tragic Anatomies” (1996), Richard Wilson’s oil room (1987), and Kader Attia‘s “Ghost” (2007).

More text and images after the jump…

(more…)

Cover of the catalog for last night’s Contemporary Art auction at Phillips de Pury & Co showing Thomas Schutte’s Doppelkopf (1994), via Phillipsdepury.com

Last night’s Contemporary Art auction at Phillips de Pury & Co reinforced uncertainties regarding the present state of the Contemporary Art market, as the sale earned just £3,963,450 against the pre-sale estimate of £6,075,000-8,575,000 (totals realized include buyer’s premium, estimates do not). Of 45 lots offered only 24 found buyers, leaving 47% of the lots unsold. For comparison, last year’s Contemporary Art Auction at Phillips earned £5.1 million.

More text and images after the jump…

(more…)