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AO On-Site – New York: 1:54 Contemporary African Art Fair at Pioneer Works, May 5th – 7th, 2017

Sunday, May 7th, 2017

AO On-Site – New York: Frieze New York Art Fair at Randall’s Island, May 5th – 8th, 2017

Friday, May 5th, 2017

AO Preview – New York: Frieze New York Art Fair at Randall’s Island, May 5th – 7th, 2017.

Sunday, April 30th, 2017

1:54 Art Fair to Open Edition in Marrakech

Wednesday, March 1st, 2017

Los Angeles, CA – Geffen Contemporary: LA Art Book Fair , Feat.. “Artists Read Baldessari,” Jan 31 – Feb 2, 2014

Sunday, February 9th, 2014

AO on Site – London: Frieze Artfair Preview, October 16th, 2013

Wednesday, October 16th, 2013

Art Observed’s Art Basel Miami Beach 2012 Guide to Fairs and Events with Newslink Summary

Monday, December 3rd, 2012

AO On Site with Photoset – New York: NADA Art Fair, May 4–7, 2012

Tuesday, May 8th, 2012

AO On Site Photoset, with link summary – Art Basel Miami Beach 2011: Main Fair Preview and News Summary, Wednesday, November 30, 2011

Thursday, December 1st, 2011

AO on Site – London: Frieze Art Fair 2010; final image set and newslink summary

Monday, October 18th, 2010

AO Preview – Miami Beach: Miami Art Week and Art Basel Miami Beach, November 30th – December 4th, 2016

Sunday, November 27th, 2016

NYT Notes Challenges to Museum Collections

Friday, November 4th, 2016

AO On-Site – Berlin: “The Present in Drag,” the 9th Berlin Biennale at the KW Institute and Feuerle Collection Through September 18th, 2016

Sunday, July 10th, 2016

WSJ Looks at Growing African Contemporary Art Market

Friday, May 13th, 2016

AO Auction Recap – New York: Sotheby’s Post-War and Contemporary Evening Sale, May 11th, 2016

Wednesday, May 11th, 2016

New York — Omer Fast at James Cohan Through May 7th, 2016

Monday, May 9th, 2016

AO Auction Recap – New York: Christie’s “Bound to Fail” Curated Evening Sale, May 8th, 2016

Sunday, May 8th, 2016

AO On-Site: Art Basel Miami Beach 2015 at the Miami Beach Convention Center, December 3rd-6th, 2015

Thursday, December 3rd, 2015

Democrats in Congress Push for Artist Resale Rights, New Tax Laws

Friday, April 17th, 2015

AO On-Site – Venice: The 55th Venice Biennale, Opening Day

Thursday, May 30th, 2013

AO On Site – New York: Frieze VIP Preview on Randall’s Island Through May 13, 2013

Friday, May 10th, 2013

Despite Investigation, Cohen Keeps Promises to MoMA

Friday, February 22nd, 2013

AO Onsite – New York: Bushwick Open Studios Friday June 1st to Sunday June 3rd, 2012

Monday, June 4th, 2012

AO on Site – London: Damien Hirst Retrospective at Tate Modern through September 9, 2012

Monday, April 9th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Nicole Eisenman Sculpture Defaced in Münster

July 21st, 2017

Nicole Eisenman sculpture, via ArtforumA group of vandals attacked a sculpture in Nicole Eisenman’s site-specific installation, Sketch for a Fountain, at Skulptur Projekte Münster, Artforum reports. A large figure in the sculpture has been beheaded, and will remain without its head for the remainder of the show. 
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Getty Museum Acquires Major Collection of Drawings

July 21st, 2017

Jean-Antoine Watteau’s La Surprise, via NYTThe Getty Museum has made a major purchase of 16 drawings and one painting including works by Michelangelo, Parmigianino and Watteau, among others, one of the most expensive single acquisitions in the museum’s history. “This acquisition is absolutely transformative in terms of the quality of our drawings collection,” says director Timothy Potts. “There hasn’t been an opportunity like this in 30 years of the Getty’s existence and there won’t be again.”
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Bill Funding NEA Passes House Appropriations Committee

July 21st, 2017

u-s-congress-via-art-newspaperDespite attempts by Donald Trump to defund the NEA, a bill guaranteeing future funding for the organization has won approval this week from the House appropriations committee, the New York Times reports. “It is a very solid rejection of the administration’s proposals to terminate the two agencies,” says Narric Rome, who heads up government affairs at advocacy group Americans for the Arts. “We consider the House number to be a very good starting point for the appropriations process.”
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