Search Results

Alfred Taubman, Former Sotheby’s Owner and Philanthropist, Passes Away at 91

Tuesday, April 21st, 2015

AO Auction Recap – New York: Sotheby’s Taubman Masterworks Sale, November 4th, 2015

Wednesday, November 4th, 2015

Vanity Fair Notes Taubman Family Disputes, Guarantee Increase in Sotheby’s Sale this Week

Monday, November 2nd, 2015

Sotheby’s Guarantees Almost Full $500 Estimate on Taubman Estate

Tuesday, September 15th, 2015

$500 Million Trove of Work from Taubman Estate to Hit Sotheby’s Sales This Fall

Sunday, September 6th, 2015

AO Auction Preview – New York: Impressionist, Modern, Post-War and Contemporary Evening Sales, November 4th-12th, 2015

Wednesday, November 4th, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Jeffrey Deitch Featured on “Artbound”

June 17th, 2019

Jeffrey Deitch gets a profile in KCET’s Artbound program, spotlighting his recent work, his focus on Los Angeles’s thriving arts scene, and his early days expanding the scope of the contemporary art market.  “Some people say I created a monster because we basically invented the profession of professional art advisory,” Deitch says of his early work.
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CNN Speculates on Location of “Salvator Mundi” Painting

June 17th, 2019

CNN takes a look at the disappearance of Salvator Mundi after its landmark sale last year, noting that the work hasn’t been seen in public since its landmark sale.  “It’s either on the yacht or in a Geneva lock-up, and I’m slowly coming to the conclusion that the yacht is really quite plausible,” writer Ben Lewis said in a phone interview, alluding to speculation that the work is on a luxury yacht belonging to Saudi Arabia’s Crown Prince Mohammad Bin Salman. “But I would suggest that it may not be the safest environment in which to hang up this picture.”
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Sterling Ruby’s New Fashion Line Profiled in NYT

June 17th, 2019

Sterling Ruby’s new fashion line gets a profile in the NYT this week, as the artist and budding designer traces his experiences with fiber arts and clothing.   “Outside of the logistics of putting together the collection and the garments — in the kind of production of it — I don’t see it as any different to making a sculpture or a painting,” he says.
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