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Fred Tomaselli Featured in New York Times

Monday, August 27th, 2018

New York – “The Mechanics Of Fluids, Curated By Melissa Gordon” at Marianne Boesky Through August 3rd

Saturday, August 4th, 2018

AO On-Site – New York: TEFAF New York at the Park Ave Armory, May 4th – 8th, 2018

Saturday, May 5th, 2018

New York – “Nice Weather” Curated by David Salle at Skarstedt Gallery Through April 16th, 2016

Wednesday, March 30th, 2016

AO On Site Photoset – New York: Brooklyn Museum Annual Gala ‘The Brooklyn Artists Ball’ April 18, 2012

Thursday, April 19th, 2012

Go See – London: Abstract America: New Painting and Sculpture at the Saatchi Gallery through September 13th 2009

Friday, June 5th, 2009

The ADAA ART FAIR, February 21st through 25th in New York

Friday, February 22nd, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Simone Leigh Wins 2018 Hugo Boss Prize

October 20th, 2018

Simone Leigh, via Art NewsSimone Leigh was has won the 2018 Hugo Boss Prize, given every two years to a contemporary artist. The prize includes a $100,000 check and an exhibition next April at the museum. 
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FBI Investigating Alleged Art Fraud

October 19th, 2018

Antonio Marco, via Associated PressA fine art consultant in New York and an interior designer in Florida are facing charges of fraud after allegedly using an elderly woman’s identity to buy a Mark Rothko for $6.4 million and an Ad Reinhardt work for $1.16 million at Sotheby’s, AP reports. “Our discussions with the purchasers raised significant suspicion and concern for the elderly client they purported to represent and we felt it was necessary to contact the FBI,” Sotheby’s said in a emailed statement. “We are pleased that the appropriate action has been taken and the victim has been protected.”
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Jenny Holzer Profiled in New York Magazine

October 19th, 2018

Jenny Holzer, via New York MagazineJenny Holzer gets a profile in New York Magazine this week, reviewing her recent work and her approach towards creating her bracing, direct brand of text art. “I have made much of my work sex-blind and anonymous so that it wouldn’t be dismissed as the work of a woman,” she says. “I don’t want to be looked at or dismissed, or even attract anybody, as a female.”
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