Search Results

Anne Pasternak Named Head of Brooklyn Museum

Wednesday, May 20th, 2015

Creative Time’s Anne Pasternak Profiled in New York Times

Monday, April 29th, 2013

Jennifer Y. Chi Appointed as Chief Curator, Deputy Director of Brooklyn Museum

Thursday, September 7th, 2017

AO On-Site – New York: The Armory Show, March 1st – 5th, 2017

Thursday, March 2nd, 2017

Igor DaCosta Elected as Chair of Warhol Foundation

Wednesday, January 18th, 2017

Brooklyn Museum to Launch Buyout Program

Thursday, May 19th, 2016

Brooklyn Museum Takes on Ambitious Rehang of Several Galleries

Tuesday, April 26th, 2016

Brooklyn Museum Incorporates Recent Protest Art and Posters into Current Show

Monday, April 11th, 2016

AO On-Site – Hong Kong: Art Basel Hong Kong at the Hong Kong Convention and Exhibition Center, March 22nd – 26th, 2016

Saturday, March 26th, 2016

AO On-Site – New York: The 22nd Annual Armory Show at Piers 92 & 94, March 3rd – 6th, 2016

Thursday, March 3rd, 2016

Katie Hollander Named New Director of Creative Time

Friday, February 12th, 2016

Nancy Spector Appointed Brooklyn Museum Deputy Director and Chief Curator

Saturday, December 19th, 2015

Photoset: The Creative Time Gala Honoring Kara Walker at The Domino Sugar Factory, May 6th, 2014

Wednesday, May 7th, 2014

AO On Site Photoset – New York: Creative Time Gala Honoring Julian Schnabel At Domino Sugar Factory, April 30th, 2013

Monday, May 6th, 2013

New York – AO On Site: The Whitney Museum of American Art Annual Gala and Studio Party, Tuesday, December 11th, 2012

Sunday, December 16th, 2012

AO On Site – Far Rockaway: Creative Time Artist Sandcastle Competition, Friday August 18th, 2012

Monday, August 20th, 2012

AO Onsite – Standard Hotel unveils 2nd edition of “StandART” Video series featuring Terence Koh, Kalup Linzy, Slater Bradley, Allison Schulnik and more

Friday, June 24th, 2011

AO On Site, New York- 1001 Chairs for Ai Weiwei demonstration outside of the Chinese Consulate, Sunday, April 17th 2011

Monday, April 18th, 2011

AO On Site: Creative Time presents Democracy In America at the Convergence Center in the Park Avenue Armory in New York City, September 21 through 27

Friday, September 26th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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