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Antony Gormley Sculptures Vandalized in Sefton

Saturday, June 24th, 2017

Antony Gormley Interviewed in Financial Times

Monday, September 12th, 2016

Antony Gormley is Profiled in The Guardian

Thursday, July 7th, 2016

Salzburg – Antony Gormley: “Space Out” at Galerie Thaddaeus Ropac Through October 31st, 2015

Friday, October 16th, 2015

Antony Gormley Writes for Financial Times on Sculpture’s Future

Monday, October 5th, 2015

Antony Gormley Sculpture Knocked Over by Storm

Monday, September 21st, 2015

Antony Gormley Set to Install “Event Horizon” in Hong Kong

Wednesday, August 12th, 2015

Antony Gormley Installs Site-Specific Arrangement at Florence’s Forte di Belvedere

Sunday, May 3rd, 2015

Plans for New Goldsmiths Gallery Announced by Sir Antony Gormley

Monday, July 28th, 2014

Antony Gormley Creates Architectural Installation

Sunday, June 29th, 2014

Antony Gormley’s “Event Horizon” Cancelled in Hong Kong Following Suicide

Sunday, May 11th, 2014

Antony Gormley Honored with Knighthood

Thursday, January 2nd, 2014

Michelangelo Pistoletto, Antony Gormley Honored in Japan

Wednesday, September 18th, 2013

Salzburg – Antony Gormley: “Meter” at Thaddeus Ropac Through July 13th, 2013

Wednesday, July 10th, 2013

Lily Cole Interviews Antony Gormley for British Television

Wednesday, March 20th, 2013

Bermondsey, London – “Antony Gormley: Model” At White Cube, Through February 10th, 2013

Sunday, December 23rd, 2012

New York – Antony Gormley: “Bodyspace” at Sean Kelly Gallery through December 22nd, 2012

Thursday, December 13th, 2012

100-tonne Antony Gormley Sculpture to go on view at White Cube in London

Friday, November 23rd, 2012

London: Antony Gormley: “Still Standing” at White Cube Hoxton Through September 15th, 2012

Thursday, August 23rd, 2012

São Paulo: Antony Gormley ‘Facts and Systems’ at White Cube’s Special Project Space through July 15, 2012

Friday, July 6th, 2012

Go See – St. Petersburg: Antony Gormley’s ‘Still Standing: A Contemporary Intervention in the Classical Collection’ at The Hermitage through January 15, 2012

Wednesday, November 2nd, 2011

AO on site Photoset – Paris: Antony Gormley opening “For the Time Being” at Thaddaeus Ropac Gallery, through June 4, 2011

Friday, May 6th, 2011

Go See – Melbourne: Antony Gormley’s “Memes” at Anna Schwartz through April 23rd, 2011

Thursday, April 14th, 2011

Art News – Kent, UK: Antony Gormley installs “Transport” at Canterbury Cathedral

Thursday, February 10th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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