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New York – Bruce Nauman at Sperone Westwater Through November 7th, 2020

Friday, October 2nd, 2020

Bruce Nauman Profiled in The Guardian

Tuesday, September 29th, 2020

New York – Bruce Nauman: “Disappearing Acts” at MoMA Through February 2019

Monday, December 24th, 2018

Bruce Nauman Profiled in NYT

Tuesday, October 16th, 2018

Bruce Nauman to Open Series of Shows at Tate Modern

Wednesday, April 12th, 2017

Bruce Nauman Planning Second Retrospective at Tate Modern for 2019

Monday, October 3rd, 2016

Bruce Nauman Interviewed in New York Times

Friday, September 9th, 2016

MoMA and Schaulager Collection to Host Bruce Nauman Retrospective in 2018

Sunday, July 12th, 2015

Paris — Bruce Nauman at Fondation Cartier pour l’art contemporain on view through June 21, 2015

Thursday, June 25th, 2015

London – Bruce Nauman: Hauser and Wirth Savile Row Through March 9th, 2013

Tuesday, March 5th, 2013

London – Bruce Nauman: “Days” at the Institute of Contemporary Art Through September 16th, 2012

Friday, September 7th, 2012

New York – Bruce Nauman: “One Hundred Fish Fountain” at Gagosian Gallery, 980 Madison Avenue through August 31st, 2012

Friday, August 17th, 2012

London: Bruce Nauman at White Cube Through July 8, 2012

Sunday, July 1st, 2012

Go See – New York: The Parallax View featuring Dan Flavin, Eva Hesse, Bruce Nauman, Robert Smithson and others at Lehmann Maupin Gallery, 26th Street, Chelsea through March 19th, 2011

Tuesday, March 15th, 2011

Go See – Stockholm: Investigations of a Dog, Works from the FACE Collections featuring Jeff Koons, Paul McCarthy, Urs Fischer, Maurizio Cattelan, Gardar Eide Einarsson, Fischli & Weiss, Thomas Hirschhorn, William Kentridge, Aurel Schmidt, Kara Walker, Bruce Nauman and others at Magasin 3 Konsthall, through May 29, 2011

Monday, March 14th, 2011

AO On Site – Paris: ‘Fresh Hell’ at the Palais de Tokyo through January 16th, 2011 featuring Maurizio Cattelan, Martin Creed, Isa Genzken, Dan Graham, Philip Guston, Martin Kippenberger, Nate Lowman, Sarah Lucas, Bruce Nauman & Frank Owen, Michelangelo Pistoletto, Rob Pruitt, Agathe Snow, Rudolf Stingel, Rosemarie Trockel and others

Thursday, January 13th, 2011

Don’t Miss: Bruce Nauman, For Children / For Beginners at Sperone Westwater through December 18th, 2010

Sunday, December 12th, 2010

Go See – 'Notations/Bruce Nauman: Days and Giorni' at Philadelphia Museum of Art through April 4, 2010

Thursday, March 18th, 2010

Go see – Venice: “Bruce Nauman: Topological Gardens” at the Venice Biennale, through November 22, 2009

Friday, September 4th, 2009

Go See – New York: "Photoconceptualism 1966-1973" featuring works by Bruce Nauman, Dan Graham, Robert Smithson, Mel Bochner, Gordon Matta-Clark, Edward Ruscha Whitney Museum of American Art, through September 20, 2009

Wednesday, August 26th, 2009

Go See: Bruce Nauman’s ‘Diamond Mind Circle of Tears Fallen All Around Me’ at Peter Freeman, New York, through February 21, 2009

Sunday, January 25th, 2009

Bruce Nauman

Sunday, November 30th, 2008

Bruce Nauman

Monday, June 23rd, 2008

AO Preview – Venice: “The Milk of Dreams,” the 59th Venice Biennale, Curated by Cecilia Alemani, April 23rd – November 27th, 2022

Monday, April 18th, 2022
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jean-Michel Basquiat Work at TEFAF 2017 Revealed as Fake by André Heller

November 3rd, 2022

Musician and artist André Heller fabricated a falsely attributed Jean-Michel Basquiat for sale at TEFAF in 2017, Art News reports. “In retrospect, the whole thing is, firstly, a childish prank. Secondly, it is naturally showing off. And thirdly, it is a stupid mixture of fiction and truth,” he says. “Just a private fairy tale.”
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Monica Bonvicini “Pauses” Representation with König Galerie After Allegations Against Founder

November 3rd, 2022

Monica Bonvicini has “paused” her relationship with König Galerie after sexual harassment allegations broke against its founder, Johann König.
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Oscar yi Hou Profiled in NYT

October 25th, 2022

Artist Oscar yi Hou gets the profile treatment in the New York Times this week, as he opens a show at the Brooklyn Museum. “I think by creating symbolic densities, you’re able to invite the viewer to pay more attention to the works,” he says. “I try to honor the opacity of the subject.”
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