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London – Elizabeth Murray: “Flying Bye” at Camden Arts Centre Through

Wednesday, September 4th, 2019

London – Amy Sillman: “Landline” at Camden Arts Centre Through January 6th, 2019

Monday, November 5th, 2018

London – Kara Elizabeth Walker: “Negress” at Camden Arts Centre Through January 5th, 2014

Thursday, November 7th, 2013

London – Olga Balema: “Computer” at Camden Art Center Through August 29th, 2021

Friday, August 27th, 2021

Jenni Lomax Leaves Camden Arts Center After 26 Years

Wednesday, November 23rd, 2016

London – Nicola L. at Alison Jacques Through July 23rd, 2022

Monday, July 18th, 2022

AO On Site at the 54th Venice Biennale 2011: Preview of Mike Nelson’s “I, Impostor” at the British Pavilion

Sunday, June 5th, 2011

Don’t Miss – New York: Mike Nelson at 303 Gallery, through April 10

Wednesday, April 7th, 2010

Frieze Awards Stand Prizes to Sprueth Magers, Blank Projects, Wong Ping

Thursday, October 4th, 2018

AO Newslink

Monday, September 17th, 2012

Go See – New York: Eva Hesse “Spectres 1960″ at Brooklyn Museum through January 8, 2012

Monday, October 31st, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jean-Michel Basquiat Work at TEFAF 2017 Revealed as Fake by André Heller

November 3rd, 2022

Musician and artist André Heller fabricated a falsely attributed Jean-Michel Basquiat for sale at TEFAF in 2017, Art News reports. “In retrospect, the whole thing is, firstly, a childish prank. Secondly, it is naturally showing off. And thirdly, it is a stupid mixture of fiction and truth,” he says. “Just a private fairy tale.”
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Monica Bonvicini “Pauses” Representation with König Galerie After Allegations Against Founder

November 3rd, 2022

Monica Bonvicini has “paused” her relationship with König Galerie after sexual harassment allegations broke against its founder, Johann König.
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Oscar yi Hou Profiled in NYT

October 25th, 2022

Artist Oscar yi Hou gets the profile treatment in the New York Times this week, as he opens a show at the Brooklyn Museum. “I think by creating symbolic densities, you’re able to invite the viewer to pay more attention to the works,” he says. “I try to honor the opacity of the subject.”
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