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Breaking News: Charles Saatchi Donates his Gallery and over 200 works worth roughly $37.5 million to the UK to create London Museum of Contemporary art upon his retirement in 2012

Thursday, July 1st, 2010

Charles Saatchi and BBC Set to Launch Reality TV Show to Discover Next Generation of Artistic Talent

Tuesday, January 27th, 2009

With a sweeping survey of Chinese contemporary art, Charles Saatchi opens much anticipated new gallery in Duke of York Headquarters Building, Chelsea, London

Wednesday, October 8th, 2008

Charles Saatchi to advise the art trading fund

Sunday, June 1st, 2008

Christie’s Offering A Number of YBA Works from Saatchi’s “Sensation” Show

Wednesday, January 22nd, 2014

Saatchi to Auction off 50 Works from his Collection

Friday, August 2nd, 2013

AO On Site – London: Gesamtkunstwerk – New Art From Germany at Saatchi Gallery through April 15, 2012

Monday, March 26th, 2012

Go See – Lille, France: ‘La Route de la Soie/ Silk Road: Collection of the Saatchi Gallery’ at Tri Postal through January 23rd, 2011

Saturday, January 8th, 2011

Go See – London: ‘Newspeak: British Art Now’ at Saatchi Gallery through October 17, 2010

Monday, August 23rd, 2010

Go See – London: Emily Prince’s ‘The American Servicemen and Women Who Have Died in Iraq and Afghanistan (But Not Including the Wounded, nor the Iraqis, nor the Afghans’ at The Saatchi Gallery, London, through May 7th

Monday, January 18th, 2010

Go See: St. Petersburg, Russia – Newspeak. British Art Now. The State Hermitage and Saatchi Gallery through January 17, 2010

Saturday, January 9th, 2010

Saatchi Gallery reopens with Asian art exhibit on October 9th, 2008

Thursday, September 11th, 2008

Saatchi to open new London site October 9, beginning with Chinese focus

Thursday, August 7th, 2008

Saatchi Buys out Student Art at Royal Academy Show

Wednesday, June 18th, 2008

Tate Gallery acquires Saatchi’s “Chapman Family Collection”

Thursday, February 28th, 2008

HIM: 101 Images of Saatchi

Wednesday, January 9th, 2008

Saatchi Gallery

Tuesday, December 25th, 2007

New Fee-free Saatchi Gallery

Tuesday, July 17th, 2007

Damien Hirst Speaks to the Guardian On Curating, Opening His Own Gallery, and His Legacy as An Artist

Tuesday, June 30th, 2015

AO Auction Preview – London: Contemporary Evening Sales, June 30th – July 2nd, 2014

Monday, June 30th, 2014

Writer Paul Levy on Seeing His Own Portrait Up for Auction

Monday, June 16th, 2014

Tracey Emin’s “My Bed” Up for Sale at Christie’s This July

Wednesday, May 28th, 2014

London – Gary Hume at Tate Britain Through September 1st 2013

Wednesday, August 21st, 2013

Rome – Tracey Emin – “You Saved Me” at Galleria Lorcan O’Neill through February 16th, 2013

Sunday, February 10th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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