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Artist Luis Camnitzer Calls on Donald Trump to Commission Christo for Mexican Border Wall

Wednesday, January 11th, 2017

Christo’s Lake Iseo Installation Set to Open

Thursday, June 16th, 2016

Christopher Rothko Testifies at Knoedler Gallery Trial

Wednesday, February 3rd, 2016

Art Newspaper Notes Christo’s Ongoing Work for Massive Abu Dhabi Installation

Tuesday, January 12th, 2016

Christo to Receive French Insignia of Commander of the Order of Arts and Letters

Wednesday, November 4th, 2015

Christo Set to Unveil Newest Project in Northern Italy

Thursday, October 22nd, 2015

Art Recovery Group’s Christopher Marinello on His Work Returning Lost Art

Sunday, July 12th, 2015

Berlin – Christoph Niemann: “Es Gibt Nichts Gutes” At Galerie Max Hetzler Through May 30th, 2015

Saturday, May 30th, 2015

Venice – Christoph Büchel: ‘THE MOSQUE’ at the Icelandic Pavilion During the Venice Biennale Through November 22nd, 2015

Saturday, May 16th, 2015

Christo Announces Major Project in Italy

Friday, April 24th, 2015

Christo Project Closer to Realization After Federal Court Win

Monday, January 5th, 2015

New York – Christopher Williams: “For Example: Dix-Huit Leçons Sur La Société Industrielle (Revision 19)” at David Zwirner Through December 20th, 2014

Wednesday, November 26th, 2014

Bloomberg Traces the Sales and Maneuverings of Christopher Wool’s “Apocalypse Now”

Sunday, October 12th, 2014

New York – Christopher Williams: “The Production Line Of Happiness” At MoMA Through November 2nd, 2014

Monday, September 22nd, 2014

PS1’s Christopher Lew Appointed Associate Curator at Whitney

Wednesday, July 16th, 2014

Collector Christopher Tsai Plans Ai Weiwei Museum

Wednesday, May 14th, 2014

Studio Lawsuit Against Christopher Wool Moving Forward

Sunday, January 12th, 2014

New York – Christopher Wool at The Guggenheim Museum Through Janurary 22nd, 2013

Monday, November 4th, 2013

Christopher Wool and Luhring Augustine Sued for $6 Million Each

Thursday, June 20th, 2013

Oberhausen – Christo: “Big Air Package” billed as the world’s largest indoor art installation, at Oberhausen Gasometer Through December 30th, 2013

Tuesday, March 19th, 2013

Christo Begins Work for “Over the River” Project

Thursday, January 24th, 2013

Christopher D’Amelio Leaves Gallery to Join David Zwirner

Sunday, January 20th, 2013

Christo to create world’s largest and most expensive permanent sculpture

Sunday, November 25th, 2012

AO On Site Photoset – New York: Swiss Institute Opens in former Deitch Projects space with Pamela Rosencrantz and Nikolas Gambaroff ‘This is Not My Color/ The Seven Habits of Highly Effective People’ and Christoph Schifferli ‘Books on Books’ through October 30, 2011

Friday, September 16th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Brad Troemel Profiled in New Yorker

January 23rd, 2017

Brad Troemel, via New YorkerBrad Troemel is the subject of a profile in the New Yorker this week, which reflects on the artist’s recent work both in and outside the traditional gallery system, and his approach towards making art that often defies categorization.  “At what point do artists using social media stop making art for the idealized art world audience they want,” the piece quotes from one of his essays, “and start embracing the new audience they have?” 
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New York Times Notes Uptick in Sales Through Instagram

January 23rd, 2017

Faberge art, via NYTThe New York Times profiles the increased potential in recent years for Instagram as a marketing tool, noting a considerable uptick in works sold through the platform.  “It has hit a sweet spot in the market for sharing information,” Anders Petterson, one of the contributors to the Hiscox Online Art Trade Report says, “but no one saw this coming as a sales tool.”
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Catherine Opie Joins Gallerists and Artists in LA Women’s March

January 23rd, 2017

Catherine Opie, via LA TimesThe LA Times has a piece today on the participation of a number of artists and gallerists in the Los Angeles protests against Donald Trump, counting Catherine Opie and a range of gallerists from across the city.  “Artists need to bring that voice of opposition to this cause — with every drop of blood and every tear,” Opie says.
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