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Daniel Loeb Stands Behind Sotheby’s Management After Taking Board Seat

Friday, June 13th, 2014

Daniel Loeb Confirmed as Sotheby’s New Board Member

Friday, May 30th, 2014

Sotheby’s and Third Point Reach Agreement, Place Daniel Loeb’s Nominees on Expanded Board

Tuesday, May 6th, 2014

Daniel Loeb Urges Sotheby’s Shareholders to Support Him in Newest Open Letter

Tuesday, April 22nd, 2014

Daniel Loeb’s Case Against Sotheby’s Fast-Tracked

Thursday, April 3rd, 2014

Daniel Loeb Prepping for Proxy Fight at Sotheby’s

Sunday, March 2nd, 2014

Sotheby’s Responds to Daniel Loeb with “Poison Pill” Strategy

Sunday, October 6th, 2013

Daniel Loeb Calls for Resignation of Sotheby’s Head William Ruprecht

Wednesday, October 2nd, 2013

Daniel Loeb

Sunday, March 2nd, 2008

Judge Rejects Loeb’s Lawsuit Against Sotheby’s

Monday, May 5th, 2014

Sotheby’s Faces Call for $500 Million Buyback from Major Investor

Friday, February 20th, 2015

AO Auction Preview – London: Impressionist and Modern Evening Sales, February 3rd and 4th, 2015

Monday, February 2nd, 2015

CEO William Ruprecht to Leave Sotheby’s

Friday, November 21st, 2014

Sotheby’s Expenses During Board Battle Total $20 Million

Tuesday, November 11th, 2014

Collectors

Friday, August 5th, 2011

AO Roundup: 2008 Frieze Art Fair, Sotheby’s, Christie’s and Phillips London Auctions; Art Market Inflection Point Reached

Wednesday, October 22nd, 2008

Collectors

Thursday, December 27th, 2007

Marcato Capital Filing Indicates Equal Shares to Third Point

Sunday, March 22nd, 2015

Sotheby’s Plans Layoffs Amid Restructuring

Monday, July 21st, 2014

AO Auction Preview – London: Contemporary Evening Sales, June 30th – July 2nd, 2014

Monday, June 30th, 2014

AO Auction Preview – New York: Impressionist and Modern Art Evening Sales, May 6th-7th, 2014

Monday, May 5th, 2014

Glass, Lewis and Co. Back’s Sotheby’s in Board Fight

Wednesday, April 30th, 2014

Third Point Investor Presentation at Sotheby’s Outlines Flaws, Opportunities for Company

Tuesday, April 15th, 2014

Third Point Launches Website in Support of Case Against Sotheby’s

Friday, April 11th, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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