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Roman Abramovich and Dasha Zhukova to Split, New York Post Reports

Monday, August 7th, 2017

Pedro Reyes Announced as MIT’s First “Dasha Zhukova Distinguished Visiting Artist”

Thursday, September 15th, 2016

Dasha Zhukova and Rem Koolhaas Partner to Create New Home for the Garage Center

Tuesday, January 13th, 2015

AO On Site at the 54th Venice Biennale 2011: Dasha Zukhova and The Garage Center for Contemporary Culture presents “Commercial Break” curated by Neville Wakefield

Monday, June 6th, 2011

Garage Museum Expands to St. Petersburg and Announces First Exhibition on New Holland Island

Thursday, August 4th, 2016

ArtNews Publishes Annual Top 200 Collectors List

Sunday, July 12th, 2015

One Third of Collectors in Art News Top 20 Have Founded Museums, Art Newspaper Notes

Friday, July 10th, 2015

Garage Center Opens in Moscow

Tuesday, June 16th, 2015

Moscow’s Soon-to-Open Garage Center Releases Video Preview

Friday, May 15th, 2015

Artnet Publishes “Top 200 Collectors” List

Sunday, May 3rd, 2015

Jeff Koons To Unveil First Virtual Artwork Through Garage Magazine

Wednesday, September 3rd, 2014

AO On-Site: Art Basel 2014, June 19th-22nd, 2014

Wednesday, June 18th, 2014

Guardian Publishes List of Art World’s Most Powerful

Monday, May 12th, 2014

Art Observed’s Art Basel Miami Beach 2012 Guide to Fairs and Events with Newslink Summary

Monday, December 3rd, 2012

New York – AO On Site: Independent Curators International Annual Fall Benefit & Auction, Monday, November 19th, 2012

Tuesday, November 20th, 2012

AO Newslink

Friday, June 1st, 2012

AO Newslink

Friday, April 27th, 2012

AO On Site – Art Basel Miami Beach 2011: Marina Abramović 'The Artist is Present' documentary screening at Soho Beach House, December 1, 2011

Saturday, December 3rd, 2011

AO On Site Art Basel Miami Beach 2011 – AO’s selected preview, guide, and news summary to the 10th Anniversary Art Basel Miami Beach Art Fair and associated events

Monday, November 28th, 2011

Thursday, August 25th, 2011

Monday, July 25th, 2011

AO on site Photoset: Art Basel 42 Vernissage and VIP preview

Tuesday, June 14th, 2011

AO On Site at the 54th Venice Biennale 2011: Final Overview and News Summary

Monday, June 6th, 2011

AO On Site Preview and Summary: 54th Venice Biennale 2011 Begins This Week

Monday, May 30th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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