Search Results

AO On-Site – New York: SPRING/BREAK Art Show in the Skylight at Moynihan Station, March 1st – 7th, 2016

Saturday, March 5th, 2016

AO On-Site – Venice: “May You Live in Interesting Times,” the 58th Venice Biennale, May 10th – 24th, 2019

Friday, May 10th, 2019

AO Preview – Basel, Switzerland: Art Basel Art Fair, June 15th – 18th, 2017

Tuesday, June 13th, 2017

New York – The 2017 Whitney Biennial at the Whitney Museum, Through June 11th, 2017

Monday, March 20th, 2017

New York — Julian Rosefeldt: “Manifesto” at Park Avenue Armory Through January 8th, 2017

Friday, January 6th, 2017

New York – Ragnar Kjartansson at Luhring Augustine Through December 22nd, 2016

Thursday, December 22nd, 2016

Milan – Mike Kelley: “Eternity is a Long Time” at HangarBicocca Through September 8th, 2013

Tuesday, June 11th, 2013

AO Interview With Artist Liliana Porter, Pinta New York’s Invited Artist for 2012, November 15th – 18th, 2012

Thursday, November 15th, 2012

AO On Site – New York: Elad Lassry – “Untitled (Presence)” at The Kitchen through October 20th, 2012

Saturday, September 29th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jean-Michel Basquiat Work at TEFAF 2017 Revealed as Fake by André Heller

November 3rd, 2022

Musician and artist André Heller fabricated a falsely attributed Jean-Michel Basquiat for sale at TEFAF in 2017, Art News reports. “In retrospect, the whole thing is, firstly, a childish prank. Secondly, it is naturally showing off. And thirdly, it is a stupid mixture of fiction and truth,” he says. “Just a private fairy tale.”
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Monica Bonvicini “Pauses” Representation with König Galerie After Allegations Against Founder

November 3rd, 2022

Monica Bonvicini has “paused” her relationship with König Galerie after sexual harassment allegations broke against its founder, Johann König.
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Oscar yi Hou Profiled in NYT

October 25th, 2022

Artist Oscar yi Hou gets the profile treatment in the New York Times this week, as he opens a show at the Brooklyn Museum. “I think by creating symbolic densities, you’re able to invite the viewer to pay more attention to the works,” he says. “I try to honor the opacity of the subject.”
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