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New York — Donald Moffett: “any fallow field” at Marianne Boesky Gallery Through October 15th, 2016

Thursday, September 29th, 2016

New York: “Cart, Horse, Cart” at Lehmann Maupin Through August 16th, 2019

Friday, August 16th, 2019

AO On-Site – Basel, Switzerland: Art Basel Art Fair, June 13th – 16th, 2019

Wednesday, June 12th, 2019

AO Preview – Basel: The Art Basel Art Fair, June 13th – 16th, 2019

Saturday, June 8th, 2019

New York — “This Is Not a Prop” at David Zwirner Through August 3rd, 2018

Friday, August 3rd, 2018

AO Preview – New York: The Armory Show Art Week, March 8th – 11th, 2018

Tuesday, March 6th, 2018

New York — “In The Making” at Luxembourg & Dayan Through April 16th, 2016

Tuesday, April 5th, 2016

Basel, Switzerland: Art Basel 2014 Preview, June 19th-22nd, 2014

Tuesday, June 17th, 2014

AO Preview – Miami Beach: Miami Art Week and Art Basel Miami Beach, November 30th – December 4th, 2016

Sunday, November 27th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

The Louvre Working to Complete VR Tour of the Mona Lisa

October 16th, 2019

The Louvre is putting the finishing touches on a virtual reality tour that focuses on the Mona Lisa as it prepares its landmark show on Leonardo Da Vinci. “She is seated, and spectators will be facing her like a conversation, face to face,” says Dominique de Font-Réaulx, the Louvre’s director of mediation and cultural programming.
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German Arts Center Z.K.M. Recognized by NYT

October 16th, 2019

A piece in the NYT recognizes the German art center Z.K.M. in Karlsruhe, which has a reputation for spotting new and dynamic creative ideas, and which was an early supporter and collector of visual art.  “No other institution has a track record of really looking at the medium in depth,” says Christiane Paul, a media studies professor at the New School.
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Nick Cave Profile in NYT

October 16th, 2019

Nick Cave gets a profile in the NYT this week, part of a series celebrating “The Greats,” and discusses his career, including the construction of his first sound suit after the 1992 Rodney King beating.  “I felt like my identity and who I was as a human being was up for question. I felt like that could have been me,” he says. “Once that incident occurred, I was existing very differently in the world. So many things were going through my head: How do I exist in a place that sees me as a threat?”
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