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Edgar Degas

Wednesday, March 19th, 2008

Stolen Degas Painting Found on Bus Outside Paris

Sunday, February 25th, 2018

Former Conservation Chair at Museum of Fine Arts Boston Claims Disputed Degas Plaster May Be Authentic

Wednesday, September 14th, 2016

Researchers Discover Hidden Face Beneath Degas Painting

Friday, August 5th, 2016

Foundry Reproducing Degas Bronzes Closed by French Court

Tuesday, April 5th, 2016

Critic Alleges Degas Sculptures at Chicago Art Institute are Forgeries

Thursday, December 24th, 2015

Sotheby’s to Lead London Impressionist and Modern Sale with Degas Masterpiece

Wednesday, June 10th, 2015

$7.6 Million Degas Painting Stolen in Cyprus

Saturday, October 4th, 2014

Art Seller Sued by Dealers After Allegedly Losing $3 Million Degas

Thursday, June 19th, 2014

New York – “The Impressionist Line from Degas to Toulouse-Lautrec: Drawings and Prints from the Clark” at The Frick Collection, Through June 16th 2013

Tuesday, June 11th, 2013

Washington to Host Musical Inspired by Degas Sculpture

Friday, April 19th, 2013

AO Onsite Auction Results – New York: Christie's Impressionist & Modern Art Evening Sale Realizes $140M, or 55% By Value; Top Degas Bought In

Tuesday, November 1st, 2011

Art Theft News Roundup: Degas Pastel Discovered Stolen on New Year’s Eve from the Cantini Museum in Marseilles, France

Saturday, January 2nd, 2010

Degas’s ‘Little Dancer’ steps out into the market

Monday, January 12th, 2009

AO Auction Recap – London: Christie’s Impressionist and Modern Evening Sale, February 27th, 2018

Thursday, March 1st, 2018

AO Auction Previews – Impressionist/Modern and Post-War Evening Sales in London, February 27th – March 8th, 2018

Sunday, February 25th, 2018

Master Forger Shaun Greenhalgh Profiled in The Guardian

Wednesday, May 31st, 2017

Nashville Collector Spencer Hays Has Passed Away, Leaving Collection to Musée D’Orsay

Tuesday, March 7th, 2017

NYT Profiles Ongoing Search for Marcos Family Art Collection in Philippines

Monday, December 12th, 2016

AO Auction Recap – London: Sotheby’s Impressionist and Modern Evening Sale, June 21st, 2016

Wednesday, June 22nd, 2016

AO Auction Results – New York: Sotheby’s Impressionist and Modern Sale, May 9th, 2016

Tuesday, May 10th, 2016

AO Auction Recap – New York: Christie’s Impressionist and Modern Evening Sale, November 12th, 2015

Friday, November 13th, 2015

AO Auction Recap – New York: Sotheby’s Taubman Masterworks Sale, November 4th, 2015

Wednesday, November 4th, 2015

AO Auction Recap – London: Sotheby’s Impressionist and Modern Evening Sale, June 24th, 2015

Wednesday, June 24th, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Felix LA to Return with Expanded Gallery List

September 11th, 2019

Felix LA will return in 2020 with an expanded exhibitor list of 60 gallerists.  “We are thrilled to expand Felix’s community and welcome an incredible slate of new and returning exhibitors for the second edition,” founders Dean Valentine, Al Morán, and Mills Morán said in a statement. “The growth and diversification of our roster attests to the burgeoning Los Angeles art scene and the desperate need for the new type of art fair experience that Felix offered collectors and exhibitors alike.”
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Tate Modern Brings on International Curators

September 11th, 2019

Four departments at the Tate Modern have brought on new talent under the title Curator, International Art, signaling an expanded focus for the institution’s programming.  “Their significant experience and expertise will play an important part in expanding our knowledge of modern and contemporary art from Africa, South Asia, and the Middle East, furthering our ambition to present a truly international story of art through our program and collection,” says Frances Morris, Tate Modern’s director.
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Artist Nicholas Galanin on Pulling Work from Whitney Biennial

September 11th, 2019

Artist Nicholas Galanin has a piece in Art News this week as he discusses his decisions to pull work from this year’s Whitney Biennial.  “My decision to remove my work from the Whitney came when my hope for meaningful conversation was met with inaction—on the part of many but, most fatefully, by the museum, which for weeks and then months failed to issue any meaningful response to protests mounting within its walls,” he says. “For me, that inaction translated to complicity with militarized denial of the right of Indigenous people to freely move through land that we belong to.”
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