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New York — Elmgreen & Dragset Interview on “Van Gogh’s Ear” at Rockefeller Center Through June 3rd, 2016

Tuesday, May 17th, 2016

New York – Elmgreen & Dragset: “Past Tomorrow” at Galerie Perrotin Through May 23rd, 2015

Monday, May 18th, 2015

London – Elmgreen & Dragset: “Harvest” at Victoria Miro, Through November 10th, 2012

Sunday, October 14th, 2012

AO On Site – London: Elmgreen & Dragset’s Fourth Plinth installation ‘Powerless Structures, Fig. 101′ at Trafalgar Square through February 2013

Thursday, February 23rd, 2012

AO On Site – Performa 2011 – New York: Elmgreen & Dragset at Skirball Center for the Performing Arts, November 1 & 3, 2011

Sunday, November 6th, 2011

Go See – Rotterdam: “The One and the Many” by Elmgreen & Dragset in the Submarine Wharf at the Museum Boijmans Van Beuningen through September 25th, 2011

Monday, August 29th, 2011

Elmgreen and Dragset to Curate Istanbul Biennial

Thursday, April 14th, 2016

Elmgreen and Dragset To Install Swimming Pool at Rockefeller Center

Thursday, March 31st, 2016

Elmgreen and Dragset to Bring Broken Telescope to High Line

Tuesday, March 3rd, 2015

London – Elmgreen and Dragset: “Tomorrow” at The Victoria and Albert Museum Through January 2nd, 2014

Thursday, January 2nd, 2014

Elmgreen and Dragset Open Elusive New Installation at Victoria and Albert Museum

Friday, September 27th, 2013

Elmgreen and Dragset’s Prada Marfa Threatened by Texas State Law

Tuesday, September 24th, 2013

Elmgreen and Dragset Prepare Installation for Victoria and Albert Museum

Friday, January 18th, 2013

Munich Launches Series of Public Art Installations in Partnership with Elmgreen and Dragset

Saturday, January 12th, 2013

AO Art Basel Wrap Up

Tuesday, June 10th, 2008

Venice: “Slip of the Tongue” Curated by Danh Vo at the Punta Della Dogana Through December 31st, 2015

Monday, June 1st, 2015

AO Recap and photoset: Art Basel Miami Beach, December 3rd-8th, 2013

Tuesday, December 10th, 2013

AO on site Photoset – Paris: FIAC Press Preview, October 23rd, 2013

Thursday, October 24th, 2013

AO on Site – London: Frieze Artfair Preview, October 16th, 2013

Wednesday, October 16th, 2013

Victoria Miro Interviewed in Financial Times

Sunday, September 29th, 2013

FT Profiles “Design Junkies” Simon de Pury and Collector Robert Tomei’s Shared Vision

Thursday, December 13th, 2012

AO On Site (Final Summary Part 2 of 2): The Art – Art Basel Miami Beach Art Fair 2012 Photoset and Recap

Monday, December 10th, 2012

AO Newslink

Thursday, November 1st, 2012

AO On Site – New York: Public Art Fund’s “Common Ground” Installation at City Hall Park, on view until Nov 30, 2012

Thursday, July 5th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Frances Stark Profiled in The Guardian

April 25th, 2017

Frances Stark, via GuardianFrances Stark is profiled in The Guardian this week, in which she discusses the state of the contemporary art world, and her recent work orchestrating a version of the Magic Flute for a group of student performers.  “One of the reasons I got really enamored with the Magic Flute,” Stark says, “is that I watched the Ingmar Bergman version with my son, when he was four or five. He was too young to read the subtitles, so I read them to him. When the movie was over – and this is a long opera – he said, ‘Can we watch it again?’” 
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Robert Rauschenberg Profiled in New York Review of Books

April 25th, 2017

Robert Rauschenberg: Persimmon, 1964; from Rauschenberg’s series of oil and silkscreen-ink print paintings in which, Jed Perl writes, ‘photographs of President Kennedy, crowded city streets, space travel, and a nude by Rubens come together to sThe New York Review of books has a lengthy profile on Robert Rauschenberg this week, as the artist’s landmark retrospective prepares to open at MoMA next month.  “I tend to see everything.” Rauschenberg once said, “I always wanted my work—whatever happened in the studio—to look more like what was going on outside the window.”
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Artist Banks Violette Interviewed in NYT

April 25th, 2017

Banks Violette, via NYTThe New York Times has a profile on Banks Violette, an artist who helped define the aesthetics of New York’s downtown art scene during the 2000’s, and who is currently preparing for a return to the art world with a show upcoming at Gladstone Gallery.  The piece traces the artist’s struggles with addiction, and the challenges of being immensely successful at such a young age.  “A lot of it was just being young, being in New York, suddenly having a bunch of attention, suddenly having packed openings, not being able to sleep and working 24 hours a day,” he says. “It wasn’t really even fun. It was more, ‘Hey, we’re super freaked out, let’s get high.’ ”
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