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New York — Elmgreen & Dragset Interview on “Van Gogh’s Ear” at Rockefeller Center Through June 3rd, 2016

Tuesday, May 17th, 2016

New York – Elmgreen & Dragset: “Past Tomorrow” at Galerie Perrotin Through May 23rd, 2015

Monday, May 18th, 2015

London – Elmgreen & Dragset: “Harvest” at Victoria Miro, Through November 10th, 2012

Sunday, October 14th, 2012

AO On Site – London: Elmgreen & Dragset’s Fourth Plinth installation ‘Powerless Structures, Fig. 101′ at Trafalgar Square through February 2013

Thursday, February 23rd, 2012

AO On Site – Performa 2011 – New York: Elmgreen & Dragset at Skirball Center for the Performing Arts, November 1 & 3, 2011

Sunday, November 6th, 2011

Go See – Rotterdam: “The One and the Many” by Elmgreen & Dragset in the Submarine Wharf at the Museum Boijmans Van Beuningen through September 25th, 2011

Monday, August 29th, 2011

Elmgreen and Dragset to Curate Istanbul Biennial

Thursday, April 14th, 2016

Elmgreen and Dragset To Install Swimming Pool at Rockefeller Center

Thursday, March 31st, 2016

Elmgreen and Dragset to Bring Broken Telescope to High Line

Tuesday, March 3rd, 2015

London – Elmgreen and Dragset: “Tomorrow” at The Victoria and Albert Museum Through January 2nd, 2014

Thursday, January 2nd, 2014

Elmgreen and Dragset Open Elusive New Installation at Victoria and Albert Museum

Friday, September 27th, 2013

Elmgreen and Dragset’s Prada Marfa Threatened by Texas State Law

Tuesday, September 24th, 2013

Elmgreen and Dragset Prepare Installation for Victoria and Albert Museum

Friday, January 18th, 2013

Munich Launches Series of Public Art Installations in Partnership with Elmgreen and Dragset

Saturday, January 12th, 2013

AO Art Basel Wrap Up

Tuesday, June 10th, 2008

Venice: “Slip of the Tongue” Curated by Danh Vo at the Punta Della Dogana Through December 31st, 2015

Monday, June 1st, 2015

AO Recap and photoset: Art Basel Miami Beach, December 3rd-8th, 2013

Tuesday, December 10th, 2013

AO on site Photoset – Paris: FIAC Press Preview, October 23rd, 2013

Thursday, October 24th, 2013

AO on Site – London: Frieze Artfair Preview, October 16th, 2013

Wednesday, October 16th, 2013

Victoria Miro Interviewed in Financial Times

Sunday, September 29th, 2013

FT Profiles “Design Junkies” Simon de Pury and Collector Robert Tomei’s Shared Vision

Thursday, December 13th, 2012

AO On Site (Final Summary Part 2 of 2): The Art – Art Basel Miami Beach Art Fair 2012 Photoset and Recap

Monday, December 10th, 2012

AO Newslink

Thursday, November 1st, 2012

AO On Site – New York: Public Art Fund’s “Common Ground” Installation at City Hall Park, on view until Nov 30, 2012

Thursday, July 5th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Takashi Murakami Interviewed in Complex

September 29th, 2016

takashi-murakami-via-complexTakashi Murakami is interviewed in Complex this week, as the artist opens his most recent exhibition at Galerie Perrotin in Paris, and reflects on his multifaceted career, including his work as a designer and curator.  “I don’t always enjoy curating, but I do believe it’s part of my job,” Murakami says. “It’s a good exercise for my brain, like warming up. Just focusing on my work would be so depressing! For me, curating is necessary—it’s like physical training.”
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Pressure Mounts to Oust San Francisco Museum Chair

September 29th, 2016

dede-wilsey-via-nytArts patron Diane Wilsey has maintained a position at the head of the Fine Arts Museums of San Francisco board, despite mounting pressure to push her out of the position.  Wilsey has come under increased scrutiny last year after making a $457,000 payment to a close acquaintance from museum funds.
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Karl Schmidt-Rottluff Painting Returned to Family and Repurchased by Neue Galerie

September 28th, 2016

karl-schmidt-rotluffs-nude-via-nytThe Neue Galerie has reached an agreement with heirs of a Jewish shoe manufacturer and art collector over a Karl Schmidt-Rottluff piece seized by the Nazi’s before WWII.  The museum has returned the work to the family of Alfred and Tekla Hess, and then promptly bought it back at its current fair market value.  “This case is an example of how provenance research has evolved and how much more we know today than we knew 20 years ago,” says Agnes Peresztegi, a lawyer and expert on Holocaust-era property claims.
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