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New York — Elmgreen & Dragset Interview on “Van Gogh’s Ear” at Rockefeller Center Through June 3rd, 2016

Tuesday, May 17th, 2016

New York – Elmgreen & Dragset: “Past Tomorrow” at Galerie Perrotin Through May 23rd, 2015

Monday, May 18th, 2015

London – Elmgreen & Dragset: “Harvest” at Victoria Miro, Through November 10th, 2012

Sunday, October 14th, 2012

AO On Site – London: Elmgreen & Dragset’s Fourth Plinth installation ‘Powerless Structures, Fig. 101′ at Trafalgar Square through February 2013

Thursday, February 23rd, 2012

AO On Site – Performa 2011 – New York: Elmgreen & Dragset at Skirball Center for the Performing Arts, November 1 & 3, 2011

Sunday, November 6th, 2011

Go See – Rotterdam: “The One and the Many” by Elmgreen & Dragset in the Submarine Wharf at the Museum Boijmans Van Beuningen through September 25th, 2011

Monday, August 29th, 2011

Elmgreen and Dragset to Curate Istanbul Biennial

Thursday, April 14th, 2016

Elmgreen and Dragset To Install Swimming Pool at Rockefeller Center

Thursday, March 31st, 2016

Elmgreen and Dragset to Bring Broken Telescope to High Line

Tuesday, March 3rd, 2015

London – Elmgreen and Dragset: “Tomorrow” at The Victoria and Albert Museum Through January 2nd, 2014

Thursday, January 2nd, 2014

Elmgreen and Dragset Open Elusive New Installation at Victoria and Albert Museum

Friday, September 27th, 2013

Elmgreen and Dragset’s Prada Marfa Threatened by Texas State Law

Tuesday, September 24th, 2013

Elmgreen and Dragset Prepare Installation for Victoria and Albert Museum

Friday, January 18th, 2013

Munich Launches Series of Public Art Installations in Partnership with Elmgreen and Dragset

Saturday, January 12th, 2013

AO Art Basel Wrap Up

Tuesday, June 10th, 2008

Istanbul Biennial Announces Artist List for Exhibition

Wednesday, July 26th, 2017

AO On-Site – Basel, Switzerland: Art Basel Art Fair, June 15th – 18th, 2017

Monday, June 19th, 2017

AO Preview – Basel, Switzerland: Art Basel Art Fair, June 15th – 18th, 2017

Tuesday, June 13th, 2017

AO On-Site – New York: Frieze New York Art Fair at Randall’s Island, May 5th – 8th, 2017

Friday, May 5th, 2017

Venice: “Slip of the Tongue” Curated by Danh Vo at the Punta Della Dogana Through December 31st, 2015

Monday, June 1st, 2015

AO Recap and photoset: Art Basel Miami Beach, December 3rd-8th, 2013

Tuesday, December 10th, 2013

AO on site Photoset – Paris: FIAC Press Preview, October 23rd, 2013

Thursday, October 24th, 2013

AO on Site – London: Frieze Artfair Preview, October 16th, 2013

Wednesday, October 16th, 2013

Victoria Miro Interviewed in Financial Times

Sunday, September 29th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Freedman Fitzpatrick Opening Paris Location

January 16th, 2018

Freedman Fitzpatrick, via Art NewsLos Angeles gallery Freedman Fitzpatrick is opening a new location in Paris, Art News reports. “Paris is really similar to L.A. in that way,” Robbie Fitzpatrick says. “A lot of artists are moving there from all over. It’s manifesting itself as a dynamic city that has a lot of possibility to explore, on top of already being an incredibly important city for culture, historically.”
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NYT Looks at Current Art Projects Using Cryptocurrency Technologies

January 15th, 2018

Richard Prince's ready made token, via NYTThe New York Times takes a look at recent blockchain authorization technology, and fine art projects that have explored the blockchain as both a performative space and a place for authenticating ownership for work. “It’s early days, but this could happen in the blossoming art space as well. The blockchain is an entirely new medium for art,” Mack Flavelle, a developer and artist behind one project called CryptoKitties. 
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Artists, Curators and Directors Pen Open Letter Over Documenta Controversy

January 15th, 2018

Documenta, via Art NewspaperA group of art world professionals have penned an open letter over Kassel’s plans for the future of Documenta, expressing concern over the resignation of director Annette Kulenkampff.  The letter challenges the assertion that there “has been no proof whatsoever of (Kulenkampff’s) culpability” for the program’s budget deficits “which arose through a program concept for which all parties shared responsibility.”
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