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Garage Museum Announces Artist List for 2017 Triennial

Monday, February 13th, 2017

Garage Museum Expands to St. Petersburg and Announces First Exhibition on New Holland Island

Thursday, August 4th, 2016

Moscow – Louise Bourgeois: “Structures of Existence: The Cells” at the Garage Museum of Contemporary Art, through February 7th, 2016

Monday, January 18th, 2016

New York – Jim Shaw: “The End is Here” at The New Museum Through January 10th, 2015

Saturday, October 31st, 2015

Giorgio Pace Joins Garage Center as Commercial Advisor

Thursday, October 22nd, 2015

Garage Center Opens in Moscow

Tuesday, June 16th, 2015

The Guardian Profiles New Rem Koolhaas Designed Museums in Europe

Monday, June 15th, 2015

Moscow’s Soon-to-Open Garage Center Releases Video Preview

Friday, May 15th, 2015

Dasha Zhukova and Rem Koolhaas Partner to Create New Home for the Garage Center

Tuesday, January 13th, 2015

AO News Summary – Russian Billionaire Roman Abramovich buys St. Petersburg Island for Art Collection/Museum

Thursday, December 9th, 2010

Go See – Moscow: Mark Rothko – Into the Unknown World, The Garage Center for Contemporary Culture on view until August 14, 2010

Thursday, April 29th, 2010

Go See – Moscow: ANTONY GORMLEY ‘DOMAIN FIELD’ at the Garage Centre for Contemporary Culture, through September 2, 2009

Monday, August 10th, 2009

Roman Abramovich and Dasha Zhukova to Split, New York Post Reports

Monday, August 7th, 2017

New York – “FORTY” at MoMA PS1 Through August 28th, 2016

Friday, August 26th, 2016

London – Duane Hanson at The Serpentine Gallery Through September 13th, 2015

Thursday, August 6th, 2015

Yayoi Kusama’s Infinity Rooms Seeing Major Popularity Among Collectors

Tuesday, June 16th, 2015

San Francisco Real Estate Investor Charged with $11 Million Art Fraud

Friday, May 30th, 2014

New York – “Rituals of Rented Island” at The Whitney Through February 2nd, 2014

Friday, January 24th, 2014

Art Observed’s Art Basel Miami Beach 2012 Guide to Fairs and Events with Newslink Summary

Monday, December 3rd, 2012

Paris – Alex Israel: “Thirty” at Almine Rech Gallery Paris, through November 17th, 2012

Tuesday, November 13th, 2012

AO On Site New York – Bjarne Melgaard: “A New Novel” at Luxembourg & Dayan through December 22nd, 2012

Monday, November 12th, 2012

AO Onsite – New York: Bushwick Open Studios Friday June 1st to Sunday June 3rd, 2012

Monday, June 4th, 2012

New York: E.V. Day and Kembra Pfahler, Opening of ‘Giverny’ and ‘An Oje at the Hole’ at The Hole through April 24, 2012

Monday, April 2nd, 2012

Tuesday, March 27th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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