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Simon de Pury Suing for Commission on Record Paul Gauguin Sale

Monday, July 3rd, 2017

Dmitriy Rybolovlev Takes 74% Loss on Gauguin Painting

Thursday, March 2nd, 2017

Paul Gauguin’s “Te Fare” Leads Christie’s March Sale in London

Tuesday, February 7th, 2017

Burial Site of Paul Gauguin’s Father Found in Chile

Monday, November 7th, 2016

Brooch Handmade by Paul Gauguin on View in Copenhagen

Thursday, April 21st, 2016

Paul Gauguin’s $300 Million Price Tag Confirmed

Monday, June 8th, 2015

Gauguin Work Said to Sell for $300 Million

Saturday, February 7th, 2015

AO Auction Preview: Picasso and Gauguin Lead Impressionist & Modern Art Sales at Sotheby's & Christie's in London February 7-8th, 2011

Sunday, February 6th, 2011

Go See – London: “Gauguin: Maker of Myth” at Tate Modern through January 16th, 2011

Sunday, October 17th, 2010

Go See – Cleveland: 'Paul Gauguin: Paris 1889' at the new Rafael Vinoly designed Cleveland Museum of Art through January 18th, 2010

Wednesday, December 2nd, 2009

Go See – Tokyo: Paul Gauguin at MOMAT, The Japan National Museum of Modern Art, through September 23, 2009

Wednesday, August 26th, 2009

Paul Gauguin

Tuesday, June 17th, 2008

AO Auction Recap – London: Sotheby’s Impressionist, Modern and Surrealist Sale, March 1st, 2017

Wednesday, March 1st, 2017

AO Auction Recap – Christie’s Impressionist and Modern Evening Sale, February 28th, 2017

Tuesday, February 28th, 2017

Bloomberg Reports on Sales Losses in Collection of Dmitriy Rybolovlev

Friday, February 24th, 2017

AO Auction Previews – London: Surrealist, Impressionist and Modern Art Evening Sales, February 28th – March 1st, 2017

Thursday, February 23rd, 2017

Shchukin Collection Set to Leave Russia for First Time in 100 Years

Wednesday, August 31st, 2016

Qatar Museums Employee Recaps Decline of Country’s Art Buying

Wednesday, August 24th, 2016

AO Auction Recap – London: Sotheby’s Impressionist and Modern Evening Sale, June 21st, 2016

Wednesday, June 22nd, 2016

Elmgreen and Dragset To Install Swimming Pool at Rockefeller Center

Thursday, March 31st, 2016

Cooling Contemporary Market Doesn’t Stop Surge in Modern Sales, Art Newspaper Notes

Thursday, January 28th, 2016

New York – Carroll Dunham at Gladstone Gallery Through December 4th, 2015

Sunday, November 29th, 2015

VR App Launches with 3-D Recreation of Cortauld Gallery

Monday, November 23rd, 2015

AO Auction Results – New York: Christie’s “The Artist’s Muse” Curated Sale, November 9th, 2015

Tuesday, November 10th, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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