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Kim Gordon, Glenn Ligon, Olivia Marciano Among New Board Appointments at LAXART

Tuesday, May 21st, 2019

Naples – Thomas Dane – Glenn Ligon: “In Poetry, A Solution to Everything” at Thomas Dane Through July 28th, 2018

Monday, June 25th, 2018

Glenn Ligon’s Curatorial Project, Inspired by Ellsworth Kelly, Profiled in New York Times

Wednesday, June 7th, 2017

Glenn Ligon Featured in NYT’s ‘Show Us Your Wall’ Segment

Saturday, January 28th, 2017

New York — Glenn Ligon: “What We Said The Last Time” and “We Need To Wake Up Cause That’s What Time It Is” at Luhring Augustine Through April 17th, 2016

Thursday, April 14th, 2016

Los Angeles – Glenn Ligon: “Well, it’s bye-bye/If you call that gone” at Regen Projects Through April 18th, 2015

Wednesday, April 15th, 2015

Glenn Ligon Creates Tote Bag to Benefit Harlem’s Studio Museum

Monday, September 22nd, 2014

Glenn Ligon on Having his Work in the Presidential Collection

Wednesday, March 12th, 2014

New York – “Glenn Ligon: Neon” at Luhring Augustine Through January 19th, 2013

Wednesday, December 26th, 2012

Go See – New York: Glenn Ligon, 'America' at the Whitney Museum through June 5th 2011

Saturday, May 7th, 2011

Istanbul Biennial Announces Artist List

Friday, June 14th, 2019

AO Preview – Miami Beach: Art Basel Miami Beach and Miami Art Week, December 4th – 9th, 2018

Monday, December 3rd, 2018

AO Preview – Basel, Switzerland: The Art Basel Art Fair, June 14th – 17th, 2018

Saturday, June 9th, 2018

AO On-Site – New York: TEFAF New York at the Park Ave Armory, May 4th – 8th, 2018

Saturday, May 5th, 2018

AO On-Site – New York: The Armory Show at Piers 92 & 94, March 8th – 11th, 2018

Saturday, March 10th, 2018

NYT Runs Piece on Artists’ Vision for a Stronger Met Musuem

Monday, July 17th, 2017

AO On-Site – Miami Beach: Art Basel Miami Beach at the Miami Beach Convention Center, December 1st – 4th, 2016

Thursday, December 1st, 2016

New York — “Blackness in Abstraction” at Pace Gallery Through August 19th, 2016

Monday, August 8th, 2016

New York – Jason Moran: “STAGED” at Luhring Augustine Through July 29th, 2016

Sunday, July 24th, 2016

AO Auction Recap – London: Christie’s Post-War and Contemporary Evening Sale, June 29th, 2016

Wednesday, June 29th, 2016

AO Auction Recap – Phillips 20th Century Sale, May 8th, 2016

Sunday, May 8th, 2016

AO Auction Recap – London: Phillips 20th Century and Contemporary Evening Sale, February 9th, 2016

Wednesday, February 10th, 2016

AO Auction Preview – London Post-War and Contemporary Evening Sales, February 9th – 11th, 2016

Tuesday, February 9th, 2016

New York – “Greater New York” at MoMA PS1 Through March 7th, 2016

Wednesday, December 2nd, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Jeffrey Deitch Featured on “Artbound”

June 17th, 2019

Jeffrey Deitch gets a profile in KCET’s Artbound program, spotlighting his recent work, his focus on Los Angeles’s thriving arts scene, and his early days expanding the scope of the contemporary art market.  “Some people say I created a monster because we basically invented the profession of professional art advisory,” Deitch says of his early work.
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CNN Speculates on Location of “Salvator Mundi” Painting

June 17th, 2019

CNN takes a look at the disappearance of Salvator Mundi after its landmark sale last year, noting that the work hasn’t been seen in public since its landmark sale.  “It’s either on the yacht or in a Geneva lock-up, and I’m slowly coming to the conclusion that the yacht is really quite plausible,” writer Ben Lewis said in a phone interview, alluding to speculation that the work is on a luxury yacht belonging to Saudi Arabia’s Crown Prince Mohammad Bin Salman. “But I would suggest that it may not be the safest environment in which to hang up this picture.”
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Sterling Ruby’s New Fashion Line Profiled in NYT

June 17th, 2019

Sterling Ruby’s new fashion line gets a profile in the NYT this week, as the artist and budding designer traces his experiences with fiber arts and clothing.   “Outside of the logistics of putting together the collection and the garments — in the kind of production of it — I don’t see it as any different to making a sculpture or a painting,” he says.
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