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Iwan Wirth Interviewed on Somerset Gallery Space

Saturday, June 14th, 2014

New York Magazine Speaks With Iwan Wirth

Tuesday, February 5th, 2013

Iwan and Manuela Wirth Top Art Review Power 100

Thursday, October 22nd, 2015

Hauser & Wirth to Open Space in the Balearic Islands

Thursday, June 13th, 2019

Hauser & Wirth to Represent Max Bill Georges Vantergerloo Stiftung

Wednesday, January 16th, 2019

Koji Inoue Leaves Christie’s for International Sales at Hauser & Wirth

Saturday, November 24th, 2018

Liberté Nuti Joins Hauser & Wirth as Senior Director of Impressionist & Modern Art

Tuesday, July 17th, 2018

Hauser & Wirth Now Represents Estate of Günther Förg

Friday, June 1st, 2018

Mark Bradford to Open Program at Hauser & Wirth Hong Kong

Friday, December 22nd, 2017

Hauser & Wirth to Open Space in Hong Kong

Friday, September 22nd, 2017

Paul Schimmel Leaves Hauser & Wirth in Los Angeles

Saturday, February 25th, 2017

Hauser and Wirth to Represent Estate of Arshile Gorky

Monday, October 3rd, 2016

Los Angeles – “Revolution in the Making: Abstract Sculpture by Women, 1947-2016” at Hauser, Wirth & Schimmel Through September 4th, 2016

Sunday, May 8th, 2016

Hauser Wirth and Schimmel Gallery Profiled by LA Times

Monday, February 8th, 2016

Philip Guston Estate Represented by Hauser and Wirth

Friday, September 25th, 2015

Hauser and Wirth Building Major New Space in Chelsea

Friday, February 20th, 2015

AO Onsite – New York: ‘Dieter Roth. Björn Roth’ at Hauser & Wirth’s New Chelsea Location

Thursday, January 31st, 2013

Go See – New York: Lee Lozano ‘Tools’ at Hauser & Wirth through February 19, 2011

Saturday, January 15th, 2011

Hauser & Wirth

Tuesday, December 25th, 2007

Artist Geta Brătescu has Died at 92

Wednesday, September 19th, 2018

Nicholas Serota Tops Art Review Power 100 Rankings

Thursday, October 23rd, 2014

Maria Lassnig Passes Away at Age of 94

Wednesday, May 7th, 2014

Art Review Places Qatar’s Sheika Mayassa bint Hamad Al Thani as Most Powerful Art World Figure

Friday, October 25th, 2013

AO Newslink

Thursday, October 18th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

NYT Notes Generation Gap in Online Art Sales

June 9th, 2020

As art sales go online, the NYT notes an increasing generation gap, with older buyers tapering off their purchases and younger buyers continuing to collect. “The resistance from older collectors is still there,” says Anders Petterson, founder of analytics firm ArtTactic.  “When there is no physical art world, how do you substitute that experience?” he added. “Younger people are a lot quicker to adapt.”
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Unrest Over Killing of George Floyd Forces Museums to Address Institutionalized Racism

June 9th, 2020

A piece in the New York Times charts pressure on institutions to address problems of systemic racism and injustice in their organizations, collections and programs, following the social unrest caused by the killing of George Floyd at the hands of the police.  “I do not think art museums have done enough,” says Chris Anagnos, executive director of the Association of Art Museum Directors. “We have dabbled around the edges of the work, but in our place of privilege we will never live up to the statement that ‘museums are for everyone’ unless we begin to confront, examine and dismantle the various structures that brought us to this point.”
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Art Basel Cancelled

June 9th, 2020

Art Basel has completely cancelled the 2020 edition of its fair in the Swiss town, after an attempt to move the fair’s dates to September.  “While there are signs of hope as individual countries are coming out of lockdown, the global situation remains precarious, and, unfortunately, too many uncertainties remain to go ahead with the fair,” the organization said in a statement. “These include the health risks posed by large gatherings, the limitations on intercontinental travel, and the unclear Swiss regulatory environment for shows of Art Basel’s size. Given these uncertainties, we believe that the best option concerning the Basel show is to focus on next year’s edition and delivering a fair of the exceptional international quality that the artworld expects.”
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