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Iwan Wirth Interviewed on Somerset Gallery Space

Saturday, June 14th, 2014

New York Magazine Speaks With Iwan Wirth

Tuesday, February 5th, 2013

Iwan and Manuela Wirth Top Art Review Power 100

Thursday, October 22nd, 2015

Mark Bradford to Open Program at Hauser & Wirth Hong Kong

Friday, December 22nd, 2017

Hauser & Wirth to Open Space in Hong Kong

Friday, September 22nd, 2017

Paul Schimmel Leaves Hauser & Wirth in Los Angeles

Saturday, February 25th, 2017

Hauser and Wirth to Represent Estate of Arshile Gorky

Monday, October 3rd, 2016

Los Angeles – “Revolution in the Making: Abstract Sculpture by Women, 1947-2016” at Hauser, Wirth & Schimmel Through September 4th, 2016

Sunday, May 8th, 2016

Hauser Wirth and Schimmel Gallery Profiled by LA Times

Monday, February 8th, 2016

Philip Guston Estate Represented by Hauser and Wirth

Friday, September 25th, 2015

Hauser and Wirth Building Major New Space in Chelsea

Friday, February 20th, 2015

AO Onsite – New York: ‘Dieter Roth. Björn Roth’ at Hauser & Wirth’s New Chelsea Location

Thursday, January 31st, 2013

Go See – New York: Lee Lozano ‘Tools’ at Hauser & Wirth through February 19, 2011

Saturday, January 15th, 2011

Hauser & Wirth

Tuesday, December 25th, 2007

Nicholas Serota Tops Art Review Power 100 Rankings

Thursday, October 23rd, 2014

Maria Lassnig Passes Away at Age of 94

Wednesday, May 7th, 2014

Art Review Places Qatar’s Sheika Mayassa bint Hamad Al Thani as Most Powerful Art World Figure

Friday, October 25th, 2013

AO Newslink

Thursday, October 18th, 2012

AO On Site Photoset – Art 43 Basel Vernissage and VIP Preview

Wednesday, June 13th, 2012

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

AO On Site (with video and photoset) – Greenwich, CT: Karen Kilimnick at The Brant Foundation Sunday May 6th, show runs through September 2012

Monday, May 7th, 2012

Sunday, February 12th, 2012

Monday, January 23rd, 2012

AO On Site (with Photoset) – London: Frieze Art Fair 2011 Day 2 Review

Thursday, October 13th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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