Search Results

New York: James Lee Byars: “The Figure of Death and The Moon Column” at Michael Werner through September 3rd, 2015

Sunday, August 30th, 2015

Paris – Anish Kapoor & James Lee Byars at Kamel Mennour Through July 26th, 2014

Tuesday, July 15th, 2014

Michael Werner Gallery Sues Over Damage to James Lee Byars Sculptures

Sunday, December 29th, 2013

James Lee Byars, “Early Works and ‘The Angel'” at Michael Werner London through March 16, 2013

Saturday, March 9th, 2013

AO Preview – Venice Biennale Vernissage, May 10th – 13th, 2017

Monday, May 8th, 2017

Museums Incorporate Dance and Choreography Into Programming

Monday, January 26th, 2015

AO On-Site: Frieze London at Regent’s Park, October 15th-18th, 2014

Thursday, October 16th, 2014

New York – “Another Look at Detroit” at Marlborough Chelsea and Marianne Boesky Through August 8th, 2014

Friday, August 8th, 2014

New York – The World Premiere of Matthew Barney and Jonathan Bepler’s “River of Fundament” at BAM

Sunday, March 2nd, 2014

Museo Jumex Opens in Mexico City

Monday, November 18th, 2013

AO on site Photoset – Paris: FIAC Press Preview, October 23rd, 2013

Thursday, October 24th, 2013

AO on Site – London: Frieze Artfair Preview, October 16th, 2013

Wednesday, October 16th, 2013

AO On Site with photoset – New York: Opening of Matthew Barney ‘DJED’ at Gladstone Gallery through October 22, 2011

Thursday, October 6th, 2011

Don't Miss – London: Matthew Barney at Sadie Coles through March 6th 2010

Tuesday, March 2nd, 2010

AO On Site: “Pretty Ugly” at Gavin Brown’s Enterprise and Maccarone in New York, through August 29

Friday, July 11th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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