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New York – Jeremy Moon at Luhring Augustine Through April 15th, 2017

Saturday, April 15th, 2017

Luhring Augstine Representing Estate of Jeremy Moon

Wednesday, January 4th, 2017

Washington, D.C. – Jeremy Deller: “English Magic” at The Hirshhorn Through August 31st, 2014

Saturday, August 30th, 2014

AO On-Site – London: Frieze Art Fair, October 5th – 8th, 2017

Saturday, October 7th, 2017

New York: TEFAF New York Spring Debut at Park Avenue Armory, May 4th-8th, 2017

Saturday, May 6th, 2017

New York — Suki Seokyeong Kang: “Jeong 井” at Tina Kim Gallery Through April 7th, 2018

Friday, April 6th, 2018

AO On Site Photoset – Paris: FIAC Sculpture Garden at the Tuileries, October 20-23, 2011

Sunday, October 23rd, 2011

Go See – Tokyo: Anish Kapoor at Scai the Bathhouse through June 19th, 2010

Sunday, June 6th, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

New Yorker Profiles MoMA’s Recent Acquisition of Chris Ofili’s “Holy Virgin Mary”

May 23rd, 2018

Chris Ofili, Holy Virgin Mary, via BloombergThe New Yorker has a piece on the infamous battle between Rudy Giuliani and Chris Ofili over the artist’s The Holy Virgin Mary, which the then-mayor sought to have removed from a show at the New Museum, and which has now been acquired by MoMA. “When we acquired the work and put it in front of our committee, it looked like it had descended from Heaven,” MoMA curator Laura Hoptman says.
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Germany Looks to Increase Arts Funding by $353 million

May 23rd, 2018

Grutters, via ArtforumGerman minister of culture Monika Grütters has announced plans to increase the nation’s arts funding by approximately $353 million. Grütters feels the budget sends “a strong signal that culture is the foundation for our open and democratic society.” 
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LA Times Profiles Strong Growth for Nigerian Art Market

May 23rd, 2018

Art X Lagos, via LA TimesA piece in the LA Times this week notes the surging popularity of Nigerian art on the international market, and the institutions springing up to cater to a thriving market. “There’s a generation of young, vibrant artists of Nigerian or African origin who have felt that the gallery infrastructure in West Africa is not sufficiently developed for them to connect with the international art market from their home base,” says Tokini Peterside, founder of the Art X Lagos art fair. “For generations, when it comes to exporting its cultural capital and so many other things, Africa has had to go overseas.”
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