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New York – Joan Miró: “Oiseaux dans L’Espace” at Nahmad Contemporary Through July 18th, 2015

Wednesday, July 8th, 2015

AO On Site- London: Joan Miro, “The Ladder of Escape” at Tate Modern through September 11th, 2011

Wednesday, April 27th, 2011

Go See – Barcelona: Pipilotti Rist ‘Friendly Game – Electronic Feelings’ at Fundacio Joan Miro, through November 1, 2010

Monday, July 19th, 2010

Joan Miro

Wednesday, March 12th, 2008

Kader Attia Wins 2017 Joan Miró Prize

Thursday, October 19th, 2017

New York – Alexander Calder and Joan Miró: “Constellations” at Pace and Acquavella Galleries Through June 30, 2017

Friday, June 30th, 2017

Joan Miró and Alexander Calder’s Friendship and Shared Inspiration Profiled in NYT

Sunday, April 23rd, 2017

Gallery to Recreate Joan Miró’s Studio at Armory Show

Monday, January 25th, 2016

Allegedly Fake Joan Miró Works at Center of Lawsuits in Istanbul

Friday, October 16th, 2015

Repairs and Compensation for Damaged Miro Top £200,000

Wednesday, January 9th, 2013

Go See – London: Joan Miró – The Ladder of Escape at the Tate Modern through September 11th, 2011

Thursday, September 1st, 2011

Breaking: Mona Hatoum Awarded 2011 Joan Miró Prize

Monday, February 7th, 2011

$27 million worth of Miro, Rembrandt, Matisse and Pollock stolen in Monterey, California

Wednesday, September 30th, 2009

Go See: Joan Miró, Painting and Anti-Painting, 1927-37 at MoMA, NYC through Jan. 12

Saturday, November 8th, 2008

AO Auction Results – New York: Christie’s Impressionist and Modern Evening Sale, November 13th, 2017

Tuesday, November 14th, 2017

AO Auction Results – London: Sotheby’s Actual Size Curated Sale and Impressionist and Modern Evening Sale, June 21st, 2017

Friday, June 23rd, 2017

Venice – Damien Hirst: Treasures from the Wreck of the Unbelievable at the Palazzo Grassi and Punta Della Dogana Through December 3rd, 2017

Tuesday, June 6th, 2017

Hotel Dolder Grand Raided Over Unpaid Customs Taxes on Artworks

Wednesday, March 8th, 2017

AO Preview – Mexico City: Visual Art Week; Zona Maco and others, February 8th – 12th, 2017

Monday, February 6th, 2017

Zürich – “Schwitters Miró Arp” at Hauser and Wirth Through September 18th, 2016

Thursday, September 1st, 2016

Miró’s Grandson Auction’s Painters Works to Help Refugree Crisis Relief

Sunday, May 22nd, 2016

New York – Fausto Melotti at Hauser and Wirth Through June 18th, 2016

Saturday, May 7th, 2016

AO On-Site – New York: The 22nd Annual Armory Show at Piers 92 & 94, March 3rd – 6th, 2016

Thursday, March 3rd, 2016

AO Auction Recap – London: Christie’s Impressionist, Modern and Art of the Surreal Evening Sales, February 2nd 2016

Tuesday, February 2nd, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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