Search Results

New York – Joan Miró: “Oiseaux dans L’Espace” at Nahmad Contemporary Through July 18th, 2015

Wednesday, July 8th, 2015

AO On Site- London: Joan Miro, “The Ladder of Escape” at Tate Modern through September 11th, 2011

Wednesday, April 27th, 2011

Go See – Barcelona: Pipilotti Rist ‘Friendly Game – Electronic Feelings’ at Fundacio Joan Miro, through November 1, 2010

Monday, July 19th, 2010

Joan Miro

Wednesday, March 12th, 2008

Kader Attia Wins 2017 Joan Miró Prize

Thursday, October 19th, 2017

New York – Alexander Calder and Joan Miró: “Constellations” at Pace and Acquavella Galleries Through June 30, 2017

Friday, June 30th, 2017

Joan Miró and Alexander Calder’s Friendship and Shared Inspiration Profiled in NYT

Sunday, April 23rd, 2017

Gallery to Recreate Joan Miró’s Studio at Armory Show

Monday, January 25th, 2016

Allegedly Fake Joan Miró Works at Center of Lawsuits in Istanbul

Friday, October 16th, 2015

Repairs and Compensation for Damaged Miro Top £200,000

Wednesday, January 9th, 2013

Go See – London: Joan Miró – The Ladder of Escape at the Tate Modern through September 11th, 2011

Thursday, September 1st, 2011

Breaking: Mona Hatoum Awarded 2011 Joan Miró Prize

Monday, February 7th, 2011

$27 million worth of Miro, Rembrandt, Matisse and Pollock stolen in Monterey, California

Wednesday, September 30th, 2009

Go See: Joan Miró, Painting and Anti-Painting, 1927-37 at MoMA, NYC through Jan. 12

Saturday, November 8th, 2008

AO Auction Recap – London: Sotheby’s Impressionist and Modern Evening Sale, June 19th, 2019

Wednesday, June 19th, 2019

AO Auction Preview – London Auction Week: June 18th – 27th, 2019

Monday, June 17th, 2019

AO Preview – New York: Frieze New York Art Fair at Randall’s Island, May 1st – 5th, 2019

Friday, April 26th, 2019

AO Auction Recap – New York: Post-War and Contemporary Evening Sales, November 14th – 15th, 2018

Thursday, November 15th, 2018

AO Auction Preview – New York Auction Week, November 11th – 15th, 2018

Friday, November 9th, 2018

AO Auction Recap – London: Impressionist and Modern Evening Sales, June 19th and 20th, 2018

Friday, June 22nd, 2018

AO Auction Preview – London: Impressionist and Modern Evening Sale, June 19th – 20th, 2018

Tuesday, June 19th, 2018

AO Auction Results – New York: Post-War and Contemporary Evening Sales, May 16th and 17th, 2018

Friday, May 18th, 2018

AO Auction Results – New York: Christie’s Impressionist and Modern Sale, May 15th, 2018

Wednesday, May 16th, 2018

AO Auction Results – New York: 19th and 20th Century Works from the Collection of David and Peggy Rockefeller at Christie’s, May 8th, 2018

Wednesday, May 9th, 2018
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Felix LA to Return with Expanded Gallery List

September 11th, 2019

Felix LA will return in 2020 with an expanded exhibitor list of 60 gallerists.  “We are thrilled to expand Felix’s community and welcome an incredible slate of new and returning exhibitors for the second edition,” founders Dean Valentine, Al Morán, and Mills Morán said in a statement. “The growth and diversification of our roster attests to the burgeoning Los Angeles art scene and the desperate need for the new type of art fair experience that Felix offered collectors and exhibitors alike.”
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Tate Modern Brings on International Curators

September 11th, 2019

Four departments at the Tate Modern have brought on new talent under the title Curator, International Art, signaling an expanded focus for the institution’s programming.  “Their significant experience and expertise will play an important part in expanding our knowledge of modern and contemporary art from Africa, South Asia, and the Middle East, furthering our ambition to present a truly international story of art through our program and collection,” says Frances Morris, Tate Modern’s director.
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Artist Nicholas Galanin on Pulling Work from Whitney Biennial

September 11th, 2019

Artist Nicholas Galanin has a piece in Art News this week as he discusses his decisions to pull work from this year’s Whitney Biennial.  “My decision to remove my work from the Whitney came when my hope for meaningful conversation was met with inaction—on the part of many but, most fatefully, by the museum, which for weeks and then months failed to issue any meaningful response to protests mounting within its walls,” he says. “For me, that inaction translated to complicity with militarized denial of the right of Indigenous people to freely move through land that we belong to.”
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