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Jussi Pylkkanen Interviewed in Forbes

Friday, July 8th, 2016

Christie’s Jussi Pylkkanen Interviewed in Art Newspaper

Wednesday, June 29th, 2016

Jussi Pylkkanen Profiled in Financial Times

Monday, November 9th, 2015

Christie’s Jussi Pylkkanen Interviewed in New York Times

Monday, January 6th, 2014

Christie’s Announces Works from Bass Collection for Fall Sale in New York

Tuesday, October 24th, 2017

Christie’s Sees 29% Drop in Sales for First Half of 2016

Thursday, July 21st, 2016

AO Auction Recap – New York: Christie’s Post-War and Contemporary Evening Sale, May 10th, 2016

Wednesday, May 11th, 2016

AO Auction Recap – New York: Christie’s “Bound to Fail” Curated Evening Sale, May 8th, 2016

Sunday, May 8th, 2016

AO Auction Recap – London: Christie’s Post-War and Contemporary Evening Sale, February 11th, 2016

Thursday, February 11th, 2016

AO Auction Recap – London: Christie’s Impressionist, Modern and Art of the Surreal Evening Sales, February 2nd 2016

Tuesday, February 2nd, 2016

Christie’s Reformating April New York Sales

Tuesday, October 6th, 2015

AO Auction Recap – London: Christie’s Post-War and Contemporary Evening Sale, June 30th, 2015

Tuesday, June 30th, 2015

AO Auction Recap – London: Christie’s Impressionist and Modern Evening Sale, June 23rd, 2015

Tuesday, June 23rd, 2015

Giacometti Sculpture May Reach $130 Million at Christie’s Next Month

Thursday, April 16th, 2015

AO Auction Recap – London: Christie’s Contemporary Evening Sale, February 11th, 2015

Wednesday, February 11th, 2015

AO Auction Recap – London: Christie’s Impressionist and Modern Evening Sale, February 4th, 2015

Thursday, February 5th, 2015

Christie’s Americas President Doug Woodham to Step Down

Friday, December 12th, 2014

AO – Auction Results: Christie’s Post War and Contemporary Art Evening Sale, May 12, 2013

Wednesday, November 13th, 2013

New York – AO Auction Results: Christie’s Contemporary Evening Sale, Wednesday, May 15th, 2013

Thursday, May 16th, 2013

AO Auction Results – London: Christie’s Impressionist and Modern Art Evening Sale, Wednesday, June 20, 2012

Thursday, June 21st, 2012

AO Newslink

Monday, June 18th, 2012

AO Auction Results – London: Post War & Contemporary Art Auction at Christie’s Brings in $60M; Record Set for Gerhard Richter

Sunday, October 16th, 2011

AO Roundup: 2008 Frieze Art Fair, Sotheby’s, Christie’s and Phillips London Auctions; Art Market Inflection Point Reached

Wednesday, October 22nd, 2008

Christie’s Holds Lead in 2014 Auction Tallies

Sunday, January 25th, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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