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New York – Kader Attia: “Reason’s Oxymorons” at Lehmann Maupin Through March 4th, 2017

Monday, February 27th, 2017

Kader Attia Accuses French Rappers of Plagiarism

Friday, December 9th, 2016

Kader Attia Wins Prix Marcel Duchamp

Wednesday, October 19th, 2016

Kader Attia Opening Project Space in Paris

Tuesday, October 18th, 2016

Kader Attia Featured in New Yorker

Wednesday, May 18th, 2016

New York – Kader Attia: “Show Your Injuries” at Lehmann Maupin Through December 14th, 2014

Sunday, December 14th, 2014

AO On-Site: The 57th Annual Venice Biennale Vernissage, May 10th – 13th, 2017

Thursday, May 11th, 2017

Artists and Cultural Groups Organize Against Marine Le Pen in France

Wednesday, May 3rd, 2017

AO On-Site – Paris: FIAC Art Fair at the Grand Palais, October 20-23rd, 2016

Thursday, October 20th, 2016

AO On-Site – London: Frieze Art Fair in Regent’s Park, October 6th – 9th, 2016

Wednesday, October 5th, 2016

WSJ Notes Increased Focus by Artists on Politics of Immigration, Identity in Contemporary Work

Sunday, January 3rd, 2016

AO Preview – Basel, Switzerland: Art Basel Art Fair, June 18th-21st, 2015

Monday, June 15th, 2015

AO On-Site – New York: The 2015 Armory Show at Piers 92 & 94, March 4th – 8th, 2015

Friday, March 6th, 2015

New York – “Here and Elsewhere” at the New Museum Through September 28th, 2014

Wednesday, September 10th, 2014

AO on Site Photoset – Paris: FIAC Art Fair, October 23rd – 27th, 2013

Sunday, October 27th, 2013

AO Fair Photoset and Recap – London: Frieze Artfair at Regent’s Park, October 17th-20th, 2013

Sunday, October 20th, 2013

Kassel: Quinquennial exhibition dOCUMENTA (13) opens in Kassel on June 9th, to run through September 16th, 2012

Monday, June 11th, 2012

Go See – Lille, France: ‘La Route de la Soie/ Silk Road: Collection of the Saatchi Gallery’ at Tri Postal through January 23rd, 2011

Saturday, January 8th, 2011

Breaking News: Charles Saatchi Donates his Gallery and over 200 works worth roughly $37.5 million to the UK to create London Museum of Contemporary art upon his retirement in 2012

Thursday, July 1st, 2010

AO on site – Final installment and news summary – Art Basel, Switzerland, sets attendance records, sets very positive tone, concludes

Monday, June 21st, 2010

AO On site – Dubai: Art Dubai Sales Exceed Expectations

Wednesday, March 24th, 2010

AO Onsite: FIAC Has Begun in Paris and will run through October 25th

Thursday, October 22nd, 2009

Go See: Unveiled: New Art From the Middle East at The Saatchi Gallery, London through May 9th, 2009

Saturday, February 7th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Yayoi Kusama Opening Her Own Museum in Tokyo

August 16th, 2017

Yayoi Kusama Infinity Room, via Art NewsArtist Yayoi Kusama is opening her own museum in Tokyo, the New York Times reports.  The five-story structure has been under construction for some time, but its purpose was just recently confirmed by David Zwirner Gallery. The museum will be directed by Tensei Tatebata, and will feature exhibitions centered around Kusama’s work.
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MoMA Extends Friday and Saturday Hours Until 9PM

August 16th, 2017

Louise Lawler. Pollyanna (adjusted to fit), distorted for the times. 2007/2008/2012. As adjusted for the MoMA exhibition WHY PICTURES NOW, 2017. Dimensions variable. Courtesy the artist and Metro Pictures. © 2017 Louise LawlerThe Museum of Modern Art will stay open until 9PM on Fridays and Saturdays for the rest of the year, effectively extending its hours of free Friday admission as well. The museum’s late hours will offer extended opportunities for visitors to browse the collection through December 30th.
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Alberto Giacometti Drawings Discovered in Holdings of Late Antiques Dealer

August 16th, 2017

Giacometti Drawings, via The GuardianA set of drawings found in a London antique shop are believed to be lost works by Alberto Giacometti, The Guardian reports. The works were found while archiving the holdings of antiques dealer Eila Grahame, whose estate records showed some indication that the works might exist, but gave little detail of their contents. “At the time we didn’t know if it was two pieces of paper, two large sketches, whether they were done on the back of a cigarette packet or whether they were done on large canvases,” says Martin Millard, a director at Cheffins auction house, which is in charge of sorting through Grahame’s estate. “We didn’t know what we were looking for.”
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