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Amsterdam – “Kazimir Malevich and the Russian Avant-Garde” at the Stedelijk Museum Through February 2nd, 2014

Wednesday, January 29th, 2014

Grave of Kazimir Malevich Buried Under Russian Housing Project

Sunday, September 1st, 2013

Go See – New York: Kazimir Malevich ‘Malevich and the American Legacy’ at Gagosian Gallery through April 30, 2011

Friday, March 11th, 2011

Go See – Berlin: Kazimir Malevich ‘Autobiography’ at the Galerija Gregor Podnar, through September 19, 2009

Monday, August 31st, 2009

Kazimir Malevich

Monday, November 24th, 2008

New York Times Reports on X-Ray of Malevich’s “Black Square”

Thursday, November 19th, 2015

London – “Malevich: Revolutionary of Russian Art” at The Tate Modern Through October 24th, 2014

Friday, August 1st, 2014

Don’t Miss – New York: ‘The Geometry of Kandinsky and Malevich’ at the Guggenheim through September 7, 2010

Tuesday, August 24th, 2010

Sotheby's hopes to smash Russian art at auction record with $60 million sale of Malevich painting in New York on November 3rd

Saturday, October 11th, 2008

Ghent Museum Embroiled in Controversy Over Fake Russian Avant-Garde Works

Thursday, January 18th, 2018

Los Angeles — Ellen Gallagher: “Accidental Records” at Hauser & Wirth Through January 28th, 2018

Monday, December 18th, 2017

AO Auction Recap – New York: Sotheby’s Impressionist and Modern Evening Sale, May 16th, 2017

Wednesday, May 17th, 2017

AO Auction Preview – New York: New York Auction Week, May 15th – 18th, 2017

Monday, May 15th, 2017

New York — “Blackness in Abstraction” at Pace Gallery Through August 19th, 2016

Monday, August 8th, 2016

New York – Sadie Benning: “Green God” at Mary Boone and Callicoon Fine Arts Through July 29th, 2016

Wednesday, July 27th, 2016

AO Auction Results – New York: Sotheby’s Impressionist and Modern Evening Sale, November 5th, 2015

Friday, November 6th, 2015

AO Auction Preview – New York: Impressionist, Modern, Post-War and Contemporary Evening Sales, November 4th-12th, 2015

Wednesday, November 4th, 2015

AO Auction Recap – London: Sotheby’s Impressionist and Modern Evening Sale, June 24th, 2015

Wednesday, June 24th, 2015

AO Auction Preview – London: Impressionist and Modern Evening Sale, June 23rd-24th, 2015

Monday, June 22nd, 2015

Sotheby’s Impressionist Sale Set to Break Records in London

Sunday, June 21st, 2015

Anish Kapoor Writes on Vantablack Pigment for Artforum

Tuesday, April 7th, 2015

AO Auction Recap – London: Sotheby’s Impressionist, Modern and Surrealist Evening Sales, February 3rd, 2015

Tuesday, February 3rd, 2015

Wall Street Journal Spotlights Collectors Aaron and Barbara Levine

Thursday, January 29th, 2015

New York – Mark Grotjahn: “Butterfly Paintings” at Blum & Poe Through June 21st, 2014

Tuesday, June 3rd, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Sotheby’s to Reset Modigliani Auction Record with Massive $150 Million Estimate this May

April 24th, 2018

Modigliani, via Art NewsSotheby’s will set a new world auction record with Amedeo Modigliani’s Nu couché (sur le côté gauche) at this month’s Impressionist and Modern Sale in New York, with an estimate of more than $150 million. The figure is the highest estimate ever placed on a work of art, and has already been confirmed as a record breaker. “This painting reimagines the nude for the modern era,” says Simon Shaw, the co-head worldwide of Sotheby’s Impressionist and modern art department.
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NYT Spotlights Museums’ Efforts to Highlight Latinx Artists

April 24th, 2018

Clarissa Tossin, via NYTA piece in the New York Times this week notes the increased focus by museums towards Latinx artists.  “We’re at a really important point in history where plural curatorial voices can show not just a survey,” says Marcela Guerrero, who was recently hired as the Whitney’s first curator specializing in Latinx artists. “We can now go deeper and start unpacking what Latino art really is.”
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Anicka Yi Interviewed in Frieze

April 24th, 2018

Anicka Yi, via FriezeAnicka Yi is interviewed in Frieze this week, discussing her practice and what she sees as the next steps for women in the arts. “In general, I learned fairly early on that cisgender, straight-identifying females tend to not help other women,” she says of her early experience in the arts. “It’s not even a conscious malicious act, in most instances. It’s a deep conditioning that somehow distancing yourself from the perceived ‘weaker pack’, with all its attendant baggage, might advance your uniqueness as an individual, making you less prone to be judged as a ‘vulnerable woman’.”
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