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Zurich – Wolfgang Tillmans: “Neue Welt” at Kunsthalle Zurich Through November 4th, 2012

Sunday, September 9th, 2012

Go See – Zurich: George Condo ‘The Lost Civilization’ at Galerie Andrea Caratsch through July 30th, 2010

Monday, June 28th, 2010

Go See – Bonn: Liam Gillick at Bundeskunsthalle through August 8, 2010

Wednesday, June 23rd, 2010

Go See – Philippe Parreno ‘MAY’ at Kunsthalle Zürich through August 16, 2009

Saturday, July 25th, 2009

Art Newspaper Interviews New Stedelijk Director Beatrix Ruf

Friday, June 20th, 2014

Wolfgang Tillmans: “From Neue Welt” at Andrea Rosen Gallery, through June 22nd 2013

Wednesday, June 12th, 2013

AO on Site – Stockholm: Sturtevant ‘Image over Image’ at Moderna Museet through August 26, 2012

Tuesday, April 10th, 2012

Sunday, January 29th, 2012

Don't Miss – New York: Eva Rothschild 'The Heart of a Thousand Petalled Lotus' at 303 Gallery through December 22, 2011

Wednesday, December 21st, 2011

AO On Site – London (with newslink summary): Frieze Art Fair 2010 opens to relatively brisk buying from still measured collectors

Thursday, October 14th, 2010

Go See – New York: Dominique Gonzalez-Foerster 'chronotopes & dioramas' presented by the Dia Art Foundation at the Hispanic Society of America through April 18, 2009

Friday, November 20th, 2009

Don’t Miss: Sam Taylor-Wood, “Yes I No,” through November 29 at White Cube Gallery, Mason’s Yard, London

Saturday, November 22nd, 2008

AO On Site (with video): Doug Aitken ‘Migration’ at 303 Gallery, Saturday, September 20, 2008

Tuesday, September 23rd, 2008

Basel, Switzerland: Art Basel 2013 Preview, June 13th-16th, 2013

Tuesday, June 11th, 2013

Paris – FIAC 39th International Contemporary Art Fair Week Preview: October 18th-21st, 2012

Wednesday, October 17th, 2012

AO Newslink

Tuesday, June 12th, 2012

AO On Site – New York: Zhang Enli at Hauser and Wirth through October 29, 2011

Thursday, September 29th, 2011

AO On Site – New York: Rodney Graham ‘MUSIC AND DANCE’ at 303 Gallery through July 2, 2010

Wednesday, June 16th, 2010

Go See – New York: Banks Violette at Gladstone Gallery through April 17, 2010

Friday, April 2nd, 2010

Go See – Chicago: Liam Gillick at the Museum of Contemporary Art, through January 10, 2010

Friday, December 11th, 2009

Galleries

Thursday, December 27th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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