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AO On-Site – Basel: Liste Art Fair at Warteck Through June 17th, 2018

Wednesday, June 13th, 2018

Paris – Cerith Wyn Evans: “as if, seeing in the manner of listening… hearing, as if looking” at Marian Goodman Through July 28th, 2017

Tuesday, July 25th, 2017

AO On-Site – Basel: Liste Art Fair at Warteck, June 13th – 18th, 2017

Thursday, June 15th, 2017

AO On-Site – Basel: LISTE Art Fair at Kulturbeiz Through June 19th, 2016

Wednesday, June 15th, 2016

Phyllida Barlow Shortlisted for Hepworth Prize

Tuesday, March 22nd, 2016

Ai Weiwei Reportedly Found Listening Devices in his Studio

Monday, October 5th, 2015

Wolfgang Tillmans Turns Gallery into Listening Center

Wednesday, September 17th, 2014

AO On Site Photoset – Basel – LISTE 17 at Art 43 Basel, 2012

Thursday, June 14th, 2012

AO on site Photoset – Art Basel 42: the Liste 16 – The young art fair in Basel

Thursday, June 16th, 2011

AO Preview – Basel, Switzerland: The Art Basel Art Fair, June 14th – 17th, 2018

Saturday, June 9th, 2018

London – Lorna Simpson: “Unanswerable” at Hauser & Wirth Through April 28th, 2018

Thursday, April 26th, 2018

AO On-Site – New York: NADA New York at Skylight Clarkson, March 8th – 11th, 2018

Sunday, March 11th, 2018

Frankfurt am Main — ‘-46,08°’ at fffriedrich through March 2nd, 2018

Sunday, March 4th, 2018

Roman Abramovic Included in U.S. Treasury’s “Kremlin Report”

Wednesday, January 31st, 2018

Lubaina Himid Wins Turner Prize

Wednesday, December 6th, 2017

Emmanuel Macron Calls for Return of African Art from European Museums

Sunday, December 3rd, 2017

New York Times Looks at Challenges Posed by Censored Work

Saturday, October 28th, 2017

NYT Runs Piece on Artists’ Vision for a Stronger Met Musuem

Monday, July 17th, 2017

Simon de Pury Suing for Commission on Record Paul Gauguin Sale

Monday, July 3rd, 2017

NPR Profiles Ongoing Clash Between Galleries and Residents in LA’s Boyle Heights

Thursday, June 29th, 2017

AO Preview – Basel, Switzerland: Art Basel Art Fair, June 15th – 18th, 2017

Tuesday, June 13th, 2017

Billionaire Developer Harry Macklowe Claiming Ownership of Full Art Collection in Divorce Proceedings

Wednesday, May 17th, 2017

New York – Sophie Calle: “Here Lie the Secrets of the Visitors of Green-Wood Cemetery” Presented by Creative Time, Through April 30th, 2042

Tuesday, May 2nd, 2017

Thomas Campbell’s Departure from Met Explored in NYT

Monday, April 3rd, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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