Search Results

London – “Tony Cragg” At Lisson Gallery Through January 12th, 2013

Tuesday, December 18th, 2012

Art Observed’s Art Basel Miami Beach 2012 Guide to Fairs and Events with Newslink Summary

Monday, December 3rd, 2012

London – Yoko Ono: “To The Light” at Serpentine Gallery Through September 9th, 2012

Saturday, September 1st, 2012

London – Olafur Eliasson’s “Little Sun” at The Tate Modern through September 23, 2012

Tuesday, August 28th, 2012

Margate: Tracey Emin “She Lay Down Deep Beneath the Sea” at Turner Contemporary through September 23, 2012

Tuesday, August 7th, 2012

New York: Christian Marclay’s ‘The Clock’ at Lincoln Center through August 1, 2012

Monday, July 30th, 2012

London: Tino Sehgal’s ‘These Associations’ at the Tate Modern, July 24 through October 28, 2012

Wednesday, July 25th, 2012

AO Summary and Links – Hong Kong: Hong Kong International Art Fair, May 17–20, 2012

Monday, May 21st, 2012

London: Serpentine Gallery commissions Ai Weiwei and Herzog & de Meuron collaboration for 2012 Pavilion Series

Tuesday, February 7th, 2012

Go See – London: Taryn Simon’s “A Living Man Declared Dead and Other Chapters” at Tate Modern until September 6th, 2011

Monday, July 4th, 2011

Go See – London: Tracey Emin’s major retrospective “Love is What You Want” at the Hayward Gallery through August 29th, 2011

Monday, May 30th, 2011

AO Newslink

Tuesday, July 10th, 2012

AO Newslink

Tuesday, May 8th, 2012

AO Fair Preview: Art Basel Miami Beach, December 4th-9th, 2013

Monday, December 2nd, 2013

Basel, Switzerland: Art Basel 2013 Preview, June 13th-16th, 2013

Tuesday, June 11th, 2013

Berlin – Peter Fischli and David Weiss at Sprüth Magers Through April 13th, 2013

Thursday, April 4th, 2013

Liverpool – “Sky Arts Ignition: Doug Aitken – The Source” at Tate Liverpool, through January 13th, 2013

Friday, October 26th, 2012

AO On Site – Art 43 Basel Final Photoset and AO News Wrapup

Monday, June 18th, 2012

AO On Site – Performa 2011 – New York: Elmgreen & Dragset at Skirball Center for the Performing Arts, November 1 & 3, 2011

Sunday, November 6th, 2011

Art News – Grayson Perry Named Royal Academician

Saturday, March 26th, 2011

Newslinks for Monday, August 3, 2009

Monday, August 3rd, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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