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New York – “Contingencies: Arte Povera and After” at Luxembourg & Dayan Through December 16th, 2017

Tuesday, December 12th, 2017

New York – “Salvatore Scarpitta: 1956 – 1964″ at Luxembourg and Dayan Through December 23rd, 2016

Monday, December 19th, 2016

New York — “In The Making” at Luxembourg & Dayan Through April 16th, 2016

Tuesday, April 5th, 2016

New York – Alex Da Corte: “Die Hexe” at Luxembourg and Dayan Through April 11th, 2015

Saturday, April 11th, 2015

New York – Mario Schifano: “The ‘60s” at Luxembourg & Dayan Through January 10th, 2015

Saturday, January 10th, 2015

New York – “The Shaped Canvas, Revisited” at Luxembourg & Dayan Through July 3rd, 2014 2014

Wednesday, July 2nd, 2014

New York – Alberto Burri: “Black Cellotex” at Luxembourg and Dayan Through April 20th, 2013

Thursday, April 18th, 2013

London – Michelangelo Pistoletto: “Pistoletto Politico” at Luxembourg and Dayan Through April 12th, 2013

Saturday, April 6th, 2013

AO On Site New York – Bjarne Melgaard: “A New Novel” at Luxembourg & Dayan through December 22nd, 2012

Monday, November 12th, 2012

AO on Site – New York: Mark Flood’s ‘The Hateful Years’ at Luxembourg & Dayan through September 12, 2012

Wednesday, August 8th, 2012

New York: Domenico Gnoli ‘Paintings 1964-1969′ at Luxembourg & Dayan through June 30th, 2012

Tuesday, June 19th, 2012

New York: ‘Grisaille’ at Luxembourg & Dayan extended through January 28, 2012

Thursday, January 26th, 2012

Go See – New York: ‘Unpainted Paintings’ at Luxembourg & Dayan through May 27th 2011

Friday, May 13th, 2011

AO Guest Editorial/Review by Patrick Meagher of The Silvershed – New York: “Jeff Koons: Made in Heaven, Paintings” at Luxembourg & Dayan, through January 21, 2010

Monday, October 11th, 2010

Daniella Luxembourg Profiled in Financial Times

Sunday, May 12th, 2013

Art Dealers Association of America Adds New Members

Saturday, July 8th, 2017

Art Basel Announces Exhibitor List

Wednesday, February 15th, 2017

Bloomberg Looks at Gallery Strategies for Selling Works at Frieze

Wednesday, October 5th, 2016

Basel, Switzerland: Art Basel 2014 Preview, June 19th-22nd, 2014

Tuesday, June 17th, 2014

AO on Site – London: Frieze Masters at Regent’s Park, October 17th-20th, 2013

Friday, October 18th, 2013

AO Newslink

Saturday, July 7th, 2012

AO Newslink

Friday, May 4th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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