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Maria Balshaw Profiled in Bloomberg

Tuesday, November 28th, 2017

Maria Balshaw Profiled in The Guardian

Saturday, July 8th, 2017

Maria Balshaw Begins Work at the Tate

Tuesday, June 6th, 2017

Maria Balshaw’s Tate Directorship Approved by Prime Minister

Tuesday, January 17th, 2017

Tate to Name Maria Balshaw as Next Director

Wednesday, January 11th, 2017

Tate Seeking Young Trustee for Museum Leadership

Friday, April 20th, 2018

Hong Kong – Art Basel Hong Kong at the Hong Kong Convention Center, March 29th – 31st, 2018

Thursday, March 29th, 2018

Helen Legg to Take Over at Tate Liverpool

Tuesday, March 20th, 2018

AO Preview – Basel, Switzerland: Art Basel Art Fair, June 15th – 18th, 2017

Tuesday, June 13th, 2017

The Guardian Asks Artists How to Respond to the Turbulent Climate of the World Today

Friday, October 6th, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Simone Leigh Wins 2018 Hugo Boss Prize

October 20th, 2018

Simone Leigh, via Art NewsSimone Leigh was has won the 2018 Hugo Boss Prize, given every two years to a contemporary artist. The prize includes a $100,000 check and an exhibition next April at the museum. 
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FBI Investigating Alleged Art Fraud

October 19th, 2018

Antonio Marco, via Associated PressA fine art consultant in New York and an interior designer in Florida are facing charges of fraud after allegedly using an elderly woman’s identity to buy a Mark Rothko for $6.4 million and an Ad Reinhardt work for $1.16 million at Sotheby’s, AP reports. “Our discussions with the purchasers raised significant suspicion and concern for the elderly client they purported to represent and we felt it was necessary to contact the FBI,” Sotheby’s said in a emailed statement. “We are pleased that the appropriate action has been taken and the victim has been protected.”
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Jenny Holzer Profiled in New York Magazine

October 19th, 2018

Jenny Holzer, via New York MagazineJenny Holzer gets a profile in New York Magazine this week, reviewing her recent work and her approach towards creating her bracing, direct brand of text art. “I have made much of my work sex-blind and anonymous so that it wouldn’t be dismissed as the work of a woman,” she says. “I don’t want to be looked at or dismissed, or even attract anybody, as a female.”
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