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Maria Balshaw Profiled in Bloomberg

Tuesday, November 28th, 2017

Maria Balshaw Profiled in The Guardian

Saturday, July 8th, 2017

Maria Balshaw Begins Work at the Tate

Tuesday, June 6th, 2017

Maria Balshaw’s Tate Directorship Approved by Prime Minister

Tuesday, January 17th, 2017

Tate to Name Maria Balshaw as Next Director

Wednesday, January 11th, 2017

Tate Seeking Young Trustee for Museum Leadership

Friday, April 20th, 2018

Hong Kong – Art Basel Hong Kong at the Hong Kong Convention Center, March 29th – 31st, 2018

Thursday, March 29th, 2018

Helen Legg to Take Over at Tate Liverpool

Tuesday, March 20th, 2018

AO Preview – Basel, Switzerland: Art Basel Art Fair, June 15th – 18th, 2017

Tuesday, June 13th, 2017

The Guardian Asks Artists How to Respond to the Turbulent Climate of the World Today

Friday, October 6th, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Jerry Saltz Triumphs Over TriBeCa’s Art World Ascendance

September 18th, 2019

Jerry Saltz pens a piece in NY Mag this week trumpeting the return of the TriBeCa art scene, as a range of galleries open in the neighborhood. “Against all odds, can New York have a good art neighborhood with a walkable density of galleries?” He asks.  “Galleries with wooden floors, flaws, and funny footprints, which are more like where artists actually make art than all those perfect, concrete-floored slick showrooms?”
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Whitney Breaks Ground on Monumental David Hammons Sculpture

September 18th, 2019

The Whitney has broken ground on David Hammons’s Day’s End (2020), a permanent install across from the museum in the southern edge of Gansevoort Peninsula.  The piece is referred to by the artist as a “ghost monument” to Gordon Matta-Clark’s 1975 work of the same name in the same location.
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Ragnar Kjartansson Interviewed on Making ‘The Visitors’

September 18th, 2019

The Guardian’s running series of highlights of 21st Century arts features Ragnar Kjartansson’s The Visitors, calling it the best artwork of the 21st Century so far.  “It has a special place in my heart, but it was such a feelgood piece that I had to make some really dark shit afterwards,” he says of his work. “No artist has a favorite piece. Maybe you can pick one when you’re really old – but it’s something I’m super proud of. It took on a life of its own.”
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