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Amanda Ross-Ho: “My Pen Is Huge” at Mitchell-Innes & Nash Through October 14th, 2017

Thursday, October 12th, 2017

Mitchell-Innes & Nash to Represent Estate of General Idea

Wednesday, June 14th, 2017

New York – Anthony Caro: “First Drawings Last Sculptures” at Mitchell-Innes & Nash Through February 4th, 2017

Monday, January 23rd, 2017

New York — GCC: “Positive Pathways (+)” at Mitchell-Innes & Nash Through November 23rd, 2016

Saturday, November 19th, 2016

New York — Jessica Stockholder: “The Guests All Crowded Into the Dining Room” at Mitchell-Innes and Nash Through October 1st, 2016

Friday, September 23rd, 2016

New York – Martha Rosler: “If You Can’t Afford to Live Here, mo-o-ove!!” at Mitchell-Innes & Nash Through July 9th, 2016

Thursday, July 7th, 2016

New York – Tom Wesselman at Mitchell-Innes and Nash Through May 28th, 2016

Tuesday, May 24th, 2016

Mary Kelly Now Represented by Mitchell-Innes & Nash

Tuesday, March 22nd, 2016

New York – Eddie Martinez: “Salmon Eye” at Mitchell-Innes and Nash Through March 5th, 2016

Thursday, February 25th, 2016

New York – Joseph Beuys: “Multiples from The Reinhard Schlegel Collection” at Mitchell-Innes and Nash Through April 18th, 2015

Tuesday, March 24th, 2015

New York – Nancy Graves at Mitchell-Innes & Nash Through March 7th, 2015

Thursday, March 5th, 2015

New York – Julian Stanczak: “From Life” at Mitchell-Innes & Nash Through December 6th, 2014

Tuesday, November 25th, 2014

New York – Justine Kurland: “Sincere Auto Care” at Mitchell-Innes and Nash Through October 11th, 2014

Wednesday, October 1st, 2014

New York – Jay DeFeo at Mitchell-Innes & Nash Through June 7th, 2014

Saturday, May 31st, 2014

New York – Leigh Ledare at Mitchell-Innes & Nash Through April 26th, 2014

Thursday, April 24th, 2014

Mitchell-Innes and Nash to Represent Jay DeFeo Trust

Friday, April 26th, 2013

New York – Virginia Overton at Mitchell-Innes & Nash Through April 6th, 2013

Friday, April 5th, 2013

New York: Catherine Opie ‘High School Football’ at Mitchell-Innes & Nash through April 14, 2012

Tuesday, April 10th, 2012

Go See – New York: Arp/Brancusi Show at Mitchell-Innes & Nash Gallery through May 6th, 2011

Thursday, April 14th, 2011

Don’t Miss-New York: Roy Lichtenstein “Reflected” at Mitchell-Innes and Nash through October 30, 2010

Friday, October 22nd, 2010

Go See – New York: Chris Martin and Joe Bradley at Mitchell-Innes & Nash through March 27, 2010

Saturday, March 20th, 2010

Mitchell-Innes and Nash

Wednesday, December 10th, 2008

AO Fair Recap – Miami Beach: Art Basel Miami Beach and Miami Art Week, December 2nd – 6th, 2015

Tuesday, December 8th, 2015

AO Preview – Basel, Switzerland: Art Basel Art Fair, June 15th – 18th, 2017

Tuesday, June 13th, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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