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Miami Herald Spotlights Challenges at MoCA North Miami

Monday, February 8th, 2016

AO On-Site – Miami: The Institute of Contemporary Art Inaugural Launch During Miami Art Week, December 2nd, 2014

Sunday, December 7th, 2014

Resolution in MoCa NoMi Split Sees Permanent Collection Divided

Saturday, November 15th, 2014

MOCA Moves Out of North Miami Home, Forms New Institution

Thursday, August 7th, 2014

New York Times Reports on Bizarre Conflicts in North Miami Museum Squabble

Tuesday, June 17th, 2014

New York Times Tunes in the Miami Museum Battle

Tuesday, May 20th, 2014

MoCA North Miami Files Suit Against City Over Maintenance, Funding

Friday, April 11th, 2014

MOCA North Miami Reportedly In Talks to Move Collection to Bass Museum

Thursday, March 13th, 2014

AO On-Site Summary and Photoset: Art Basel Miami Beach, December 4th – 9th, 2013

Thursday, December 5th, 2013

Tracey Emin Preps Show at MOCA North Miami

Monday, December 2nd, 2013

New York – Ellen Gallagher “Don’t Axe Me” at New Museum Through September 15, 2013

Friday, August 30th, 2013

Art Observed’s Art Basel Miami Beach 2012 Guide to Fairs and Events with Newslink Summary

Monday, December 3rd, 2012

AO On Site Art Basel Miami Beach 2011 – AO’s selected preview, guide, and news summary to the 10th Anniversary Art Basel Miami Beach Art Fair and associated events

Monday, November 28th, 2011

Thursday, August 11th, 2011

AO On Site – New York: Ryan Trecartin “Any Ever” at PS1 through September 3rd, 2011

Friday, July 1st, 2011

Go See – Antwerp: Jonathan Meese at Tim Van Laere Gallery Through June 25th, 2011

Friday, June 3rd, 2011

Go See – London: Tracey Emin’s major retrospective “Love is What You Want” at the Hayward Gallery through August 29th, 2011

Monday, May 30th, 2011

AO On Site fair and event preview: Art Basel Miami Beach 2010 begins today through December 5th

Tuesday, November 30th, 2010

Go See – Paris: Hernan Bas at Galerie Emmanuel Perrotin through March 13, 2010

Tuesday, January 12th, 2010

Museum of Contemporary Art San Diego

Tuesday, December 25th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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