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SFMOMA and Baltimore Museum of Art Jointly Organizing Show on Joan Mitchell

Thursday, June 14th, 2018

New Yorker Profiles MoMA’s Recent Acquisition of Chris Ofili’s “Holy Virgin Mary”

Wednesday, May 23rd, 2018

MoMA Announces Major Acquisition of Works on Paper Collection

Friday, May 18th, 2018

New York – Maria Lassnig: “New York Films 1970–1980″ at MoMA PS1 Through June 18th, 2018

Friday, April 27th, 2018

MoMA Acquires Famed Chris Ofili Portrait

Thursday, April 19th, 2018

Amanda Hicks Joins MoMA as Director of Communications

Tuesday, April 17th, 2018

MoMa and Neue Galerie Acquire Work by Paula Modersohn-Becker

Sunday, November 26th, 2017

Woman Mails Stolen Carolee Schneeman Photos Back to MoMA PS1

Tuesday, November 14th, 2017

MoMA’s Kathy Halbreich to Head Rauschenberg Foundation

Thursday, September 28th, 2017

New York – Robert Rauschenberg: “Among Friends” at MoMA Through September 17th, 2017

Tuesday, September 12th, 2017

Fondation Luis Vuitton to Present Work from MoMA Collection in Paris

Monday, September 11th, 2017

New York – Maureen Gallace: “Clear Day” at MoMA PS1 Through September 10th, 2017

Thursday, September 7th, 2017

New York – “Past Skin” at MoMA PS1 Through September 10th, 2017

Saturday, September 2nd, 2017

Ruba Katrib Joins MoMA PS1 as Curator

Friday, August 25th, 2017

MoMA Extends Friday and Saturday Hours Until 9PM

Wednesday, August 16th, 2017

New York – Jenny Sabin Studio’s ‘Lumen’ on view at MoMA PS1 Through September 4th, 2017

Thursday, August 10th, 2017

MoMA Appoints Michelle Elligott as Chief of Archives, Library and Research Collections

Thursday, August 3rd, 2017

Jerry Saltz Tours MoMA Expansion in New York Magazine

Friday, July 28th, 2017

New York – Louise Lawler: ‘WHY PICTURES NOW’ at MoMA Through July 30th, 2017

Thursday, July 20th, 2017

Hedge Fund Billionaire Steven Cohen Donates $50 Million to MoMA Capital Campaign

Thursday, June 29th, 2017

MoMA to Unveil Renovation Plans This Week

Thursday, June 1st, 2017

New York – Francis Picabia: “Our Heads Are Round so Our Thoughts Can Change Direction” at MoMA Through March 19th, 2017

Wednesday, March 15th, 2017

New York – Sascha Braunig: “Shivers” at MoMA PS1 Through March 5th, 2017

Saturday, March 4th, 2017

Protestors at MoMA Demand Ouster of Trump Advisor from Board

Thursday, February 23rd, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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