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MoMA Employees Demonstrate in Lobby Over Contract Negotiations

Tuesday, August 14th, 2018

New York – Adrian Piper: “A Synthesis of Intuitions, 1965–2016″ at MoMA Through July 20th, 2018

Tuesday, July 17th, 2018

Curator Nikki Columbus Accuses MoMA PS1 of Discrimination Over Her Pregnancy

Friday, July 13th, 2018

SFMOMA and Baltimore Museum of Art Jointly Organizing Show on Joan Mitchell

Thursday, June 14th, 2018

New Yorker Profiles MoMA’s Recent Acquisition of Chris Ofili’s “Holy Virgin Mary”

Wednesday, May 23rd, 2018

MoMA Announces Major Acquisition of Works on Paper Collection

Friday, May 18th, 2018

New York – Maria Lassnig: “New York Films 1970–1980″ at MoMA PS1 Through June 18th, 2018

Friday, April 27th, 2018

MoMA Acquires Famed Chris Ofili Portrait

Thursday, April 19th, 2018

Amanda Hicks Joins MoMA as Director of Communications

Tuesday, April 17th, 2018

MoMa and Neue Galerie Acquire Work by Paula Modersohn-Becker

Sunday, November 26th, 2017

Woman Mails Stolen Carolee Schneeman Photos Back to MoMA PS1

Tuesday, November 14th, 2017

MoMA’s Kathy Halbreich to Head Rauschenberg Foundation

Thursday, September 28th, 2017

New York – Robert Rauschenberg: “Among Friends” at MoMA Through September 17th, 2017

Tuesday, September 12th, 2017

Fondation Luis Vuitton to Present Work from MoMA Collection in Paris

Monday, September 11th, 2017

New York – Maureen Gallace: “Clear Day” at MoMA PS1 Through September 10th, 2017

Thursday, September 7th, 2017

New York – “Past Skin” at MoMA PS1 Through September 10th, 2017

Saturday, September 2nd, 2017

Ruba Katrib Joins MoMA PS1 as Curator

Friday, August 25th, 2017

MoMA Extends Friday and Saturday Hours Until 9PM

Wednesday, August 16th, 2017

New York – Jenny Sabin Studio’s ‘Lumen’ on view at MoMA PS1 Through September 4th, 2017

Thursday, August 10th, 2017

MoMA Appoints Michelle Elligott as Chief of Archives, Library and Research Collections

Thursday, August 3rd, 2017

Jerry Saltz Tours MoMA Expansion in New York Magazine

Friday, July 28th, 2017

New York – Louise Lawler: ‘WHY PICTURES NOW’ at MoMA Through July 30th, 2017

Thursday, July 20th, 2017

Hedge Fund Billionaire Steven Cohen Donates $50 Million to MoMA Capital Campaign

Thursday, June 29th, 2017

MoMA to Unveil Renovation Plans This Week

Thursday, June 1st, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Peter Paul Rubens Work to Return to Antwerp for Research and Exhibition

August 15th, 2018

Peter Paul Rubens, The Massacre of the Innocents, via Art NewspaperPeter Paul Rubens’s The Massacre of the Innocents will travel to the Rubenshuis museum in Antwerp this fall from the Art Gallery of Ontario, Art Newspaper reports.  The painting, last sold in 2002 for £49.5 million, will be a part of research projects during its loan. “We can imagine with disbelief that he painted as much as he did within that relatively small space over a relatively short period of time… He establishes what is arguably the most productive artistic studio of all time to date in that space,” says Sasha Suda, the AGO’s curator of European art.
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Münster Draws Closer to Purchasing Nicole Eisenman Sculpture

August 15th, 2018

Nicole Eisenman, Sketch for a Fountain (2017). Photo: Henning RoggeNicole Eisenman and Anton Kern, have agreed to significantly reduce the price for the fountain sculpture requested by the City of Münster, putting the city’s fundraising efforts much closer to completion. “We wanted the bulk of the funding to come from Münster citizens,” says dealer Maria Galen, who has led the push for the sculpture. “But we have also applied to some foundations, and we don’t yet know what we will get. We are very confident.”
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Artist Withdraws Work from Anton Kern Show Following Criticism

August 15th, 2018

Ajay Kurian, via Art NewspaperArtist Jamie Isenstein has withdrawn her work from a summer group exhibition at Anton Kern Gallery following criticism of what some deem inadequate critique of racist subject matter.  The show, which aimed to address Peter Sellers’s film The Party (in which the lead actor wears brown face), drew criticism from artists Ajay Kurian and Vijay Masharani for failing to fully address the racist framework of the film.  “I realized that if I expect the show to address racism, I also have to address it. I should have thought longer about my assumption that other artists would do it for me,” Isenstein said.
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