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Miami Herald Spotlights Challenges at MoCA North Miami

Monday, February 8th, 2016

AO On-Site – Miami: The Institute of Contemporary Art Inaugural Launch During Miami Art Week, December 2nd, 2014

Sunday, December 7th, 2014

Resolution in MoCa NoMi Split Sees Permanent Collection Divided

Saturday, November 15th, 2014

MOCA Moves Out of North Miami Home, Forms New Institution

Thursday, August 7th, 2014

New York Times Reports on Bizarre Conflicts in North Miami Museum Squabble

Tuesday, June 17th, 2014

New York Times Tunes in the Miami Museum Battle

Tuesday, May 20th, 2014

MoCA North Miami Files Suit Against City Over Maintenance, Funding

Friday, April 11th, 2014

MOCA North Miami Reportedly In Talks to Move Collection to Bass Museum

Thursday, March 13th, 2014

AO On-Site Summary and Photoset: Art Basel Miami Beach, December 4th – 9th, 2013

Thursday, December 5th, 2013

Tracey Emin Preps Show at MOCA North Miami

Monday, December 2nd, 2013

New York – Ellen Gallagher “Don’t Axe Me” at New Museum Through September 15, 2013

Friday, August 30th, 2013

Art Observed’s Art Basel Miami Beach 2012 Guide to Fairs and Events with Newslink Summary

Monday, December 3rd, 2012

AO On Site Art Basel Miami Beach 2011 – AO’s selected preview, guide, and news summary to the 10th Anniversary Art Basel Miami Beach Art Fair and associated events

Monday, November 28th, 2011

Thursday, August 11th, 2011

AO On Site – New York: Ryan Trecartin “Any Ever” at PS1 through September 3rd, 2011

Friday, July 1st, 2011

Go See – Antwerp: Jonathan Meese at Tim Van Laere Gallery Through June 25th, 2011

Friday, June 3rd, 2011

Go See – London: Tracey Emin’s major retrospective “Love is What You Want” at the Hayward Gallery through August 29th, 2011

Monday, May 30th, 2011

AO On Site fair and event preview: Art Basel Miami Beach 2010 begins today through December 5th

Tuesday, November 30th, 2010

Go See – Paris: Hernan Bas at Galerie Emmanuel Perrotin through March 13, 2010

Tuesday, January 12th, 2010

Museum of Contemporary Art San Diego

Tuesday, December 25th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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New York — “Words Without Thoughts Never to Heaven Go” at Almine Rech Gallery Through December 16th, 2017

December 14th, 2017

Words Without Thoughts Never to Heaven Go (Installation View)
Words Without Thoughts Never to Heaven Go (Installation View)

Almine Rech Gallery, one of Paris’s foremost galleries, opened its first New York location more than a year ago on the Upper East Side, bringing with it a unique program that mixes a strong artist roster with a consistently adventurous curatorial project.  For its most recent venture, the gallery has brought together key figures from the canon of 20th century Western art for Words Without Thoughts Never to Heaven Go. Adapting its title from a line in Shakespeare’s Hamlet, the exhibition investigates ways artists use text as an allegorical element. Serving as a chronological and thematic starting point to the exhibition is Être ou ne pas être, Picasso’s 1912 painting considered as one of the foremost examples of appropriation of text in modern painting. Declaring “to be or not be” in French with gouache on paper, Picasso not only pays homage to one of the most emblematic texts ever written, but he also questions the mimetic essence of a painting. Can a painting of words serve to depict an image?
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Clearing Gallery Opens Shop Uptown

December 14th, 2017

Clearing Gallery's uptown space, via Art NewsClearing Gallery has opened a new space in New York City, setting up a second location at 43 East 78th Street. “We have private dealers, galleries, and museums around, so it’s a super location,” says gallery owner Olivier Babin. “As much as Bushwick is off the beaten path, this is in the center of everything. I mean, we’re across the street from the Carlyle!”
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American Collectors Rarely Sell Prized Works Once Purchased

December 13th, 2017

Christie's, via NY postA new study finds that few American art collectors sell their works once they have purchased them, the New York Post reports. “Collectors don’t apply the same principles to buying art that they would to a typical investment portfolio of stocks and bonds,” says John Mathews, head of private wealth management and ultra-high net worth at UBS Americas. “It is important, however, to institute management structures to ensure their legacy remains protected, correctly valued and insured.”
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