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Detroit Institute of Arts Makes Renewed Effort Towards Contemporary Work with New Curatorial Hires

Monday, November 28th, 2016

Detroit Institute of Arts Volunteer Donates $1.7 Million to Museum

Thursday, January 14th, 2016

New York – Ellen Gallagher “Don’t Axe Me” at New Museum Through September 15, 2013

Friday, August 30th, 2013

Mike Kelley’s “Mobile Homestead” to Open in Detroit

Wednesday, April 17th, 2013

AO On Site – New York: Hernan Bas ‘Occult Contemporary’ at Lehmann Maupin through April 21, 2012

Wednesday, April 4th, 2012

AO On Site: The 76th Whitney Biennial 2012 VIP Pre-Show and Overview at the Whitney Museum through May 27, 2012

Thursday, March 8th, 2012

New York: The populist voice of Diego Rivera’s ‘Murals for The Museum of Modern Art’ at The MoMA through May 14, 2012

Friday, March 2nd, 2012

AO On Site fair and event preview: Art Basel Miami Beach 2010 begins today through December 5th

Tuesday, November 30th, 2010

AO Onsite – The Whitney Biennial: 2010 opens at the Whitney Museum of American Art on the Upper East Side in New York

Sunday, February 28th, 2010

Go See – Berlin: Jake & Dinos Chapman’s ‘Shitrospective’ at Contemporary Fine Arts through January 14, 2010

Sunday, January 3rd, 2010

Art Observed Newslinks for Sunday, December 20th, 2009

Sunday, December 20th, 2009

Mike Kelley’s ‘Mobile Homestead Profiled in NYT’

Thursday, March 9th, 2017

AO Preview – New York: Frieze Week, May 13th-17th, 2015

Tuesday, May 12th, 2015

London – Francesca Woodman: “Zigzag” at Victoria Miro Through October 4th, 2014

Saturday, September 27th, 2014

Wakefield – Dana Schutz at The Hepworth Wakefield Gallery Through January 26th, 2014

Sunday, January 19th, 2014

James Lee Byars, “Early Works and ‘The Angel'” at Michael Werner London through March 16, 2013

Saturday, March 9th, 2013

AO On Site with photoset – New York: Opening of Matthew Barney ‘DJED’ at Gladstone Gallery through October 22, 2011

Thursday, October 6th, 2011

AO On Site – Armory Show 2010 Opens in New York

Friday, March 5th, 2010

Go See – New York: New Photography 2009 at MoMA through January 11, 2010

Monday, October 19th, 2009

Newslinks for Friday September 12, 2008

Friday, September 12th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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