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New York – Katherine Bernhardt: “GREEN” at Canada Gallery Through February 11th, 2018

Monday, January 15th, 2018

NADA New York Announces Exhibitor List for 2018

Friday, January 5th, 2018

Canada Taps Inuit Video Collective Imusa for 2019 Venice Biennale

Monday, December 18th, 2017

AO On-Site – Miami: NADA Miami at Ice Palace Studios, December 7th – 10th, 2017

Saturday, December 9th, 2017

NADA Miami Beach Launches Acquisition Fund for PAMM

Wednesday, October 4th, 2017

NADA Adds Thirteen New Galleries to Membership Roster

Monday, September 11th, 2017

NADA Miami Beach Awards International Gallery Prize

Saturday, September 2nd, 2017

NADA Miami Beach Announces 2017 Exhibitor List

Tuesday, August 22nd, 2017

NADA New York Moves to West Soho for 2018

Friday, August 11th, 2017

AO On-Site – New York: NADA NY at Skylight Clarkson North, March 2nd – 5th, 2016

Sunday, March 5th, 2017

NADA New York to Donate Half of Ticket Sales to ACLU

Wednesday, February 8th, 2017

NADA Names New Member Galleries, President of Board

Monday, January 30th, 2017

NADA New York Announces Exhibitor List

Wednesday, January 11th, 2017

AO On-Site – Miami Beach: NADA at the Deauville Resort and Hotel, December 1st – December 4th, 2016

Friday, December 2nd, 2016

NADA New York Moves to March During Armory Week

Thursday, October 20th, 2016

NADA Announces 2016 Exhibitors List

Friday, September 23rd, 2016

NADA Returns to Deauville This Year

Wednesday, August 31st, 2016

NYT Charts Struggles Between Garcia Lorca Foundation and City of Granada

Tuesday, July 12th, 2016

NADA Announces Group of New Member Galleries as it Expands on West Coast

Tuesday, June 21st, 2016

New York – NADA New York at Basketball City on Pier 36, May 5th – 8th, 2016

Saturday, May 7th, 2016

Canada Announces Major Boost to Arts Funding

Thursday, March 24th, 2016

NADA New York Announces Exhibitor List

Saturday, March 19th, 2016

AO On-Site – Miami Beach: NADA Art Fair at the Fontainebleau, December 3rd – 5th, 2015

Sunday, December 6th, 2015

Canada’s New Arts Minister Promises to Double Federal Arts Funding

Wednesday, November 11th, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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