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Lawrence Abu Hamdan wins 2016 Nam June Paik Prize

Friday, October 28th, 2016

Hong Kong – Nam June Paik: “The Late Style” at Gagosian Gallery Through November 7th, 2015

Wednesday, October 28th, 2015

Gagosian to Take Over Representation of Nam June Paik Estate

Wednesday, August 12th, 2015

New York – Nam June Paik: “Becoming Robot” at the Asia Society Through January 4th, 2014

Tuesday, November 4th, 2014

Camille Henrot Wins Nam June Paik Prize

Monday, September 29th, 2014

Nam June Paik

Monday, March 31st, 2008

AO Preview – Basel, Switzerland: Art Basel Art Fair, June 15th – 18th, 2017

Tuesday, June 13th, 2017

Paris – Jean Dupuy: “The Collective Years (1973-1983)” at Galerie Louevenbruck Paris Through June 15th, 2013

Friday, June 14th, 2013

New York – “A Luta Continua: The Sylvio Perlstein Collection” at Hauser & Wirth Through July 27th, 2018

Sunday, May 27th, 2018

AO On-Site – New York: The Armory Show at Piers 92 & 94, March 8th – 11th, 2018

Saturday, March 10th, 2018

AO Preview – New York: The Armory Show Art Week, March 8th – 11th, 2018

Tuesday, March 6th, 2018

New York Times Profiles Instrumental Electronics Technician for Downtown Artists

Saturday, December 24th, 2016

New York – “America is Hard to See” the Debut Exhibition at the Newly Completed Whitney Museum, Through September 27th. 2015

Monday, April 27th, 2015

AO On-Site – New York: The ADAA Art Show, March 3rd-8th, 2015

Saturday, March 7th, 2015

ADAA Announces Gallery List for 2015 Art Show

Tuesday, September 23rd, 2014

AO on site Photoset – Paris: FIAC Press Preview, October 23rd, 2013

Thursday, October 24th, 2013

New York – James Turrell at The Guggenheim Museum Through September 25th, 2013

Friday, August 9th, 2013

AO Interview – New York: Peter Campus “now and then” at Bryce Wolkowitz Gallery

Sunday, January 13th, 2013

AO Newslink

Friday, July 20th, 2012

Deceased Artists

Thursday, July 7th, 2011

AO On Site for the 54th Venice Biennale 2011: Preview (with photoset) of Christoph Schlingensief’s German Pavilion

Friday, June 3rd, 2011

AO Newslinks for Thursday, May 7th, 2009

Thursday, May 7th, 2009

AO On Site – Venice Biennale – Liam Gillick at the German Pavilion

Friday, June 5th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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