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Omer Fast Sees Avid Protests Over Installation in Chinatown

Saturday, October 21st, 2017

Berlin – Omer Fast: “Talking is not always the solution” at Martin-Gropius-Bau through March 12th, 2017

Tuesday, January 24th, 2017

New York — Omer Fast at James Cohan Through May 7th, 2016

Monday, May 9th, 2016

Omer Fast Interviewed in New York Times

Friday, October 4th, 2013

Guardian, U.K. Publishes Selection From Omer Fast’s ‘What the Drone Saw’

Monday, July 29th, 2013

Go See – Sligo, Ireland: Omer Fast’s “The Tunnel” at The Model through November 27th, 2011

Monday, September 5th, 2011

Go See – Amsterdam: Omer Fast at The Netherlands Media Art Institute through until July 23rd, 2011

Friday, July 15th, 2011

Go See – Berlin: Omer Fast ‘Talk Show’ at Arratia Beer through June 12th, 2010

Thursday, June 3rd, 2010

Go See – New York: Omer Fast at Postmasters Gallery through February 13 and Whitney Museum of American Art through February 14, 2010

Wednesday, January 20th, 2010

AO Preview – Basel, Switzerland: Art Basel Art Fair, June 15th – 18th, 2017

Tuesday, June 13th, 2017

Kassel: Quinquennial exhibition dOCUMENTA (13) opens in Kassel on June 9th, to run through September 16th, 2012

Monday, June 11th, 2012

Living Artists

Thursday, July 7th, 2011

AO On Site: WHITNEY BIENNIAL 2008

Saturday, March 8th, 2008

Whitney 2008 Biennial Artists Announced

Wednesday, December 5th, 2007

Auctionata Acquires Valuation Site ValueMyStuff

Wednesday, October 28th, 2015

AO Preview – Miami: Art Basel and Miami Art Week, December 3rd-7th, 2014

Sunday, November 30th, 2014

New York – Mark Flood: “Insider Art Fair” and “Available NASDAQ Symbol” at Center548 and Zach Feuer

Saturday, May 31st, 2014

Reporter Tracks Down Owners of Nazi-Looted Paintings

Monday, February 3rd, 2014

Wednesday, March 28th, 2012

Doha, Qatar: Takashi Murakami at the Museum of Islamic Art through June 24, 2012

Thursday, March 1st, 2012

New York: Jon Kessler 'The Blue Period' at Salon 94 Bowery through March 10

Monday, February 27th, 2012

Taipei, Taiwan: Ai Weiwei 'Ai Weiwei, Absent' at Taipei Fine Arts Museum through January 29, 2012

Thursday, January 19th, 2012

Don't Miss – New York: Eva Rothschild 'The Heart of a Thousand Petalled Lotus' at 303 Gallery through December 22, 2011

Wednesday, December 21st, 2011

Monday, September 19th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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