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New York – Oscar Tuazon at Luhring Augustine Through June 16th, 2018

Monday, June 4th, 2018

Paris – Oscar Tuazon: “Shelters” at Chantal Crousel Through April 16th, 2016

Sunday, April 10th, 2016

New York – Oscar Tuazon, Gardar Eide Einarsson and Matias Faldbakken at Team Gallery Through June 1st, 2014

Friday, May 30th, 2014

AO On Site – New York: Nicholas Party 'Still life, Stones and Elephants,' Jimmie Durham 'Marquette for a Museum of Switzerland,' and Pati Hertling 'Heart to Hand' featuring Zoe Leonard, Klara Liden, Adam Pendleton, Oscar Tuazon, and Elias Hansen at Swiss Institute through April 15, 2012

Tuesday, April 3rd, 2012

AO On-Site – Paris: FIAC Art Fair at The Grand Palais, October 19th – 22nd, 2017

Thursday, October 19th, 2017

AO Preview – Paris: FIAC Art Fair at the Grand Palais, October 19th – 22nd, 2017

Wednesday, October 18th, 2017

AO Preview – Venice Biennale Vernissage, May 10th – 13th, 2017

Monday, May 8th, 2017

Basel – AO On-Site: Art Basel Art Fair, June 16th – 19th, 2016

Tuesday, June 14th, 2016

AO Recap and photoset: Art Basel Miami Beach, December 3rd-8th, 2013

Tuesday, December 10th, 2013

AO Recap – Art Basel 2013 in Basel Switzerland, June 13th-16th, 2013

Monday, June 17th, 2013

Go See – London: “Shape of Things to Come” at Saatchi Gallery through October 16th, 2011

Wednesday, August 31st, 2011

Don’t Miss – Los Angeles: “It’s Great to Be in New Jersey” curated by Gardar Eide Einarsson at Honor Fraser through August 27th, 2011

Sunday, August 21st, 2011

AO On Site Preview and Summary: 54th Venice Biennale 2011 Begins This Week

Monday, May 30th, 2011

Go See – Stockholm: Gardar Eide Einarsson ‘Power Has a Fragrance’ at Bonniers Konsthall through June 12, 2011

Thursday, March 3rd, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jonas Wood Profiled in NYT

March 25th, 2019

Jonas Wood gives the New York Times a tour of his East Hollywood Studio, showing off a series of works from his own practice and his personal collection. “I’ve been all-in on painting since I was younger, and I realized that it was because of a lot of fear that it would all go away,” he says. “That’s not how I want to paint in the future. The pressure and psychology of that setup isn’t totally right. I would like to build bodies of work outside the calendar schedule of art fairs and shows for a little while. I love painting, and I think I can paint without having a giant carrot in front of me. I don’t think that I’m the best at painting, and I want to get better at it.”
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Serpentine Under Fire Over Pavilion Architect’s Controversial Use of Interns

March 25th, 2019

The Serpentine Gallery is facing criticism over reports that the architect for this year’s pavilion, Junya Ishigami + Associates, uses unpaid interns working 12-hour shifts. “I considered [the internship] for a second, but then later I just realized how ridiculous the terms are,” one student said of the internship. “I can’t afford to do that, considering that Tokyo is not at all a cheap place to live.”
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The Guardian Explores the Challenges and Risks of Shipping and Transporting Masterpieces

March 25th, 2019

The Guardian has a piece this week on the logistics and challenges of shipping masterpiece artworks.  “At the end of the day, you have to make your peace with that,” one conservator says of the stressful and threatening conditions that works being shipped occasionally face. “You have to think what art is for.”
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