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Paris – Oscar Tuazon: “Shelters” at Chantal Crousel Through April 16th, 2016

Sunday, April 10th, 2016

New York – Oscar Tuazon, Gardar Eide Einarsson and Matias Faldbakken at Team Gallery Through June 1st, 2014

Friday, May 30th, 2014

AO On Site – New York: Nicholas Party 'Still life, Stones and Elephants,' Jimmie Durham 'Marquette for a Museum of Switzerland,' and Pati Hertling 'Heart to Hand' featuring Zoe Leonard, Klara Liden, Adam Pendleton, Oscar Tuazon, and Elias Hansen at Swiss Institute through April 15, 2012

Tuesday, April 3rd, 2012

AO On-Site – Paris: FIAC Art Fair at The Grand Palais, October 19th – 22nd, 2017

Thursday, October 19th, 2017

AO Preview – Paris: FIAC Art Fair at the Grand Palais, October 19th – 22nd, 2017

Wednesday, October 18th, 2017

AO Preview – Venice Biennale Vernissage, May 10th – 13th, 2017

Monday, May 8th, 2017

Basel – AO On-Site: Art Basel Art Fair, June 16th – 19th, 2016

Tuesday, June 14th, 2016

AO Recap and photoset: Art Basel Miami Beach, December 3rd-8th, 2013

Tuesday, December 10th, 2013

AO Recap – Art Basel 2013 in Basel Switzerland, June 13th-16th, 2013

Monday, June 17th, 2013

Go See – London: “Shape of Things to Come” at Saatchi Gallery through October 16th, 2011

Wednesday, August 31st, 2011

Don’t Miss – Los Angeles: “It’s Great to Be in New Jersey” curated by Gardar Eide Einarsson at Honor Fraser through August 27th, 2011

Sunday, August 21st, 2011

AO On Site Preview and Summary: 54th Venice Biennale 2011 Begins This Week

Monday, May 30th, 2011

Go See – Stockholm: Gardar Eide Einarsson ‘Power Has a Fragrance’ at Bonniers Konsthall through June 12, 2011

Thursday, March 3rd, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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